Showing posts with label Reco-Fan. Show all posts
Showing posts with label Reco-Fan. Show all posts

Saturday, March 3, 2018

March 4, 2018 (Tokyo) by Tosh Berman

Jun Togawa
March 4, 2018 (Tokyo) by Tosh Berman



I spent a great deal of my time today at RECOfan in Shibuya.  Those who know me are quite aware that I’m addicted to vinyl record buying.  It’s an obsession that borders on a sexual disorder.   Before I left for Tokyo, I made a pledge that I wrote in my notebook that I would not purchase one album on this trip.  In fact, I will not even go to a record store.   After making this promise to myself, I felt right about it.   To eliminate an obsession or a passion cleans the soul.  I decided that what’s important to me is to make new friends here and be entirely devoted to listening and understanding my fellow human beings.   Everything went well until I arrived to meet a friend in Shibuya. 

I arranged a meeting at a location that is a distance, or at the very least; I thought it was,  from any record store, and it was at the Shibuya Beam that our get together was arranged.  I was supposed to meet him at the anime shop on the fifth floor, but another person in the elevator was going to the fourth floor.  As he left the elevator, I notice it was RECOfan, one of the more exceptional music stores in Shibuya.   Without thinking or even remembering my pledge, I got out of the lift. 



My friend is ordinarily late, so I thought there is no harm in just to look around.  As I searched in their new arrival section of used records, I found a copy of a Jun Togawa album that I have wanted for years.   The album is called 好き好き大好き, and it has been since the 1980s that I wanted this masterpiece, yet could never find it on vinyl.   I then remembered the pledge, but then thought ‘how can I possibly pass this up, and it’s only 1,900 yen 

As I held it in my hand, I started to feel guilty.  I was thinking of the luggage issue, as well as adding another item in my household, which apparently I have no room for.  Perhaps it’s best that I give the 1,900 yen to charity?  Then again, I thought that I could write a story about this album, and therefore it can be a tax write-off.   At that point, I have decided I was working, and then with my grip on the record, I went onward to my next purpose in life.  To find more albums.  



Around two hours later, I found a rare copy of Japan’s “Quiet Life” album.   What’s unique about this record is that Japan is a British band, and to buy a Japan album in Tokyo struck me as ironic, which will be put to good use in my story.   Overall I spent four hours in RECOfan, and I only purchased two albums, which I was proud of.  It meant that I’m not an addict, but a careful buyer or consumer.  Oddly enough I forgot about the meeting with my friend, and it was important because it was a job.  Nevertheless, life goes on, and as darkness approached the sky, I whistled a tune off 好き好き大好き and went back to my room in Meguro. 
- Tosh Berman

Saturday, August 15, 2015

The Sunday Series: Sunday August 16, 2015 (Tokyo)



The Sunday Series:

Sunday August 16, 2015

When you look upon the stars as you lay on a Shibuya pavement, it is not the star that you’re looking at, but a projection of a star on a tall building looking over the Shibuya crossing.  If one is to fall on a street, it is best that you do it here, because everyone is polite enough not to step on you.   So without that reflection, I’m happy to lie on my back and watch the projection, that is very much my life, taking place on the oversized screen.   I felt a kick on my side, and I looked up towards her direction.  It was Aki who by chance just came upon me.  She took my arm to pick me up, and she dusted my shoulders and butt, and told me to follow her.



We went to a Doutor coffee shop that is two or three buildings from Tower Records.  It’s a good meeting place because one, it’s huge, and two, pleasantly bland.  I, for one, like a space that doesn’t have too much of an identity.  When I write or think, I like to be in an environment or landscape that is totally neutral.  Doutor Coffee fits all the requirements for me to focus on empty space, and with my imagination, I can feel every inch of that space to my liking.   Even on such a Sunday evening, the coffee shop is full of people quietly chatting or students working on their schoolwork.  When I come in with a pen and a notebook, I pretty much fit in this world of total bliss.   Of course, as others are doing English sentence diagrams. I’m trying to find some form of structure for me just to exist in.

Once you get in Doutor, you have to find a table as soon as possible.  It is very difficult to find seating in a coffee shop in Tokyo, especially in the afternoon and early evening.   Locate space and place your belongs on the seat and table itself.  Then back to the counter to order your coffee.  No one steals anything in Tokyo, at least go through one’s bag or purse.  Well, it's possible that it can happen, but it doesn’t happen that often in Japan.   We brought our coffees to the table, which was about six feet away from the smoking section, which is an open room.  When you look at their section, you can’t see a figure, just large bellowing white smoke.  Once in a while you see an arm or head poking out of the smoke, but then within seconds it disappears into the tobacco mist.



Tokyo is such a formatted city.  One can only fit in, and it’s very difficult town if you chose to embrace the system, yet remain apart from it.  It is best to be like me - never learn the language and allow yourself to be thrown into one situation after another.  A typhoon can come, and like the powerful wind, one is picked up and placed in another landscape.  It is very much like Buster Keaton in his film “Sherlock Junior.” Except it’s Tosh Junior, and the location is Shibuya Tokyo.

Among other things I have been suffering from jet-lag, which makes it impossible for me to focus on things on hand.   As I talk to Aki, I notice that her mouth was moving and I was responding to what she is saying, but I haven’t the foggiest idea what she is actually commenting on.  I wish I could quote her, but the sound coming out of her mouth is just that - vowels without meaning.  She may have been speaking to me in Japanese.  A language I don’t know, but I pretend to know in dicey situations.   Such as this one.  I then become aware that she may know that I’m missing the bouncing ball here, and that makes me panic, but I hide it well with my acting ability to look interested through my eyes and hand gestures.  But as I look at her, I can feel my eyes crossing, and I now wonder if she notices.  She then asks me if I’m feeling OK?  Shit.

What I would do now to be able to go back to the Shibuya crossing, and lay myself on the ground and just let the neon lights bath me with its rays.  Even in the hum of people talking in the cafe, I can hear the cicadas in the air, as if pulling me outside.  The temperature is around 90, and the humidity is high as well.  The whole city is like being in a kitchen with the oven fully on.  The heat is intense, and I feel embarrassed that my hands are sweaty as well as my wrists.  When I place them on the table, it seems I leave a pool of water, and I quickly swipe the moisture off the coffee table.



I ask her if it’s ok if we go to a record store - someplace like Reco-Fan.  I want to escape the heat, but I also don’t want to have a conversation.  I just want to move among the vinyl bins and if we need to chat, we can do it there.  The record store is about three blocks in a large building, which name I totally forgot, but that’s OK, because Tokyo is just visual to me.  I never think of a language when looking for a structure or place in the city.  It is always the shape of the building that stands out, or if it's near another shop.  I often miss the building by walking right by it, and I try to imagine how I could do such a thing?    Reck-Fan is on the 4th floor, so we got into the elevator.  The door opens to a paradise, and even in my weak state, I have a smile on my face.   Right away I found two albums that I have been searching for eons: One is “We Want Billy” which is a live recoding with Billy Fury in the early 60s, with Joe Meeks’ band The Tornados.   The album itself is not great, but it holds a lot of history for me.  Also I love the cover.  The other album is a Japanese release of songs the Rolling Stones recorded, but for other people.  The songs are all produced by Andrew Loog Oldham, and they either showed up as 45 rpm singles or demos.   It’s an intriguing way to look at a bands’ (The Stones) work, through this specific route in trying to sell themselves as songwriters.




It dawned on me that I was feeling much better, and I decided to purchase the two albums and Aki, and I left the store.  I asked her if she would come with me to the Shibuya crossing and lay on the ground with me.  She said yes, for reasons that will never be clear to me, but as we approached the crossing, I grabbed her hand and as soon as the walk sign went on, we ran to the center and placed ourselves on the pavement, looking up to the stars that are not there.  But we both shared a certain amount of imagination, and as the thousands walked around us, I tried to count the stars that were in my mind.  I lost count after ten.  She made it to fifteen.