Showing posts with label Nicky Hopkins. Show all posts
Showing posts with label Nicky Hopkins. Show all posts

Sunday, March 21, 2021

Jefferson Airplane "Volunteers" 1969 (RCA)

 


I like it but don't love Jefferson Airplane. I'm very fond of vital voices within the band, mostly Marty Balin with a side dish of Grace Slick. Their 1969 album, "Volunteers," is the Hippie Revolution's height, and I like it for that reason. Although I do have to say that there is also another voice on this album that I adore. It's Nicky Hopkins piano playing throughout the record. It's an interesting road that leads Nicky from being the piano player of the British Invasion to the heart of the San Francisco Hippie scene. His playing is lyrical, and at times I just listen to his keyboard work and not listen to the rest of the music. Which is an odd thing to do, but the joy of hearing the piano among the guitars, drums, and voices is really the essential part of the music. 

"Hey Fredrick" is Grace magic. Her voice soars, the guitars (Paul Kanter and especially Kaukonen) twang with intensity, jazzy bass by Jack Cassidy, and Nicky's piano underpin the music as like adding salted butter to a slice of warm french bread. Eight minutes or so of bliss. The great thing about the Airplane is that they have the folk music aesthetic as a foundation, but it can lead to free-form jazzy rock with no fear of falling off the ledge. So yes, I don't love everything they do, but when they hit the spot, it's a bullseye. 



Saturday, February 2, 2013

"And On Piano... Nicky Hopkins" by Julian Dawson





I don't know why I am surprised about this, but this is a very good and enjoyable biography on one of the great session musicians ever - Nicky Hopkins. He played piano on anyone who's important in Rock n' Roll music.  The Beatles, The Stones ( a lot), The Who,  The Kinks, Creation, and his first recording session work is with Lord Sutch on the classic 'Jack The Ripper' produced by mega-genius Joe Meek, for god-sake!

In fact more likely if you hear a piano key on any good recording artist from the 1960's through out the 70's it is more likely by the hands and talent of Hopkins.  He was everywhere!  He was at San Francisco and did all the essential recordings by Steve Miller Band, Quicksilver, and then he was on every Stones album from "Between The Buttons" to "Goat Head's Soup."   My favorite work by him, by far, is on The Kinks' "Village Green Preservation Society" album.  That is superb.

The author Julian Dawson did a fantastic job in research, and writing.  Its not easy to write a biography on a somewhat obscure figure in music (although known to fanatics like me), but he makes an interesting narrative that will appeal to the fans, and those who are interested in the side-stories of Rock N' Roll history.  So in that case, this book is pretty much an essential volume that a Rock fan will want -no matter what their taste in music is.

And Nicky's life had its superb highs and really depressing lows.  A product of a loving family, but ill health for the most of his short life.  His career went up and down with additional drug and mostly drink habits.   Scientology took him out of the physical addiction in the end, but still, he suffered from how the music world was changing.  But in the nutshell it sounds like he was very much loved by the music community of its time - and you also get an inside look into the world of The Stones, which doesn't seem to be a great place to be if you are a creative musician contributing to the Stones' recordings.  The Jagger-Richard songwriting credit, is sometimes questionable.

Even though his death was tragic, it ended on a high note where he ends up in Nashville and lovin' it.   Not the easiest book to find, but music lover you, do seek it out and read it!