Of all objects on this planet, the vinyl record and its packaging is probably the one thing that I treasure the most. The size of a 12" or even a 7" piece of vinyl strikes me as the perfect size to appreciate the work that is in front of me. Some people have pictures of their family or pets on their I-Phones, and some even have food, but for me, it's the picture of a favorite album that warms my heart. That one image brings me to a different world or a landscape that is redefined to another level of existence. I go to record stores, not only to buy music but also to look at the album covers. I very much treat a visit to a record store as if one visits a museum or gallery. It's interesting to know that many artists feel the same way, regarding the vinyl album and its cover.
"Art & Vinyl" (FRAENKEL GALLERY / EDITIONS ANTOINE DE BEAUPRÉ) is edited by Jeffrey Fraenkel and Antoine de Beaupré, whose records are in his collection that is in this book. He is also the founder of Librarie Galerie 213 in Paris. There are many books on the vinyl record as music and as a visual, but "Art & Vinyl" is the best volume on that subject matter. For one, this expensive book is superbly designed, and the reproductions of album covers and their vinyl is perfection at work.
The focus is on the fine arts and not the commercial arts. All the covers and designs in this book are by well-known artists and photographers. And there are surprises here. I didn't know for instance that Gerhard Richter did a painting on a Glenn Gould album. Or that Yves Klein designed the album and label for a recording of a lecture he gave at a museum. Beyond that, there are the famous works, for instance, Sgt. Pepper's Lonely Hearts Club Band,"(Peter Blake & Jann Haworth), "Best of Cream" (Jim Dine), "Exile on Main Street" (Robert Frank), and others.
There are also artists who did covers, but also made the recordings as well. Joseph Beuys, Yves Klein, Jean Dubuffet, Christian Marclay and Wolfgang Tillmans all made their records under their name. Noticing the relationship between the visual and recording arts is interesting. Many musicians do visual art, so why not are artists making music? In a sense it's another platform for these talented people to explore, and "Art & Vinyl" covers that field quite well. Not only a remarkable book, but an essential book for designers, but also to expose the thread between high-end artists and the vinyl graphic and recording world.
Scott Becker was the publisher and editor of a really interesting magazine, OPTION, that came out six times a year. They focused exclusively on independent or underground music. Not only rock but experimental and jazz as well. I find this show interesting because of my interest in music, the music world, and publishing. The fact that this show was taped in 1986, it's funny that the issues of publication are still with us, for instance making zines. OPTION was tailored made for the adventuresome music lover. I miss the nature of music publications like OPTION. Come to think of it, the review section in WIRE reminds me very much of OPTION. A classic Tea With Tosh episode! Oh, and forgive some of the visuals/sound toward the end of the show. We did the best we can, but even tape gets old. - Tosh Berman
A Tea With Tosh show with Shawn Stern of Youth Brigade. Punk Rock /DIY aesthetics that at the time (and still) fascinated with that form of communication. At the time of this taping (1987) Youth Brigade did a lot of shows in Los Angeles and to this day have their record label BYO (Better Youth Organization) Records. I was also interested in the concept of having and owning an indie label. Youth Brigade (sometimes known as The Brigade) were or still, a major presence in Los Angeles Punk Rock world. Thanks to Maria Niles for bringing Youth Brigade to my attention. - Tosh Berman.
Happy Birthday Elliott Gould
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Happy Birthday to one of the all-time greats and one of the coolest of the
cool Elliott Gould. From my 2019 New Beverly interview with Elliott Gould
about ...