Showing posts with label Luc Sante. Show all posts
Showing posts with label Luc Sante. Show all posts

Friday, January 1, 2021

BOOK MUSIK - "Maybe The People Would Be The Times" by Luc Sante

 

Book Musik 037 – Maybe the People Would Be the Times by Luc Sante

Maybe the People Would Be the Times by Luc SanteTosh and Kimley discuss Maybe the People Would Be the Times by Luc Sante. This collection of Sante’s essays, mostly from the last 15-20 years, covers a wide spectrum of his obsessive interests which include a heavy dose of music, photography, writers, filmmakers, New York City life and an assortment of oddities. While it’s a seemingly divergent field of topics, there is an aesthetic thread that connects them all. His writing pulses with life and pulls the reader into his world — dreamy, romantic, personal and always compelling.

Theme music: “Behind Our Efforts, Let There Be Found Our Efforts” by LG17


Thursday, December 31, 2020

"Maybe The People Would Be The Times" by Luc Sante (VCP)

 


I identify with Luc Sante's writings because we seem to share an interest in urban street history and its culture and music, films, French crime books & literature. He's a superb essayist with very sharp intelligence, and I love how he approaches his subject matters by making it personal.  Born in 1954,  he was born in Belgium and moved to the United States. His sensitivity is that he's very much aware that he lives in a duo-cultural existence. He's both an American and a European. Through his writing, I get the impression that he feels like an alien in a different world. Sante approaches to culture as buying a nice winter coat in the cold. The very essence of music, art, and literature is deadly important to him. 

"Maybe The People Would Be The Times" is a compilation of Luc's writings from the 21st-century. It includes essays on music, cultural history, writers (great article on Richard Stark), Punk Rock & Reggae, and life in Manhattan during the 1970s. The book's title came from an Arthur Lee song, "Maybe the People Would Be the Times or Between Clark and Hilldale," a classic tune from Love's "Forever Changes" album. I can tell that Sante wrote poetry due to his dense but straight forward prose, but not a wasted word in these essays. Reading some of the chapters in this book is like a physical presence in one's conscious. I can feel Georges Simenon, Patti Smith, Ricard Stark, and others in this volume as if they are sitting across from me. 

Thursday, October 29, 2020

"Godlis Streets" Photographs by David Godlis with Foreword by Luc Sante & Afterword by Chris Stein (Reel Art Press)

ISBN: 9781909526730


There have been hand-painted landscapes for centuries, but what the 19th and 20th centuries brought us is street photography. Like a drawing or painting, photography can capture the psychology or emotion of people in the picture. The difference between the two mediums of paintings/drawings and photography is that one is considered real, and the other is a representation by an artist. It can take days or even years to complete an oil painting, but snapping a photo can take seconds. Perhaps in the darkroom, another process occurs, where the photographer can manipulate the images or the darkness/lightness of that photo. Still, the immediate recording of an activity or history documented is a significant aspect of still photography. It's a medium that is like making punk rock music. One can know three-cords to write a song, and it takes an instant to capture an image with one's camera. It takes talent for sounds or an eye to making that image or song into art. Photographer David Godlis spent a great deal of time in 1970s New York to take pictures of musicians and fans in such punk locations such as CBGB's. 

 The urgency to capture a music scene as it happens also is a close relative to street photography. One sets the viewer's mind to photograph a poetic or surreal activity as it happens. Do photos lie? Perhaps, but the photographer's essence is to capture time at its most beautiful, profound, or at the very least, for amusement purposes. Godlis is not a Weegee type of street photographer. He is not out there to capture crime and murder scenes for the tabloid press. Godlis sets out to find images that one is pleasing to the eye. It gives some weight or presence to everyday people reflecting their inspirations and practices in an urban landscape that happens to be Manhattan and Boston. 

 In many of the images in this book, people look directly into Godlis's camera as he quickly snaps a shot. They have no time to react to the picture taken, and in fact, some look like they make contact with their eyes, but maybe they're thinking about their day as well. Or they have to keep a necessary appointment. The viewer of this book can make their narratives of who these people are. Still, all of them have that hardcore essence of living in a large and cosmopolitan landscape. 

 The juxtaposition of what looks like a businessman going to work but carrying a Playboy magazine or the two young women are approaching or going by an entrance that says "Service Gate." In that photo, a can and bottle of an empty beer bring up all sorts of narrations in these pictures. The black and white images are sharp, crisp, and I can feel the weather that day due to the clothing and the photographs themselves' mood. These photos essence sticks to one's mind. An awe-inspiring book of images that captures urban life as it happened.

Thursday, August 23, 2018

18 Blurbs for "Tosh: Growing Up in Wallace Berman's World" (City Lights Publications)


ISBN-13 9780872867604



My book "TOSH: Growing Up in Wallace Berman's World" will come out on January 22, 2019. If you want to get a notice when the book comes out, you sign up here at City Lights. Or you pre-order the book through your favorite local bookstore, or online shop. Meanwhile, I now have 18 comments or blurbs about my book. I'm deeply moved and honored to receive such notice. Thank you all for your support. Oh, and Amber Tamblyn wrote the introduction! Here are the blurbs:
Praise for Tosh:
"Tosh Berman's sweet and affecting memoir provides an intimate glimpse of his father, Wallace, and the exciting, seat-of-the-pants LA art scene of the 1960s, and it also speaks to the hearts of current and former lonely teenagers everywhere."Luc Sante, author of The Other Paris
"This book is like a fascinating series of autobiographical post-cards that could be subtitled, Growing Up Semina. As the son of artist Wallace Berman, Tosh presents fly on the wall impressions of his parents coterie in the 60s and 70s—a grouping that included such luminaries as Dennis Hopper, Brian Jones, Toni Basil, and Andy Warhol. His memoir give us a glimpse into the 'other' Los Angeles—a bohemia that thrived in the 60s and 70s in numerous enclaves such as Topanga Canyon, Venice Beach, and West Hollywood. This is the story of a kid growing up inside of art world history, retelling his upbringing warts and all. A well-written, fast-moving book that is candid, funny, often disturbing, and never dull."Gillian McCain, co-author of Please Kill Me: The Uncensored Oral History of Punk

"As the son of artist Wallace Berman, Tosh Berman had a front row seat for the beat parade of the '50s, and the hippie extravaganza of the '60s. It was an exotic, star-studded childhood, but having groovy parents doesn't insulate one from the challenge of forging one's own identity in the world. Berman's successful effort to do that provides the heart and soul of this movingly candid chronicle of growing up bohemian."Kristine McKenna, co-author of Room to Dream by David Lynch

"Through the prism of Tosh Berman, only child, born 1954 to Wallace and Shirley, who personified the wild heart of 20th century West Coast art, we are offered a truly intimate invitation into a magic world of outliers, visionaries and shooting stars.TOSH recounts a life 'lived like a good book on a bookshelf,' a memoir resonant with discovery, passion, music, art, sex, celebrity, ego, desire, and dignity. All told with a son's love for his father, a continuing light into the creative life."Thurston Moore, musician & writer

"This book is sublime: vertiginous, melancholy, highly amusing!"Johan Kugelberg, Boo-Hooray

"One could not wish for a better guide into the subterranean and bohemian worlds of the California art/Beat scene than Tosh Berman, only scion of the great Wallace. Tosh has a sly wit and an informed eye, he is both erudite and neurotic, and often hilarious. TOSH, the book, is packed with keen observations and unique anecdotal factoids that could only come from a true insider. It's a must for anyone who cares about California counter-culture and the raggedy-ass drumbeat of the Beat Generation."John Taylor, Duran Duran

"Tosh Berman is one of the most valuable writers, much less people, the earth has upon it. This book is exquisite. I can't think of another word. What it says, how it says it, what it is."Dennis Cooper, author of The Marbled Swarm

"I first met Tosh Berman when he was assigned to sit next to me in 5th grade. We rode the Topanga school bus together for many years and even drove with each other to our high school graduation. But the overlap doesn't end there. Our parents frequented many of the same movie theaters, clubs, and galleries. Neither of our mother's drove, either. Both of our families had the celebrities of the day passing through our houses. I witnessed much of what Tosh saw and writes about, and I can say that TOSH: Growing up in Wallace Berman's World captures the times, places, and people with accuracy, sensitivity, humor, and, at times, great sadness. This is a beautifully written memoir, and I highly recommend it to those who are interested in the Sixties, Topanga Canyon, the Southern California art scene, and for those who wonder what it might mean to grow up as the son of one of our most acclaimed artists."Lisa See, author of The Tea Girl of Hummingbird Lane

"Reading TOSH, I felt like I was lying on a couch, completely relaxed and engrossed, while Tosh Berman sat in a chair beside me and told me his amazing life story. And at the end, I was very moved and wanted to cry. The affect that TOSH—the book and the man—had on me was that feeling I get when exposed to great art: a mix of sadness and wonder, which seem to be the two faces of the human heart. Wonderment at the beauty around us—the world, its people—and the sadness that nothing lasts, that all must perish. But this is our journey on planet earth: to be brave and feel both things at once, and it's great art, like this book, that reminds us to do so."Jonathan Ames, author of You Were Never Really Here

"If you are interested in California bohemian art-scene culture, eccentric and fascinating family and friend dynamics between unique individuals, and celebrated yet oddly little-known artists with uncompromising personalities, then read this book!"Roman Coppola, filmmaker, screenwriter
"This book is perfection. I wish it went on forever. Maybe, somehow, it does.TOSH is almost like a giant map of small city . . . Each sentence is a street. Each chapter is an era. Each memory revealing a secret passage from one place to the next . . . TO READ IT is to WALK IT with Tosh Berman."Jason Schwartzman, actor

"Tosh Berman paints an intimate and heartfelt portrait of growing up within the quirky West Coast counterculture of the 1950-70s. At the center of the tale is his dedicated and passionate artist father, Wallace Berman, who introduces his son to a bizarre collection of artists, crooks, cowboys, beatniks, hippies, freaks, filmmakers, musicians, mystics, and assorted weirdos. Including hilarious personal stories about Dean Stockwell, Dennis Hopper, Allen Ginsberg, Cameron, Ramblin' Jack Elliott, Michael McClure, Robert Duncan, George Herms, Leslie Caron, William Burroughs, Andy Warhol, Russ Tamblyn, Lenny Bruce, Phil Spector, Brian Jones, Alexander Trocchi, John Cage, and many many more, TOSH, is a delightfully entertaining memoir filled with sly wit and a profound personal perspective."John Zorn, composer

"There's the life—and then there's the life. With TOSH you can have both. My life, and that of many who sailed with me, was formed by the 40's & 50's. TOSH takes you there. Feel the fabric, touch the canvas of all that informed us. Embrace it and move forward."Andrew Loog Oldham, producer/manager, The Rolling Stones

"This double narrative of Tosh Berman and his father, Wallace, will tell you more about the creative process than a hundred how-to books purporting to do the same. Joyous and unselfconsciously readable, it celebrates the delights of surprise and observation on every page, as well as, yes—the confidence that things will somehow land upright."Jim Krusoe, author of The Sleep Garden

"What compels about Tosh Berman's gorgeously written memoir is the proximity of the quotidian and the familiar to the extraordinary, the shocking even, and the enviably glamorous. He recounts a coming of age in which the unexpected laces the ordinary as surely at it does in Alice In Wonderland—only for Tosh, growing up, a cast of artists, nutcases, iconoclasts, stars, and extremists of all kinds provide the distraction and disruption once supplied by the White Rabbit or Cheshire Cat. Add to this his exemplary taste in, and understanding of, a particular pop sensibility—TV, music, Warhol, and comic books. That then heady and head-spinning world, soundtrack to a sentimental education, that was for the young romantics of the mid-twentieth century what clouds and peaks were to those of mid-nineteenth. Brava, Tosh Berman!"Michael Bracewell, writer

"If the first movie your father takes you to as a child is . . . And God Created Woman, you can be sure of two things. First, that your father is an extraordinary person. Second, that you are destined to lead an extraordinarily interesting life. Both of these suppositions are made evident in Tosh Berman's vivid and loving memoir, TOSH: Growing Up in Wallace Berman's World. What a world!"Ron Mael, Sparks

"Reading TOSH is like meeting your idols, one at a time, for a quiet chat. Everyone is disarmed, and it feels like you've been in the same room with them for about ten hours, or so. Dennis Hopper is unconstrained and friendly, Toni Basil is bubbly, and Brian Jones has just stopped by to say hello. Topanga, as a place is remote—filled with pockets of escapism, winding landscapes of tumult and ennui. Tosh's world is both expansive and crystalline, he traces the edges of his world, and Wallace's world. We get to come and go with Tosh as he navigates his place in and around the tangle of the time."Soo Kim, artist, Professor at Otis College of Art and Design

"Sexually giddy, clairvoyant, messianic—Wallace Berman's socially astute photo-collages were vital bread and butter for several generations of artists. The Wallace B bloodline, from which Tosh sprouted, is a verdant gene pool. For artists-readers, TOSH, the memoir, is a luscious document of Los Angeles in the last four decades of the 20th century. Every page is filled with juicy history. Such surprises include a teenaged Sammy Davis Jr. sleepover, a pet alligator, Mae West, Allen Ginsberg, and dozens of remarkable side characters. Bask in Tosh Berman's honesty and gentle style. He is a one-of-a-kind gem."Benjamin Weissman, artist & writer

Saturday, May 21, 2016

"Paris Vagabond" by Jean-Paul Clébert; Introduction by Luc Sante (NYRB)

ISBN: 978-1-59017-957-4 NYRB

"Paris Vagabond" by Jean-Pual Clébert, Foreword by Luc Sante (NYRB)

Luc Sante with his "The Other Paris" wrote one of the two ultimate books on that beloved city.  He also wrote an introduction to the other essential book on the French capital that is by Jean-Paul Clébert called "Paris Vagabond."  Like "The Other Paris" this book reeks of the underclass or the belly of Parisian culture, with its homeless, drunks, criminals, streetwalkers, and everything between.   Encouraged by Blaise Cendrars, Clébert wrote the ultimate book in early 1950s on the culture that was not celebrated by overseas tourists in Paris.  Wandering from one neighborhood to the next, Clébert recorded with a pen or pencil on newsprint, wrote about those who fell or lived in the cracks of Paris.  Impressionistic as well as documentation he covers the waterfront that to some, is pure hell.  Yet, it is virtually a Jean Genet love of the squalor and dirt of the Parisian underworld.   Throughout the book it is illustrated with photographs by Patrice Molinard, who begin his career taking images for Georges Franju's documentary "Le sang des bêtes."   His aesthetic or documentation fits perfectly with Clébert's realistic poetic prose.  A superb translation by Donald Nicholson-Smith, this is the book on Paris.  A total classic. 





Friday, January 15, 2016

"The Other Paris" by Luc Sante (FSG)

ISBN: 978-0-374-29932-3 FSG

The Other Paris" by Luc Sante (FSG)

Of all the cities in the world, Paris has a mythical hold on me. I don't know why? Los Angeles and Tokyo are my two other favorite cities, but somehow Paris has captured my imagination, and this book by Luc Sante, pretty much describes my imaginary Paris as a factual place. I have been there at least six times in my life, and yet, it never disappoints, just gives me a thrill whenever I'm confined in Paris. Sante's "The Other Paris" pretty much describes my fascination, as there is only my imagination that is the French city, and then there is "real" Paris.

Sante uncovers a Paris that is exposed in certain works of literature, such as "Fantomas" and the film works by Louis Feuillade. This is Paris history as if it was written by The Situationists International and the Surrealists. Crime, vice, a little bit of decadence here and there - it is what I imagine being in Paris, and therefore, clearly is. 

The book often reads and looks like a school textbook, and one wonder if "The Other Paris" will serve that role in a classroom. It should be. As well as being, without a doubt, one of the great books in English on the great city of my imagination and therefore known as Paris. I also realize by reading this book that Paris always had a great deal of street violence with respect to murders and bombs. What happened a few months ago in the city of light, is common, when compared to the Paris of the 19th century.

Beautifully illustrated throughout the book with images collected by Sante, so unlike other "history" or "travel" books, this seems to be a very personal work.  And that I think is one of the key aspects of this work, is making a public space or city into a personal landscape.    Luc Sante did this and he did it remarkably well.   A classic book.  

- Tosh Berman

Saturday, November 28, 2015

"The Factory of Facts" by Luc Sante (Memoir/Cultural History)

ISBN: 0-679-42410-5 Pantheon Books

The Factory Facts by Luc Sante

One of the most unique memoirs I've ever read, but then again, Luc Sante is one idiosyncratic and special writer.   "The Factory of Facts" deal with Sante's childhood in his native country Belgium as well as New Jersey, his adopted home with his family.  The beauty of the book is that Sante writes about culture as the foreground to his life.  Although our lives are quite different, we are almost the exact age.   Both of us were born in 1954, and I recognize his cultural posts throughout the book.  Whatever it's a candy company that doesn't exist anymore, or a TV show/Film - I understand the importance of items that surround one's life. 

More of a collection of essays than a running narrative, Luc Sante came from a hardcore working class world, where I believe he's the only one who went on to college.  A brilliant observer of things around him, he is also sensitive to the fact that he is one from two cultures - Belgium and the United States.  Both are complex and multi-cultural locations as well.  One chapter he discusses what it is like to live in America and think/talk in French.   A lot of people think of translation as something easy as a Google app, but the fact the thinking is different, which conveys the 'fact' that language is a big part of our make-up.  Signage in a department store can be something obscure and totally odd, because it doesn't really make sense in a French context.  


"The Factory of Facts" is cultural history more than a straight ahead memoir, but the surroundings can tell a great narrative, when it is placed behind an individual.  I have to imagine writers will find this book fascinating.  I, who know very little of Belgium and its culture (only TinTin I'm afraid) I learn a lot through the eyes and mind of Sante.  As a writer myself, I'm consistently reminded how important my surroundings and things are to me.  Especially as a writer, and this is a great book that is suitable for those who want to write and those who do the job. 

- Tosh Berman