Showing posts with label Duke Ellington. Show all posts
Showing posts with label Duke Ellington. Show all posts

Wednesday, May 1, 2019

ARCHITECT OF STARDOM: Irving Mills and Duke Ellington




Part of my "Architect of Stardom" series on 'Please Kill Me' website. Here I focus on Irving Mills, the manager of Duke Ellington, among other greats.

 His “Elvis” was Duke Ellington, but he did far more than manage the careers of the Duke, Cab Calloway, and Hoagy Carmichael. Irving Mills got his hand in every aspect of the music business—managing, publishing, recording and leading his own band. He may, in fact, be the unsung father of the modern music business in America. - Tosh Berman

Read it here:  ARCHITECT OF STARDOM: Irving Mills and Duke Ellington

Saturday, March 10, 2018

Amore Hirosuke Swing Dancing and Music on Tosh Talks





Amore Hirosuke Swing Dancing and Music on Tosh Talks

I have known Amore Hirosuke for over 25 years.  Amore is a graphic artist/fine artist as well as a master on the subject matter of Swing Dancing (Lindy Hop) as well as Swing Music. I interviewed the King of Swing in Tokyo, and we discussed Billie Holiday, Teddy Wilson, Cab Calloway, Louis Prima,  Fats Waller, Slim & Slam, Gentle Forest Jazz Band (from Japan) and Duke Ellington.  Amore and his partner-in-crime Lulu Yoshida are magnificent dancers.   Tosh Berman, your host for "Tosh Talks."

Tuesday, April 29, 2014

April 29, 2014



April 29, 2014

Oddly enough I wasn’t paying that much attention to the trial regarding the Rodney King beating in the hands of the Los Angeles Police Department.   I figured they would be condemned, but more likely forced to resign or be transferred to some other part of the world.   When they were found ‘not guilty, ’ it was like someone kicked me in the stomach.  I wasn’t angry, but just deeply confused and hurt by the verdict, and again, if I was upset, I couldn’t even imagine how others will take the news.

I didn’t exactly feel the pain, but I could smell the smoke from our apartment in Hollywood.   It was kind of like having a zit that needed to be popped.  There is something so disgusting regarding the zit, that of course, one would want to squeeze the pus out of the pore.  The violence in the air was a perfect combination, or a cocktail of despair and the lust to let loose.   What surprised me the most, was that valley girls were coming in and looting stores on Melrose.  It seemed the passion was electronic goods, like TV sets.  The irony of all that is that there is nothing on TV.   Even my co-worker was giddy with excitement.  She hit the streets to observe, like it was a festival - and I guess in the religious sense, it was a festival.

My number one concern was the random acts of violence, especially against those who were Asian, due that I’m married to a Japanese woman.  I didn’t want her to drive around the city.  The air was thick with the random acts of cruelty, that seemed to be part of the festival feeling as well.   A friend of my wife, just came to Los Angeles from Japan on that specific night, and he didn’t speak a word of English.  He found himself in downtown Los Angeles, and he clearly noticed that no one was on the street.  He didn’t know why?  A Black American woman with a car full of kids saw him wandering around the streets, and told him to get right into the car, because it is too dangerous to walk around at this peculiar time.  He didn’t understand what was happening, but he got in the car, and him and her family had dinner together.

On the other hand, the liquor shop down the corner from me was being broken into. The occasional gunshot could be heard from that location.   It was sort of like zombies attacking living flesh, they didn’t stop arriving, and it was all sorts of people looting these places.   When I went on the balcony to get some fresh air, I heard my neighbor across from me yell “Hey man don’t point that gun at me, cool it!” I sort of did a backwards moonwalk back into my living room and got down on the carpet floor.

I crawled towards the TV set to watch a VHS tape of Maya Deren and Alexander Hamid’s “Meshes in the Afternoon.” It is one of those timeless works that I can watch anytime and anywhere.  For me, this was the true image of Hollywood, not what I was going through when I walked out onto my balcony.   To sleep that night  I put on Duke Ellington’s “Chloe (Song of the Swamp), which I think is my favorite song, and also worked as an inspiration for Boris Vian’s L’écume des jours (“Foam of the Daze”).  I can’t stop the world, or what’s going on outside, but inside my head I always turned back to art, and that is what saves me at the end of the night.


Wednesday, May 30, 2012

"But Beautiful" by Geoff Dyer (plus music)




Great jazz and good writing has been a wonderful combination for many years now.   So by even its cover I knew this book is going to of some interest.  Geoff Dyer has a real appreciation for the visual imagery of jazz - meaning that his writing is almost a series of snapshots of various legendary jazz figures. He captures each moment  that is both touching and 'wow.'

The individual pieces in this book are held together by brief episodes of Duke Ellington and Harry Carney on the road that reads sort of existential that they do what they do - which is to travel, eat at dodgy diners, go to club/theater, play music and then go forward.  But during this activity Ellington is consistently thinking of writing new music and he finds inspiration on the pacing and details of 'road' life.   A very nice touch, and then it goes into incredible 'at the moment' portraits of Charles Mingus, Thelonious Monk, Bud Powell, Ben Webster, Lester Young, Chet Baker, and the ultra-cool and poisonous Art Pepper.   Dyer gets it right, and this is a really 'must' type of book for one's jazz library.  Or I should just say music.   You like sound, then get the book.

Here's the music makers that are in the book:


Lester Young
Personnel:
Lester Young - Tenor Sax
Billy Butterfield - Trumpet
Hank D'Amico - Clarinet
Dexter Hall - Guitar
Johnny Guarnieri - Piano
Billy Taylor - Bass
Cozy Cole - Drums




Lester Young and Coleman Hawkins, 1958
Charlie Shavers, trumpet; J C Higginbotham, trombone; Coleman Hawkins, Lester Young, tenor sax; Pee Wee Russell, clarinet; Harry Sheppard, vibraphone; Willie "The Lion" Smith, piano; Dickie Thompson, guitar; Vinnie Burke, acoustic double bass; Sonny Greer, drums



Lester Young and Billie Holiday.  With Gerry Mulligan



Thelonious Monk
Thelonious Monk - piano. Charlie Rouse - tenor. Larry Gales - bass. Ben Riley - drums



a long set with Thelonious Monk.



Bud Powell Trio



Ben Webster
Ben Webster - Tenor Saxophone, Kenny Drew - Piano, Nils Henning Orsted Pederson - Bass, Alex Riel, Drums






Charles Mingus
Charles Mingus Double Bass
Eric Dolphy Bass Clarinet
Dannie Richmond Drum
Clifford Jordan Tenor Sax
Jackie Byard Piano
Johnny Coles Trumpet








Chet Baker



Art Pepper

Saturday, May 15, 2010

My Favorite Music That I have Found on the Internet Part Two



A beautiful recording that is very much silk sheets on a clean bed. George Clooney's aunt, Rosemary Clooney is perfectly matched up with Duke and his Orchestra. The classic, the iconic, and it has a nice 2:30 am in the morning feeling. i like big band music that sounds small and constricted. More intense and just brings out the beauty of the songs and performance. "Mood Indigo" is the stand out here.





Everyone who knows me knows that I have a life-long love for Joe Meek and his recordings. One of his "victims' or stars is of course the great Screaming Lord Sutch. For whatever reason its hard to find an album of his early works with Meek, but I think I found it via the album "Story." Sutch is the proto-type to Alice Cooper and all that 'schock and attack' aspect of rock n' roll. But with Meek's sound it just becomes a highly eccentric approach to rock n' roll. And its perfect. Its beautiful.





I know that Small Faces/Humble Pie great Steve Marriott had a teenage career on the London West End stage, but I think this may be his first solo recording - even before the Small Faces. I don't have that much information on these recordings, but its very Mod (with a capital M) R n B music. Not far off from the early Small Faces. It's a four song ep, and the highlight is his version of the Kinks' "You Really Got Me." Track it down its a great record.



Great interview with Marriott.



Steve Marriott's "Money Money" which is one of the four songs on this particular EP.