Showing posts with label J.G. Ballard. Show all posts
Showing posts with label J.G. Ballard. Show all posts

Saturday, November 15, 2014

November 15, 2014



November 15, 2014

When I proposed to my (ex) wife for marriage, I told her “I am, though I say it myself, about the cleverest young man of my age in the country… and I know you would like my companionship.” Of course, she said yes.   Like others, she presumed that I had money or came from money.   The truth is I allow people to think that, but in all honesty, and for those who know me well - when was the last time I picked up the check?   Never.  My recurring motif is to pretend to receive a phone call, around the time when the waiter brings the check to the table.  I excuse myself, and from a distance, I watch the table to see my dining partner pay the check. It is then I come back to the table, and pretend to look for the bill.  At that time, the friend good naturally tells me he took care of the check.



The truth is I pretty much live off the estate’s earnings.  At times, I tend to spend a tad too much on goods, and therefore I find myself stranded in my large home, with a lot of places to go to, but no funds to pay for the experience.  In fact since I don’t drive, I usually have to depend on the kindness of acquiescences.  Even paying for the bus, has got too expensive for me.  Food is not so difficult.  If you just have one piece of toasted muffin, and use old coffee grains for your morning café, then you make it through the day OK.  I know how to sew, so I can keep my clothes in good condition.  So for appearance sake, I’m totally fine.  I never worry about the lack of money in my life, because no one likes to hear someone grumble about finances.  It’s such a bore of a subject to bring up, and once you do, you can immediately see the eyes of your visitor or friend clouding over.  No, it’s best not to say anything.  They may find my starved body by my moldy and mildew swimming pool, but alas, I will still look fashionable.



One of the few pleasures I have with respect to shopping is finding used copies of Mantovani albums.  If for nothing else, I love his cascading strings, which places me in an imaginary place.  Well, my home actually, if it was better cared for.  I had to let go of the cleaning lady, due to the financial situation.  Nevertheless I tend to enjoy putting an apron on, and wander through the hallways with a duster.  Besides the enjoyment of Mantovani, I focus on the mailbox for a hopeful check, but more realistically, an invitation to a dinner or cocktail party.  I know how to control my hunger and not run up to the catering table and go crazy.   Allow a piece of cheese to melt in your mouth with a taste of white or red wine - and one is fine, if you keep your wits about.   What I just have to keep in mind is to “put a higher value on yourself.  Being hyper-realistic about everything is too simple a get-out.” At the same I feel very much like an impostor, and already my mask has begun to bite into my face.



“The falsification of everything has been shown to be one of the characteristic features of our period, but falsification is not in itself subversion properly so-called, though contributing directly to the preparation for it.” I pretty much live in people’s opinion on who they think I’m. My role is to never give them doubt or a sign of concern on my part.  I observed that the more I talk, the less they listen.  Therefore my life is a performance.   As long as I focus on myself, and avoid the outside world, I should be acceptable.  One of the wonderful things about my work is a “degree of selection and separation from the dross of living.” I do have these moments of doubt, and a feeling of fear, but generally I brush it off.   “The end of the world never is and never can be anything but the end of an illusion.”

Thursday, February 20, 2014

"The Atrocity Exhibition" by J.G. Ballard



First I have to make clear that this is not the ReSearch annotated edition, but a mass market book from a British publisher Thiad Panther, and issued in 1970.  Nevertheless this is a very stimulating book.  J.G. Ballard is probably one of the great visionary writers regarding culture as it is now.  I want to say he predict what will happen, but I think it was happening when he wrote his series of classic novels, but most of us were not aware of that 'Ballard' world that was and is clearly out there and here and everywhere.

"The Atrocity Exhibition" is a series of very brief narratives that deal with the John F. Kennedy assassination as the ground zero of anxiety, dread and fear.  For Americans at the moment, it's 9/11, but for my generation, the Kennedy assassination opened up an inner world of demons, secrets, and disappearing identities on a landscape one couldn't trust being there or being altered in some fashion.   I think Ballard is commenting on the role we all play, but especially the powers-to-be, whoever they may be, in planting a world that is not of our choosing, but one that we just have to deal with.  Which includes sexual desire when confronting death, shock, and machinery.  Ido not know if his novel "Crash" came before or after "The Atrocity Exhibition, but the book does deal with the same issues of the erotic pull of car accidents and iconic personalities.   Ballard gets extra points for including Ralph Nader among the celebrities that get maimed or killed by the automobile.  Now mostly remembered for his political viewpoints as well as running for President, he at the time of this novel was famous for going after the automobile industry for not making cars more safer with respect to seat belts, etc.  What we get here is a college effect of names, who at the time were still alive, being sacrificed to the automobile death culture as well as interesting commentary on the readers obsession with famous people and how they are placed in our world as entertainment, but also masking secret desires that are not fully exposed to the public.

Ballard mixes the agony of death, of losing someone, and how culture eats up the anxiety of the 20th century (and now the 21st...) and spits out in a diseased form, which can be this piece of literature.   A great book, whose sister is Burroughs' "Naked Lunch" and a cousin to classic Surrealist painters.