I am working on various projects at the same time and this here is my soundtrack. Of course at the end of the year I try to make a top ten list, but I have some problems with that. One, I very rarely listen to new music. This should not be a comment about contemporary pop right now, but more to the fact that I just don't care about current music. I think it is more me than them. if that is a problem, but I don't think so....
Nevertheless here are some albums that have been changing my world (lately):
Julian Casablancas' "Phrazes for the Young."Yes, this is sort of a surprise for me as well! For one, I don't think I ever heard a Strokes album in my life. And the bits and pieces of their music I have heard in a record store (remember them?) didn't leave an impression. But I heard this pop record by him called "Old Hollywood" which is fantastic. Haunting, beautiful melody, and electronics that melts then more than anything. Very passionate. It took me a while to get pass that one song to the rest of the album - oh, and I don't think "Old Hollywood" is officially part of "Phrazes for the..." It's on a bonus cd that comes with the album? That is what's wrong with the Internet, the identity thing disappears. Nevertheless I like his solo work.
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"Very Special World of Lee Hazelwood" by Lee Hazelwood. The Arizona/Hollywood Serge Gainsbourg? A lot of my friends are into him and his music, but I never fell for his charms - except for his duet work with Ms. Nancy Sinatra. This may be his first solo recordings - I don't know its history, but I love the songs on it. It's very late 1965 Los Angeles sound to me. Now I am a fan! its very bright, very dry, and kind of moody all at once. The song here that captured me is "My Autumns Gone." A slow dreamy ballad that one can imagine Frank Sinatra recording it. The beauty of Hazelwood is that he's always himself. In many ways it is the ultimate middle-age pop. Includes his version of "These Boots Are Made For Walking."
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Manfred Mann's "Instrumental Assassination" French E.P. One of my favorite British bands from the 1960's and here we have an odd release of just only their instrumentals. I don't know its history Jazzy, junky, throw-away recordings that sometimes shows what the band is really thinking about. Very unusual, and for sure not really commercial, but the music on this e.p. will sound great in a club.