Showing posts with label Edmond de Goncourt. Show all posts
Showing posts with label Edmond de Goncourt. Show all posts

Wednesday, December 17, 2014

December 17, 2014



December 17, 2014


Being separated from my true love, is a harsh existence.  I came upon a passage by the Goncourt brothers that put it in perspective: “Today I begin to understand what love must be, if it exists.  When we are parted, we each feel the lack of the other half of ourselves. We are incomplete like a book in two volumes of which the first has been lost.  That is what I imagine love to be: incompleteness in absence.” After reading this passage by the brothers, I read a touch more about them.   Not only did they write books together, but they also didn’t spend more than a day apart from each other.  Even in death, the brothers are buried together, and in the same grave in Montmartre Cemetery.



My wish is intended to be buried with my wife. I have no desire to be separated from her, either in life or death.  As of now, I’m facing a house that is full of items, but lacking the presence of her, and I go to bed in an empty right side, where I sort of made a pillow to resemble a human form.  I wake up realizing that I’m still alone, and I face every room in the house, and just count the echo of my steps I hear when I walk down the hallway.   The only way I can work around this is to make it into a theater piece.  At first, I wanted it to fill the void that I’m feeling now, but alas, it will expose the void, and as its author, I want the audience to be aware that they are watching the play.  I want to make something so I can watch it as well.



To project myself onto a wall, or on a piece of paper - to go out and explore … to avoid the void.   When I was a younger man I had a job as a model for the artist Paul Cadmus.  He would have me naked, and I remember the feeling of his eyes approaching me.  It wasn’t instant, but more in a series of moments as I can feel his eyes looking from my toes to my knees, to my genitals, and eventually my face.  I had a good body, and I even had a job as a lifeguard at the beach.  That is where Paul first saw me, and approached me to be his model.   Although the drawings and paintings were quite sexual, I never felt he was trying to seduce me personally.  Then again, like the theater up above, when I took my clothes off in front of him, I felt like my soul or consciousness was somewhere in that room.   I was watching him watching me, as he focused on the piece of canvas or drawing paper in front of him.



I think back to those times, because it was before I fell in love, and eventually becoming a husband.  I took my marriage vowels seriously, and the fact that I never wanted to stand apart from her.  Before she recently left, I gave my wife a print by Paul, that he drew of me.  I just wanted to show her that I had another life before I met and married her.    We are often shocked that we had a “life” before we met.  We are shocked that there was even a “life.” Alas, therefore a theater of loneliness.  I will write it, perform in it, and of course, watch it.

Monday, May 26, 2014

May 26, 2014



May 26, 2014

It was a happy shock to me when I heard that my book “Sparks-Tastic” was up for the Prix Goncourt last December, but alas I didn’t win, due that that prize goes to French language authors, and somehow, even though I do have some French blood (mostly Canadian to be honest) running in my veins,  I’m neither a citizen of a French providence nor can I read or speak French.  But in spirit, of course I’m French.  So I was disappointed that I didn’t get the prize and the fact, technically, I shouldn’t have been on the list in the first place.  Which now comes to mind, I despise any hint of nationalism in one’s art or even behavior.  Technically I’m an American, but what does that mean?  To this moment, it still bothers me a great degree that no American has participated in the Eurovision song contest.  What I find irritating is the case that a lot of European artists sing in English, yet, where are the Americans?



Miles Davis tried to get on the show in the late 1950s, with a pick-up band of Juliette Gréco and Catherine Sauvage sharing lead vocals, Johnnie Ronson (Mick’s dad), and Peggy Lee doing some scat vocalizing in the background - yet, unbelievably, they were not chosen to be part of the event.  Although, and I do admit, that there were different nationalities in this line-up, but still, shouldn’t the Eurovision judges acknowledge the talent behind this one-off band?   As an American (therefore a humanist) I find it totally disgusting how art is placed in a box, and not allowed to sing out, whatever it is in song or in my profession, words.  And I should also like to say, not just words, but words arranged on a page in a specific manner.



Now, that I brought up this subject matter, I need to be honest with all of you.  I resent being in contests, and then… losing.   Why invite me in the first place, and then denounce yours truly by not giving one the prize that they so richly deserve?  It’s insane!  Nevertheless let by-gones be by-gones and focus on the present.  As a youth I ran across an interesting street musician in mid-town Manhattan, who wore a Viking costume, and I was struck by his amazing music and being such an astonishing and forceful individual.  When you take a walk, not expecting what will hit you…, well it’s a stunning moment.  Now whenever I put my pen onto paper, I will not forget that moment, and will wander till I find it again.