Monday, July 9, 2012

Lun*na Menoh's Recent Exhibition in Japan

Lun*na Menoh just had an exhibition in Japan, and this is her most recent artworks.  And keep in mind that everything in her part of the show is made out of Dirty White Men's collars.  The other artist at this exhibition is the painter Adam Lee Miller.  The exhibition took place in Saitama, Japan at C.A.J. Artist Residency.








Paintings on the Wall by Adam Lee Miller

Paintings on the Wall by Adam Lee Miller.  Everything else by Lun*na Menoh

Tosh Berman interviewed by Kristian Goddard

Dear Gang,

I was very recently interviewed by Kristian Goddard for his uber-cool blog.   For those who want to read it - look here:  http://www.kristiangoddard.net/Kristian_Goddard_Blog.htm

Saturday, July 7, 2012

Joe Meek interviewed for BBC



Fascinating interview with the great record maker Joe Meek.  For me, he's Eno before Eno.  Brilliant record maker who made haunting records.  Beautiful.

"The High Life" by Jean-Pierre Martinet


Ah, a new literary hero in the making - for me!  The late Jean-Pierre Martinet (1944-1993) had written a perfect little gem of a book called "The High Life."  It is a about a man who works at a cemetery who has an over-weight woman with a certain sexual passion for him.  And by the description of it, the romance doesn't sound so hot.  But its the main character's inner-life that is fascinating.  His obsession of taking care of his father's grave, which by including having his rifle aimed towards the grave site to keep away cats, etc.  

The translator Henry Vale compares Martinet as a mixture of CĂ©line and Jim Thompson - and that is actually quite right.   This is a very intense short story that doesn't waste one word.  And special nod must go to the great Wakefield Press for not only putting this book out - but the design of it is top-notch.  A beautiful object of a book about a rather indecent man.   Perfect combination!





Wednesday, July 4, 2012

"The History of NME" by Pat Long


And to think it all started with accordion music.  The flame that started the fire that was heard all around the world.  Well Polka is not that far from punk really, but nevertheless New Music Express (NME) started off as a newspaper focusing on the accordion music scene that was happening in the early 1950's  - and of course one has to presume that it lead to the pop music of its era.   And strange enough NME, in 2012, is still with us.  In fact its the second thing i see on the Internet.  First is Dennis Cooper's blog, then NME, after that the Guradian for news.  So you can see what's important in my life!

Pat Long's book on NME is really good, and being designed orientated, this is a  perfectly designed book with respect to its subject.  A lot has happened in Pop music over the years, and its amazing that a press can still exist after so many generations.  And without a doubt NME had or has its dives into the underworld as well as its highs - but as a paper it had some remarkable writers  - to be specifically the wonderful Nick Kent.   The rock n' roll writer who didn't have a guitar to throw around, but his pen was pretty mighty.  

This book by its very nature of its subject matter also has ties to England's pop culture history -and really, this book could have been five or six books.  One on the fifties, one on the sixties and so forth.  But beyond that this is a really good introduction to pop history and more important the presses that were beyond and supported such pop movements.   Buy it for the beauty of it all!

And here's a fantastic documentary on the History of NME.


Part 1

Part 2

Part 3

Part 4


Saturday, June 30, 2012

Tosh Leaves Book Soup

Dear beloved audience,

As well as being the publisher and editor for TamTam Books, I also had a passion for book buying for the store Book Soup in West Hollywood (Los Angeles).   I can't tell you how much fun it is to purchase incredible books for that store.  The customers there are top-notch, the staff great, and just one big huge zowie of a great time. The magic moment for me is when Ennio Morricone at Book Soup whistled the main theme from The Scilican Clan to me!



Ennio Morricone meets fan Tosh at Book Soup
Also I have to give high praise to the "Rep" who are the faces of the publishing house.  They do a remarkable job in going through the weeded jungle of their catalogs and present me the best and the most unusual books.  And to be honest I never really cared about the cost of the book, but how unique it is and how it fits in the Book Soup moody world.

Within removing from the packings we sold a $10, 500 book "Commedia dell'Arte - Couture Edition" ) http://www.commedia-book.com/about.html within minutes.  Only 25 made in the world, and gone in a matter of seconds.   


But alas, it is time for me to return full-time to the world of TamTam Books.  Also working on my own writings as well.  So its a very regretful goodbye to Book Soup, a place that was my home for at least 25 years.   For me Book Soup is 1987-2012.  


Sunday, June 17, 2012

Jacques Tardi's "New York Mon Amour"



Jacques Tardi is pure gold.  I almost want to say he's my favorite filmmaker, but he's not a filmmaker, he's a graphic novelist/artist. He has done everything from turn-of-the-century Paris noir to classic crime noir, to this book "New York Mon Amour," a snapshot of 1980's New York...that is noir.  One feature length story and three short one's - and what he captures is the foreigner's on their last legs looking at NYC as an exit to even maybe even a worst world out there. 

The first (and the most longish) narrative "Cockroach Killer" (written by Benjamin Legrand) is about a refugee from World War Two, who lives and works in NYC as a bug exterminator.  Which means he travels through out the city going for the dirt and the inner-lives of its citizens.  A sort of 'another take' on the William Burroughs exterminator character, but this character is not as tough, he's just surviving on the filth that was (or is) NYC.   On one of his jobs he visits the 13th floor of a Manhattan building, because normally there isn't a 13th floor - nevertheless he comes across a school of mysterious  assassins. For a brief moment his life is thrown into a world of a haunted and chased man.  The narrative being used to examine the inner-life of New York as it is being slowly destroyed.

What's left is two short stories by Dominique Grange, who is married to Tardi, that examines the life of a troubled assassin who couldn't complete his mission and the other on a woman from Vietnam who is tracking down someone from her past in Manhattan.  And again, both stories are snapshots taken from a foreigner's point-of-view of going through hell, and that state of mind is the landscape of New York.  

Tardi's own story "Manhattan" is nothing but that.  Probably the most ultimate alternative view of a tourist coming to NYC to ....  well you should just read it.  Nevertheless, Tardi has a master's touch in capturing the coldness in life and I really feel he's a master in his field.

Excerpt from "New York Mon Amour"

Jacques Tardi




Wednesday, June 13, 2012

"Save the Last Dance For Satan" by Nick Tosches






At times I am taken back by Nick Tosches hard-ass attitude, but if I saw him in a dark alley I would have to be honest, and tell you I'll would be afraid.  I read his biography on Dean Martin on a long plane trip to Japan from Los Angeles, and I finished the book as it hit the pavement of Narita Airport.  It was probably one of the most enjoyable times i spent on a plane, and to this day, I think of that trip in conjunction with that particular book.

The great Norton Records who specialize in re-issues of great garage rock and obscure music now has a publishing wing called Kicks Books.  I suspect, no, I know this is going to be a major press here in the States.  I have a sense that 'they got it" like the label, and its going to be a wild reading ride.

Nick Tosches "Save the Last Dance For Satan" is a fragmentary tale of the great American hustlers who first came upon rock n' roll in the 1950's.  Its a book about early record labels and all the hustlers around that specific world.   I suspect that this is a dream project for Norton Records - but alas let's set that side and just sort of (my attention span is terrible these days) focus on Tosches interest here.

As a writer he likes to give you a snapshot with as much detail one can put in that one photo.  And what you have here is a very small book with poetic details about the early American label scene.  The gangsters (there must be gangsters in every form of art to sometimes make it interesting)) who see music as a means to generate capital, but the side affect is that it becomes something even more important.  An art that can cut through the bullshit and say 'yeah I get it why I am here."   And on a personal level I think Tosches feels that commerce in an interesting way has made art - which is sometimes obscure rock n' roll records or Rhythm and Blues recordings.  Its amusing that Tosches sees Elvis as the property line when it all turn sour.  I don't agree with his theory, but I like how he writes and thinks to get to that place.

So yeah, we have a small paperback, that is for sure poetic more than just the facts man, and its from a press that sees music not only ear candy, but also a rich culture.


Saturday, June 9, 2012




It took me awhile, but i finally found this book (thanks Alias East!) and like the pleasure of finding something that you really tried to find - the pleasure of the book even becomes more important, and sensual,  to you.  My interest in the photographic works of David Bailey is pretty much set in the 1960's. He's consistently fine, but the peak of his powers i feel is when he documented the faces of London.  Or I should say the various 'Face" of London.  That would include Mick Jagger, Jean Shrimpton, a very young Jane Birkin and various beautiful models of that period.

David Bailey and Jean Shrimpton
Michael Caine by David Bailey


Bailey had the East London street know-it-all, and its interesting he did a series of iconic portraits of the Kings of East London - The Kray Twins.  The mixture of the visual arts, rock n'  roll, filmmakers, fashion, and gangsters is a heady mixture and a dynamic cocktail.  You got to find this book and buy it. Essential recording of London circ. 1960's and other ports of the world.  But it is seen through the eyes of an East London lad.

Mick Jagger by David Bailey



Friday, June 8, 2012

Boris Vian's L'écume des jours (Foam of the Daze) film

TamTam Books' edition of L'écume des jours (Foam of the Daze)


Here are some current images from the new Michel Gondry film 'L'Ă©cume des jours, based on the novel by Boris Vian (and of course, published by TamTam Books.  I have to say it looks incredible:









On a personal note no one from the film production has approached me regarding the filming of "L'Ă©cume des jours.  My translation of the book is "Foam of the Daze" but they're using an old American translated title of the novel, "Mood Indigo,"  that was published by Grove in the mid-1960's.  I have read all three English translations (of course) and its strange that they're using this title.  One, at least for the novel, the title or song "Mood Indigo" is never mentioned in the narrative.  Nevertheless it promises to be an interesting film.
Here's the cover of Mood Indigo
The Grove edition of L'écume des jours (tr Mood Indigo)



L'écume des jours (tr UK Froth on the Daydream)




Boris Vian's "Autumn in Peking" as an animated film

I just got word that there are plans to make a feature length animated film of Boris Vian's "Autumn in Peking."   Down below is an article from Variety Film News:


TamTam Books edition of Autumn in Peking




Former Disney animators Paul and Gaetan Brizzi will direct toon feature "L'automne a Pekin," an adaptation of Boris Vian's novel set up at Didier Brunner's Paris-based Les Armateurs, Europe's leading art pic toon producer.

French-born, the Brizzi brothers wrote and directed the "Firebird Suite" segment of Disney's "Fantasia 2000." They were also storyboard artists on 1996's "The Hunchback of Notre Dame" and 2007's "Enchanted."
Mixing contempo satire, surrealism and a despairing take on love, Vian's same-titled 1947 novel turns on the futile construction of a railway station in the desert of Expotamie.
The Brizzis, whose Brizzi Films Montreuil studio was purchased by Disney, becoming Walt Disney Television Animation France, have already made a 10-minute pilot, which establishes character design, said Les Armateurs' Jean-Paul Commin.
Les Armateurs, whose "Ernest and Celestine" screens Friday at Annecy, has also signed up U.S. screenwriting duo Joel Cohen and Alec Sokolow ("Toy Story," "Garfield," "Garfield 2") to pen the screenplay for toonpic "French Riviera."
"A 'vintage' thriller," in Brunner's words, "Riviera" will be helmed by French graphic artist Richard Zielenkiewicz, better known as Monsieur Z.
"U.S. screenwriters can hone the thriller aspects and bring an international sense of humor to 'Riviera,' " Commin said.
Luc Besson's EuropaCorp will no longer co-produce the toon feature, whose budget is in the €10 million-€15 million ($12.4 million-$18.6 million) range.
Armateurs' "Kirikou and the Men and the Women," helmed by Michel Ocelot, bows in France Oct. 3, while "Ernest and Celestine" opens on Dec. 12.
Both movies are co-produced, distributed and sold internationally by Studiocanal. One episode of "Kirikou," "Le Monstre bleu," will screen before "Ernest's" Annecy screening.
TamTam Books' edition of Autumn in Peking

Saturday, June 2, 2012

My favorite image of a Book Store

I can't imagine anything so beautiful as this bookstore.  I never been there and I don't know where its located  - but there is a sense of pure sensual pleasure in this photograph.

Wednesday, May 30, 2012

"But Beautiful" by Geoff Dyer (plus music)




Great jazz and good writing has been a wonderful combination for many years now.   So by even its cover I knew this book is going to of some interest.  Geoff Dyer has a real appreciation for the visual imagery of jazz - meaning that his writing is almost a series of snapshots of various legendary jazz figures. He captures each moment  that is both touching and 'wow.'

The individual pieces in this book are held together by brief episodes of Duke Ellington and Harry Carney on the road that reads sort of existential that they do what they do - which is to travel, eat at dodgy diners, go to club/theater, play music and then go forward.  But during this activity Ellington is consistently thinking of writing new music and he finds inspiration on the pacing and details of 'road' life.   A very nice touch, and then it goes into incredible 'at the moment' portraits of Charles Mingus, Thelonious Monk, Bud Powell, Ben Webster, Lester Young, Chet Baker, and the ultra-cool and poisonous Art Pepper.   Dyer gets it right, and this is a really 'must' type of book for one's jazz library.  Or I should just say music.   You like sound, then get the book.

Here's the music makers that are in the book:


Lester Young
Personnel:
Lester Young - Tenor Sax
Billy Butterfield - Trumpet
Hank D'Amico - Clarinet
Dexter Hall - Guitar
Johnny Guarnieri - Piano
Billy Taylor - Bass
Cozy Cole - Drums




Lester Young and Coleman Hawkins, 1958
Charlie Shavers, trumpet; J C Higginbotham, trombone; Coleman Hawkins, Lester Young, tenor sax; Pee Wee Russell, clarinet; Harry Sheppard, vibraphone; Willie "The Lion" Smith, piano; Dickie Thompson, guitar; Vinnie Burke, acoustic double bass; Sonny Greer, drums



Lester Young and Billie Holiday.  With Gerry Mulligan



Thelonious Monk
Thelonious Monk - piano. Charlie Rouse - tenor. Larry Gales - bass. Ben Riley - drums



a long set with Thelonious Monk.



Bud Powell Trio



Ben Webster
Ben Webster - Tenor Saxophone, Kenny Drew - Piano, Nils Henning Orsted Pederson - Bass, Alex Riel, Drums






Charles Mingus
Charles Mingus Double Bass
Eric Dolphy Bass Clarinet
Dannie Richmond Drum
Clifford Jordan Tenor Sax
Jackie Byard Piano
Johnny Coles Trumpet








Chet Baker



Art Pepper

Tuesday, May 22, 2012

Gainsbourg the Biography by Gilles Verlant



When Serge Gainsbourg died in 1991, France went into mourning: François Mitterand himself proclaimed him “our Baudelaire, our Apollinaire.” 

Gainsbourg redefined French pop, from his beginnings as cynical chansonnier and mambo-influenced jazz artist to the ironic “yĂ©-yĂ©” beat and lush orchestration of his 1960s work to his launching of French reggae in the 1970s to the electric funk and disco of his last albums. But mourned as much as his music was Gainsbourg the man: the self-proclaimed ugly lover of such beauties as Brigitte Bardot and Jane Birkin, the iconic provocateur whose heavy-breathing “Je t’aime moi non plus” was banned from airwaves throughout Europe and whose reggae version of the “Marseillais” earned him death threats from the right, and the dirty-old-boy wordsmith who could slip double-entendres about oral sex into the lyrics of a teenybopper ditty and make a crude sexual proposition to Whitney Houston on live television. 


Gilles Verlant’s biography of Gainsbourg is the best and most authoritative in any language. Drawing from numerous interviews and their own friendship, Verlant provides a fascinating look at the inner workings of 1950s–1990s French pop culture and the conflicted and driven songwriter, actor, director and author that emerged from it: the young boy wearing a yellow star during the German Occupation; the young art student trying to woo Tolstoy’s granddaughter; the musical collaborator of Petula Clark, Juliette Greco and Sly and Robbie; the seasoned composer of the Lolita of pop albums, Histoire de Melody Nelson; the cultural icon who transformed scandal and song into a new form of delirium.

Release date: July 31, 2012
$24.95
ISBN: 9780966234671
Translated from the French by Paul Knobloch

Saturday, May 19, 2012

F. Scott Fitzgerald's "The Cruise of the Rolling Junk"




Such a small book one can fit it in their back pocket, yet, this small object had a profound affect on me. Written as a magazine piece for the upscale Saturday Evening Post, the article eventually found a home in a less prominent publication - a car magazine.

Originally written as a serial, "The Cruise of the Rolling Junk" is 'On the Road' for F. Scott Fitzgerald and his somewhat nutty but beautiful wife Zelda. One morning Zelda had a passion to have fresh biscuits and peaches from her natural home in Alabama. So taking off from Connecticut, in a very unreliable car - the re-named "Rolling Junk" they go on the road to pleasure. But alas, things don't work out.



For one they have consistent problems with their automobile on this trip, which often left them stranded in the back woods of even badder hotels and in the hands of a series of rotten car mechanics. But in reality they are sort of 'the truth' vs. the unreality of the Fitgerald's. In what seems like a nice weekend trip turns into an obsessive journey to the couple's inner world. The landscape of this piece is 'charming and funny but there are very dark overtones that takes over the reader in the 21st Century.

Written while he was working on The Great Gatsby, F. Scott's attenna was up and working. But sadly and quite disturbing is his attitude toward Black Americans. The cruel side of his observations comes to front, so that alone makes it difficult to 'like' him as a narrator. And Zelda's personality (via Scott) is sort of troublesome as well. She is sort of a combination of a nagging so-so and a spoiled child. What must have been read in the early 20th Century as funny becomes somewhat sad and disturbing in the 21st Century.

Which brings up to mind does Fitzgerald's writing has something to say to people now in 2012? Well, for one, this book is very close to the edition that was originally published in "Motor" in 1924. The book comes with photographs of Scott, Zelda, and the Rolling Junk as the adventure happens. So it is very much a period piece of its time - but what's contemporary is the mental attitude of Fitzgerald as he and Zelda wonder back into the Southern past, that for sure will bring failure.



Like the image of most male americans, Fitzgerald is not one with his car. A cowboy has his loyal horse, and the male has his relationship with their car. Here The Rolling Junk practically rebels against Scott's wishes for a solid car outing. The humor in this book is a good few chuckles but the real 'dark' humor is the failure of communication, the lack of understanding of machine, and the need to entertain a wife who is slowly going out of the picture.

The trip ends as a failure of sorts, and Fitzgerald for sure sees this as an aesthetic that things rot from the inside to the exterior. A throw-away literature but what I think is a masterpiece from F. Scott Fitzgerald.

Fitzgerald reading Shakespeare

Some film footage of the couple.

Saturday, May 12, 2012

TamTam Books Tribute to Hasil Adkins




"She Said"


"Waitin' for the Graveyard"


A six minute documentary in French on French TV.  Great footage


"I Need Your Head" has to be the most demented rock n' roll song ever.  Horror on a grand scale.


"Walk and Talk With Me"


documentary trailer

Roxy Music Live in 1972



Recorded for the BBC, this 35 minute set shows the aural power of Roxy Music. Noisy, brilliant, borderline prog, and just plain great.

Tuesday, May 1, 2012

More Cars for Michel Gondry's film version of Boris Vian's "L'écume des jours"








Gainsbourg the Biography by Gilles Verlant

The cover of Gainsbourg by Gilles Verlant
Is it fair that the publisher of this book gives it a review? Probably not. But then again I think this is probably the most amazing biography on Serge Gainsbourg. The author, Gilles Verlant, spent over 100 hours interviewing Gainsbourg as well as his family, friends, and other incredible french music/film artists from the 1950's till the early 1990's. 

And without a doubt it is the best (and maybe only) book in English that covers the French pop music world in such wonderful detail.  More then half of the book is oral history of Gainsbourg and French pop/film world.  Verlant is very much part of that world, and his access to the French pop stars, Serge's family, and various people around the music world at that time is pretty amazing.  Also in this book you get some of Gainsbourg's brilliant lyrics wonderfully translated by Paul Knobloch.