"My Lunches With Orson: Conversations Between Henry Jaglom and Orson Welles" Edited by Peter Biskind

Totally a readable can't put it down book, but in the end, it is also a very depressing book. Over a period of time, the independent filmmaker Henry Jaglom had a series of lunches with Orson Welles at his favorite restaurant, and taped all their conversations. The first question that comes to mind is why would Welles want to have his conversations taped, especially when it deals with nitty gritty business issues? The second horrible thing is that Welles comes off as a bitter broken down guy who is basically full of anger and seems not to be able to really comprehend why he is not part of - then circa 1984- film industry. 

I think what it comes down to it is old-fashioned insecurity. There is no doubt in my mind that Welles is a fantastic filmmaker, and even personality - but there does seem to be a problem with focus in his life. Also I wonder why Jaglom never funded or actually produce a Welles film? Yet he is with him complaining and bellyaching about this and that. In a funny way he comes off as Iago to Welles Othello. 

Welles is also has harsh opinions on individuals which I think are totally unfair, and worst, makes him an over-sized cry baby. The book he did with Peter Bogdanovich is pretty great because one, it exposes Welles' strength as a filmmaker and figure, and two, it also showed his catty-side. This book, only shows his catty-side, and it is not a nice portrait of a man, who like Nixon, shouldn't have his conversations taped.

"Jane & Serge" by Andrew Birkin (Taschen Books)

The book unfolds in front of a reader/looker slowly like water pouring into sand.  At first the photographs by Jane Birkin's brother Andrew, who by the way is a Peter Pan expert and an interesting scriptwriter on top of that, are extremely intimate.  It is sort of like going to a stranger's house and looking at their photo album, and then all of sudden you recognize a famous face in the background.   There is something lovely and sincere about these images, but it becomes more clearer when you read the little booklet that comes with the photo album. 

 Andrew Birkin writes a very moving narrative that goes with the images in the book.  Each photograph is annotated with a commentary of some sort that is separate from the actual book of photos.  But what makes this a really special deal is Andrew's essay about his feelings for his sister and Serge Gainsbourg himself.  He loved him.  And he loves his sister and the children as well.  But the little booklet adds a context to the picturesque narrative - and like all family albums there is sense of sadness or that life won't be like this forever.   Some of the most beautiful images are of Kate, the daughter of Jane and her first husband John Barry.   The sad irony is that Kate passed away after the completion of this book.  Nevertheless, along with my production through TamTam Books (Gilles Verlant's fantastic bio on Serge "Gainsbourg") and the recent 33 1/3 study on "Melody Nelson" one gets a fantastic picture of life as lived by Jane and Serge. 

Screaming Lord Sutch and the Savages rare live footage 1962

"The Boy Detective" by Roger Rosenblatt

Ecco ISBN:  9780062241344

I picked this book up at the Strand, mostly because I was interested in how the author wrote about his childhood and especially it's location, New York City. A wonderful read especially on the L train from Bushwick to 14th Street.

What's impressive is that the book is both a memoir as well as a study on the nature and beauty of detective fiction. The mixture of his love for that type of literature and location is really great. If you want a narrative that goes from A to B forget about it. This is a haunted look back to childhood and New York itself. Very reflective with a side of noir.

E IL TOPO Red Letter Edition No 1 stories by Steve Piccolo with Special guest John Lurie

The beauty of bookstores is going in and not expecting anything.   Just let the moment rule your heart and the head will follow.  It was that in spirit that I entered Printed Matter in New York City and found this charming publication.  E IL TOPO is an oversize journal with oversize Red letters and no visuals, just text.  That alone made this magazine or zine a pleasure.  The additional and even greater pleasure is reading the text by Steve Piccolo with a piece by John Lurie.  Both writers were in a great jazz band called Lounge Lizards.  The beauty of their music is not only in that medium but also in their prose as well.  

Although it reads as memoir, the cover clearly states the works as stories, but nevertheless Piccolo's work is really good.  Slices of childhood memories as well as Lower East Side New York & Italy life fits in the landscape and his observations on the everyday in front of him is both grand and in smallish details, which makes the work very human and beautiful.   There is also a great wit in his writing.  To me it is the ideal literature from New York City.  Like the town itself, it has nine million stories and this is only one narrative.   Piccolo captures the moment perfectly.

The Lurie piece is equally great and fits in perfectly with Piccolo's writings.  Lurie writes about a moment which was a turning point for his music and also his observations on a funeral or two, and his part in the proceedings.  Very funny.  If you are a fan either of his music, paintings, or his acting - this is another medium where he spreads that Lurie magic on the page and makes it shine.  I'm hoping both writers will eventually turn out larger works - maybe a memoir each?  Now that would be fantastic. 

For those who would want a copy (and you really should) contact Printed Matter in New York City.  

Honored Twice on Dennis Cooper's The Weaklings Blog

"Sparks-Tastic" by Tosh Berman.  Painting by Lun*na Menoh (Rare Bird Books)

A very good day for me, because on Dennis Cooper's great blog I was honored twice (2 times).  One for my book "Sparks-Tastic" which was chosen as one of the top reads in his non-fiction category and this blog as one of the best blogs of 2013.

What is fantastic is not only being noticed by Mr. Cooper, but to be in such great company of writers, bloggers, filmmakers, and music-makers.  Truly a great honor.  Thank you sir!

Read it here!

http://denniscooper-theweaklings.blogspot.com/2013/12/mine-for-yours-my-favorite-fiction.html?zx=194d66f3a0faaf63

"A Brief History of Curating" by Hans Ulrich Obrist

One time in my life I thought it was only the artist that matters.  But alas, it is very much like the music world.  There is the singer/artist, then there are the arrangers/producers.   If you map it out there is the artist,  the curator, and then the audience for that art.   Or perhaps the curator is a translator?   Nevertheless this is a fascinating collection of interviews done by curator/writer Hans Ulrich Obrist on really cutting edge curators from the 60's, 70's era and upwards.

It is good he started with Walter Hopps, because I think he's the curator with the most strongest identity of sorts, in that he's a legend (rightfully so) and in many ways an artist himself.  The way he looks at exhibitions is more of an aesthetic thing than a business decision.  So with that as the foundation, Obrist goes on with numerous interesting individuals regarding the art of the exhibition and the politics of museums.  But mostly this is a very up-beat look at the inner-world of a curator and what they do.  Obrist asks very pointed and clear questions to his subjects, and they themselves come up with an answer that exposes not only their thoughts but also there love for the artist and their medium.   But beyond that it is also a book about 'Taste' and what that means to the world, especially when you use taste to promote a specific vision to the world.  A very specific world I might add.

By nature i think a curator is very much a show-and-tell type of character.  It is someone who is totally turned on by an idea or a work and needs to expose it.  That is it.  Also the skill of the curator is also social skills, because you need to communicate that idea to others who may not be in your particular world.   Not that far from the book editor or publisher in that sense. Nevertheless there is not that many books on the subject of curating, so this makes it important, as well as an enjoyable read.   In the book he interviews Lucy Lippard, Hopps (as mentioned), Pontus Hultén, and Anne d'Harnoncourt among others.   Dip into this book, because you are going to pay a lot of money for it once it goes out of print.

"In The Words Of Sparks... Selected Lyrics" now sold at the Official Sparks Mart

Go here to purchase "In The Words Of Sparks... Selected Lyrics" edited by Ron Mael and Russell Mael, with an introduction by Morrissey.  Published by TamTam Books

http://sparksofficial.bigcartel.com

Favorite Listening Experiences for 2013 (in no special order of course)

The Jazz Age by The Bryan Ferry Orchestra

When I first heard about this album, my first thought was two simple words "oh no."  But alas one must never underestimate the talent and genius of Bryan Ferry.  This is probably the most played album this year for me.  I like to listen to music while writing or thinking and this record hits that sport for me like if I am wearing a bullseye on the back of my shirt.

Everything he did here sounds terrible on paper, but when you put the vinyl (and this album must be heard on vinyl) it becomes magic.  Basically Ferry went through his songbook from mostly the Roxy Music years and had his songs arranged in a 1920's jazz style - with that added touch of the 78rpm sound level.  Being Ferry of course it nostalgic, but he treats  nostalgia as an art form.  Just when you think you got Ferry figured out, there is always a touch or a brief act of pure genius on his part.  Overall I think Ferry is strange enough, one of the great underrated artists in the pop music world.  Eno gets a lot of credit, but Ferry really did make wallpaper music (ambient) with some of the later Roxy recordings as well as the solo material.   

The Next Day - David Bowie

Just the fact, in this Internet NSA age, Bowie was able to keep the recording of this album a secret till his announcement on his birthday is amazingly amazing.  But then against all reason, it is a Bowie masterpiece.  In my opinion this albums flows from the first cut to the last song, and without a doubt it is an album by a man who is 66 years old (although smashingly handsome) and coveys interesting enough about the world around him.  Still glam, and always will be glam.  There is nothing about this album I don't love.  From the graphics to the baritone sax, a brilliant piece of work. 

Where Are We Now? - Momus

Within hours of the release of the first David Bowie video off "The Next Day," Momus made his own version of the already classic "Where Are We Now?"   When I heard this version I cried.  You can only get this song through YouTube, with an incredible video attached to it.  The Momus version is much more sinister, but it is also sadder to me as well.  When I hear this, it is obvious that Momus understands the Bowie thing and it is clearly a tribute to the artist.  But alas if I have to choose between the two recordings, it would be the Momus version.  Even Bowie, through his website and Facebook page acknowledged Momus' tribute/recording.  It is truly an amazing recording.

Turn On The Music Machine - The Music Machine

Normally I don't listen to new music.  I am still hearing stuff from the past which is almost totally new to my ears.  Of course I knew the song "Talk Talk" and loved it.   It wasn't till this Fall that I picked up on a vinyl mono copy of "Turn On The Music Machine" and got my head totally turned-around.  I didn't expect it to be this great.  The covers on the album ("96 Tears," "Taxman") are good, but the original material on this album are superb.  "Come On In" I think is one of the great songs I have ever heard.  That and "Masculine Intuition" makes this record a work of genius.  Also the slow burning sensuality of their version of "Hey Joe" maybe the best version  yet of that song.  The thing is I knew The Music Machine was good, but I didn't know they were great.  Sean Bonniwell the Machine here was a fantastic songwriter. 

The Beatles White Album - Rutherford Chang

About six months ago a friend of mine sent me a link regarding the artist Rutherford Chang and his project of documenting and collecting versions of the album “The Beatles” better known to the world as the “White Album.”   Chang has around 900 copies of the album, and as an exhibition he had a pop-up store of sorts in Soho New York, where he had a record store that only exhibited the “White Album.”   Some may find the concept humorous but I was almost moved to tears when I saw the images of this exhibition.  It made me think of the importance of the record store, and of course The Beatles themselves.  Specifically the importance of the “White Album.”

Chang took the next step and made a vinyl release of “The Beatles” which is the album overlaid 100 times.   Even the famous iconic album cover and packaging is overlaid many times over from previous covers over the years.   But how does this work as a listening experience.  Well, I have the album, and it’s a masterpiece.

First of all the album itself is beautiful.  The cover at first looks like the White Album, but re-done by some lunatic with an ink pen.  But then you realize the overlaid aspect of the cover and this is sort of a Frankenstein monster, where all the parts become something new yet familiar.  The album comes with a glossy poster of 100 White Album covers, which is worth the price alone for this incredible package.

One would think that the sound would be totally chaos, but alas, it is actually a meditative work of superb beauty.   The album works on so many levels.  There is the layer physical aspect of having this album in your hands and admiring the artwork.  It is both a tribute to the original source as well as seeing how art can move on from its source intro something else. That is part one of the enjoyment, the other big part is the sounds itself.

The layering of 100 recordings being roughly played at the same time makes this a dreamy utopia.  The vinyl sound of the needle and the clicks itself are so human and beautiful, then you hear something like Eric Clapton’s solo on “While My Guitar Gently Weeps” and it takes one into a blissful state.  Due to the delay there are no tracks between the songs, it is all one piece and the sheets of sound that comes up time-to-time is amazing.  “Helter Skelter” instead of being this harsh rocker, becomes a sonic wave hitting the beach and returning back to the ocean.  “Bluebird” which has a beautiful melody keeps that intact, but the textural aspect of the song comes out like you are underwater listening to music. 

Right now I have to imagine that this album won’t be around forever, but surely the remaining members of The Beatles as well as the estate surrounding the fab four (especially Yoko) will realize that Chang made an incredible tribute to their music, yet it goes beyond that.   This is the most impressive album I have seen or heard this year — or decade so far.  You can hear side one  on Sound-cloud, but even that, it doesn’t capture the beauty of this vinyl on your turntable producing these incredible sounds for your ears and yes, eyes as well.

For almost like all my entire life I have had troubles regarding Van Dyke Parks' first solo album "Song Cycles."   It took me a long time to appreciate this man's genius, due to the fact that I found that album impossible to get into. I never (to this day) heard such an original piece of work.   And then as soon as I got it, he released a sequel to that work (at least in theory).  It's a great album.  From the packaging and the idea of having the double album as 45 rpm, well it is sort of the nerd vinyl release.  Nevertheless it follows through the sounds of "Song Cycles" but updated to 2013.  Lyrically, not musically.  It is still a hard-to-define piece of music, but it is sort of demented Americana which makes it charming and challenging at the same time.  "Song Cycled" is simply a great album.

Wallace Berman's SEMINA 1955-1964 ART IS LOVE IS GOD published by Boo-Hooray

Just now I received a copy in he mail of my Dad's (Wallace Berman) book "Semina 1955-1964 Art Is Love Is God" published by Boo-Hooray and I have to say it's a brilliant production of a book.  Simple design (not easy to do) exposing each segment of Wallace's Semina project.   Every issue layed out, includes a booklet of text as well.  A fantastic job from Johan Kugelberg, Bryan Cipolla and the fine folks at Boo-Hooray. 

Also keep in mind that there will be an opening this Sunday December 8 at the Boo-Hooray, with a special live appearance from John Zorn.   For further information and pre-ordering this book go to the website here:    http://www.boo-hooray.com

Boris Vian's RED GRASS Write-UP in Three Percent

A beautiful little write-up from the Three Percent blog.  From Sarah Gerard.

Also it is wonderful to have this book in such great company.  Read the blog here:

http://www.rochester.edu/College/translation/threepercent/index.php?id=8802

Here's the write-up:

Red Grass by Boris Vian (trans. Paul Knobloch)

I’m currently reading this book and am already completely blown away by it. While I’m not sure I can do it justice here, being that I’m still in the middle of it, I can already say that Vian’s (and Knobloch’s) sentences are some of the most lively I’ve ever read, and that the allegorical nature of the story rivals Kafka and Wells in its grace and complexity. It’s not exactly science fiction, but neither is it exactly Surreal. It’s something entirely its own – no other writer has done what Vian’s done here

"Yé-Yé Girls Of '60's French Pop" by Jean-Emmanuel Deluxe

Feral House ISBN 978-1-936239-71-9

The mysterious and always foreign world of the French Yé-Yé  music scene.  Without a doubt the book I published "Gainsbourg the Biography" by Gilles Verlant is the best book in English regarding not only the Yé-Yé movement, but also the entire French music world.  The second book to get (in English) is Jean-Emmanuel Deluxe's "Yé-Yé Girls Of 60's French Pop."  This is a very good guide to the singers, the record labels, and the artists/songwriters that wrote the songs for this particular market.  It is basically teenage music, but mostly written by older men, for instance Serge Gainsbourg.  But beyond that it is a fascinating sub-culture to fish in, because the music, overall, is a the very least super interesting, and at its best- excellent records.

There are those who are the queens of their field - France Gall, Françoise Hardy, and Sylvie Vartan and then there are various (actually many many ) one-hit wonders, who also made great records as well.  In France, the arranger as well as the songwriter are part of the magic that makes a great record. Usually I check out who the arranger is, and then my money quickly goes to that release, especially if it is someone like Jean-Claude Vannier, who did a lot of classic recordings with Gainsbourg.  His touch of genius always shows up no matter who the artist or singer is - so it is very much like following your favorite record producer - or am I the only one who buys records due to the production credits?

Deluxe's book, which is also well-illustrated with both ads from the '60's as well as the original  record covers, pretty much covers the basics as well as the odd releases that came out of this scene.  So for sure its a good guide to have on your side of the table as one explores YouTube footage or online shops.  He also covers current music figures like April March, who is fantastic by the way, and others who were influenced by the 60's scene.  I think he could avoid a lot of the bands/artists, and just focus on the 60's artists, but that is a very small criticism.  This book is designed for the beginner who is looking for hardcore information or names to get their listening habits in order.   So yeah I highly recommend this book as a beginner's guide and if you want to get deeper into the subject do get the Verlant Gainsbourg biography.

Victoire Scott - Une Fleur Dans Le Coeur

Reading the book "Yé-Yé Girls of 60's French Pop Music" by Jean-Emmanuel Deluxe and he comes up with some obscure artists from the era of the Yé-Yé.  Victorire Scott is even obscure in her country!  Yet, a very interesting record.

Serge Gainsbourg Display at Book Soup

Photo by Zoie Matthew

Many thanks to Zoie Matthew and the staff at Book Soup for putting up a display of books regarding Serge Gainsbourg.   Also note, that Book Soup has sign copies of "Gainsbourg" by Gilles Verlant for sale.  The world of Serge is a rich one, so do enjoy.  

www.booksoup.com

"Pirates And Farmers" by Dave Hickey

Ridinghouse distributed by Ram ISBN 97801-905464-72-2

For many art is a messy and dangerous landscape to travel on, but with Dave Hickey as your driver or guide, it can be a total joy.   "Pirates and Farmers" is a collection of essays about aesthetics and how one perceives a work of art when it is in front of your eyes, ears, and brain.  The beauty of Hickey's essays is that he places himself as the narrator (of course) so he's very much a character in his own stories.  But every essay here is about confronting one's taste and how you develop that taste into a fine tool of expression or appreciation.  

He writes about his home (or it was his home)  Las Vegas in a very compelling light.  There is nothing ironic about his taste for that town.  He loves the bars, the gambling, the architecture, the weather, and everything else except for the traffic.  He even likes the airport there.   He doesn't even know why anyone needs to defend or condemn the place.  Las Vegas is it, and that is pretty much how he looks at art as well.  

What surprises me as a bookseller one time,  that he never went to a bigger press for his collection of essays.  Which is wonderful, because one small presses rule, and two, his books are nicely designed, including this one.   So the book itself is an object of beauty or aesthetic to the very core of one's thoughts on that subject matter.  Hickey is an interesting guy who writes about and thinks about 'taste.'   He's probably one of the great (and popular) thinkers regarding the fine art planet.  This book may not be the easiest to fine, but worth the journey to find it.  Distributed by Ram, if your favorite store doesn't have it, they can order it through that distributor.  But do get it. 

Semina 1955-1964 Art Is Love Is Good exhibition at Boo-Hooray

Semina 1955-1964 Art Is Love Is God

Boo-Hooray265 Canal Street, 6th floorNew York, NY 10013

Sunday, December 8 - Thursday, January 9

RSVP for the opening party Sunday December 8, 3PM-6PM

John Zorn will be performing live.Do not miss!

Pre-order the limited edition catalogue at the special price of $65 at the Boo-Hooray Web Shop

On December 8 2013, through January 9 2014, Boo-Hooray is exhibiting all components of all nine issues of Wallace Berman’s art/assemblage/beat zine Semina, alongside related ephemera, posters and mail-art. Semina bridges appropriation, fine printing, punk-style DIY and collage/montage, this already in the late 1950s!

Michael McClure called it “a scrapbook of the spirit”. Outside of commerce, Semina was sent through the mail to Wallace Berman’s friends like David Meltzer, William S. Burroughs, Alexander Trocchi, Allen Ginsberg, and Cameron. The components of Semina were not only submitted, but appropriated from these friends, alongside personal heroes like W. B. Yeats, Hermann Hesse, and Antonin Artaud.

Hand-printed on a table-top at his house, this free-form zine with its loose-leaf poetry and amazing collages, montages and photography, is also most baffling in its vanguard status: nobody had done anything like this before Berman, not even in the days of dada.

Published between 1955 and 1964 in editions ranging from 150 to 350 copies, this rare publication (original issues regularly sell in the five figures) needs to be seen and cherished by anyone interested in American post-war art.

Michael Duncan points out that “Semina’s overarching theme involved a search for how to transcend the ‘monster’ of postwar meaninglessness.”

The spirit of Semina’s assemblage will feel familiar to anybody who has ever stayed up late at night at a copy shop making a punk zine or flyer. The hypnotic and delicious feel of perusing the poetry and imagery is the closest I’ve gotten to capturing those fleeting moments when one remembers components of a distant dream.

On December 8th, Boo-Hooray is publishing Semina 1955-1964 Art Is Love Is God, a 174 page softbound full-color catalogue reproducing each component of each issue of Semina. The catalogue comes with a booklet of annotations and texts by Johan Kugelberg, Adam Davis, Tosh Berman, Shirley Berman, Philip Aarons and Andrew Roth alongside silkscreened artwork, photo prints, flyers and cards, all printed loose-leaf and contained in a pocket on the back board of the catalogue in the spirit of Wallace Berman’s original publication.

This publication is limited to 300 copies and is only available from Boo-Hooray.

The Beatles "White Album" Seen Through The Eyes and Ears of Rutherford Chang

"The Beatles: White Album" by Rutherford Chang

About six months ago a friend of mine sent me a link regarding the artist Rutherford Chang and his project of documenting and collecting versions of the album “The Beatles” better known to the world as the “White Album.”   Chang has around 900 copies of the album, and as an exhibition he had a pop-up store of sorts in Soho New York, where he had a record store that only exhibited the “White Album.”   Some may find the concept humorous but I was almost moved to tears when I saw the images of this exhibition.  It made me think of the importance of the record store, and of course The Beatles themselves.  Specifically the importance of the “White Album.”

Chang took the next step and made a vinyl release of “The Beatles” which is the album overlaid 100 times.   Even the famous iconic album cover and packaging is overlaid many times over from previous covers over the years.   But how does this work as a listening experience.  Well, I have the album, and it’s a masterpiece.

First of all the album itself is beautiful.  The cover at first looks like the White Album, but re-done by some lunatic with an ink pen.  But then you realize the overlaid aspect of the cover and this is sort of a Frankenstein monster, where all the parts become something new yet familiar.  The album comes with a glossy poster of 100 White Album covers, which is worth the price alone for this incredible package.

One would think that the sound would be totally chaos, but alas, it is actually a meditative work of superb beauty.   The album works on so many levels.  There is the layer physical aspect of having this album in your hands and admiring the artwork.  It is both a tribute to the original source as well as seeing how art can move on from its source intro something else. That is part one of the enjoyment, the other big part is the sounds itself.

The layering of 100 recordings being roughly played at the same time makes this a dreamy utopia.  The vinyl sound of the needle and the clicks itself are so human and beautiful, then you hear something like Eric Clapton’s solo on “While My Guitar Gently Weeps” and it takes one into a blissful state.  Due to the delay there are no tracks between the songs, it is all one piece and the sheets of sound that comes up time-to-time is amazing.  “Helter Skelter” instead of being this harsh rocker, becomes a sonic wave hitting the beach and returning back to the ocean.  “Bluebird” which has a beautiful melody keeps that intact, but the textural aspect of the song comes out like you are underwater listening to music. 

Right now I have to imagine that this album won’t be around forever, but surely the remaining members of The Beatles as well as the estate surrounding the fab four (especially Yoko) will realize that Chang made an incredible tribute to their music, yet it goes beyond that.   This is the most impressive album I have seen or heard this year — or decade so far.  You can hear side one  on Sound-cloud, but even that, it doesn’t capture the beauty of this vinyl on your turntable producing these incredible sounds for your ears and yes, eyes as well.

Française Maischic reviews Tosh Berman's "Sparks-Tastic" (Rare Bird)

Rare Bird / A Barnacle Book Painting by Lun*na Menoh

A really interesting and thoughtful piece by Française Maischic on my book "Sparks-Tastic."  Read it here:

http://frenchybutchic.blogspot.be/2013/11/sparks-tastic-twenty-one-nights-with.html

"BTW" By Jarett Kobek

Penny-Ante Editions ISBN: 978-0-9855085-6-2

I like books that are about books and its readers, and Jarett Kobek's novel is very much in that it's a love of literature filtered through the narration of sort-of young people in love within the  magnificent landscape, that is Los Angeles.  Or perhaps they're not in love, but individuals struggling to communicate or at the very least to articulate their unhappiness among the streets of Los Angeles. 

There is a strong situationist aspect with respect to the understanding of a city by the way of  the main character's dealings with his placement in Los Angeles and how the others fit in the landscape as well.  It is a very nice readable cocktail  of thought, action, and looking at the world through Victorian literature among other things. 

The one figure that stands out in this narrative is the father of the main character, who is profound and hysterical at the same time.  Also his advice is quite good, considering that he sees the world in a very specific light.  The relationship between son and father is pretty solid, but of course there are many bumps on the road that disrupts the two.  Jarett Kobek previous two books "If You Won't Read, Then Why Should I Write?" and "ATTA"  were major reads for me this year, and "BTW" easily follows in that grouping.   Ah good times.

"Red Grass" by Boris Vian is OUT In The Stores

ISBN: 9780966234695  $15.95

Boris Vian's RED GRASS is released in the world and should be in your favorite local bookstore as well as online shopping.   If your store doesn't have RED GRASS it is easy for them to special order for you.  

Here are some of the blurbs:

Hypnotic, odd and romantic: Vian's angst masterpiece could replace Smiths records at your house.  A worthy antidote to "I Spit On Your Graves."

- Johan Kugelberg / Sinecure Books

A talking do.  A  machine that allows its user to travel the path of his fourth-dimensional arc.  An animistic universe where the only unachievable act is a meaningful sexual embrace and the only unsustainable emotion is romantic love.  RED GRASS rotates on its own axis, an outrageous psychological novel of the 1940s that thematically anticipates and out does the best writers of Science Fiction's New Wave.  Finally, an English translation.

- Jarett Kobek, author of "ATTA," AND "If You Won't Read, Then Why Should I Write?"

This brilliant new translation of RED GRASS is by turns humanistic and nihilistic, experimental and realist, startlingly, lucid and entertainingly blind.  A subversive, steampunk meditation on time and memory; a picturesque pressure-cooker of a sequel to Jules Verne's lost novel "Paris in the Twentieth Century."   Vian published nearly thirty books, but this little sic-fi jewel proves why he is a cult hero among discriminating cyberpunkers. Makes Philip K. Dick read like an amateur New Age hippie trying to sound avant-garde.

- Maxi Kim, author of "One Break, A Thousand Blows!"

The book is translated from French to English by Paul Knobloch.  And the book is designed by Mark Holley.  Published by TamTam Books.

TamTam Books at the Hotel Normandie

Not all, but here are some of my books that I have produced for TamTam Books, as well as a book I wrote "Sparks-Tastic."   For those who stay at the Hotel Normandie in Los Angeles, you can check these titles out for your reading pleasure.   Many thanks to Barbara Ann Duffy!

For Hotel Normandie information:

https://www.facebook.com/HotelNormandieLA?directed_target_id=0

Support Bomb Magazine and Website

Bomb Magazine has been consistently interesting with respect to writers, musicians, the visual arts, and etc. and etc. Great publication and website - they now need some support. If you can, do it!
https://give.bombmagazine.org/support-artists-writers-support-bomb

Since 1981, BOMB Magazine has been publishing conversations between artists. In the first week of December we’re launching a new website, where BOMB's 32 years of interviews, essays, literature, and portfolios will be more accessible and more sharable than ever. They'll also, like all our content, be available for free.

Today, BOMB is a quarterly print magazine and a daily online publication. Every day on BOMB's website, artists interact to expand their creative and critical practice. But we need your help to keep the conversation going. ​We’re raising money so that we can pay our online contributors and editors, whose work is crucial to bringing you the artist's voice.

We want to keep giving artists a platform for discussion, and we want to keep making their work available to you—for free. We've put together a package of rewards to show our appreciation. And remember: BOMB is a not-for-profit 501c3, so your contribution is tax deductible.

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The first 150 people to donate $25 or more will receive a ticket to the BOMB Benefit Party at Issue Project Room on January 11th, featuring David Grubbs, Amy Sillman, Ben Lerner, and Jules Gimbrone.
 

☆ Raymond Pettibon has generously donated a work specifically for this fundraiser that will be featured on a limited edition BOMB tote bag. ☆
 

Donate in a loved one's name by December 15th, and they’ll get their rewards in the mail as a holiday gift.

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