Showing posts with label " Boris Vian. Show all posts
Showing posts with label " Boris Vian. Show all posts

Saturday, July 23, 2011

Press Release for Boris Vian's (Vernon Sullivan) "To Hell With The Ugly"

Press Release

“To Hell With The Ugly”
(ET ON TUERA TOUS LES AFFREUX)
Boris Vian (Vernon Sullivan)
978-0-9662346-6-4 $15.95
Boris Vian, 1949 copyright afp

Translated from the French and Introduction by Paul Knobloch
Artwork and interior Illustrations by Jessica Mnckley
Book Design by Tom Recchion

Boris Vian was the leading light of the Post-War years in Paris. 'The Prince of Saint-Germain' knew everyone that was culturally important in those rich years. From Miles Davis to Jean-Paul Sartre to Jean Cocteau to Juliette Gréco.

Besides being one of the great French novelists of the 20th Century, Vian was also a translator of hard-boiled Amercian crime novels (Raymond Chandler among others), songwriter, singer, A&R man at a record company, engineer, playwrite, jazz critic, screenwriter and sometimes actor. And the leading light of the Saint Germain-des-Prés social scene. A man who knew everyone that was interesting, and yet always stood apart from any organized movement.

“To Hell With The Ugly” is a novel Vian wrote under the name Vernon Sullivan, who had a very serious scandal history with his first Sullivan novel “I Spit On Your Graves.” “To Hell With The Ugly” according to its translator Paul Knobloch is 'like a pornographic Hardy Boys novel set on the Island of Dr. Moreau to a be-bop soundtrack.'

The narration is a mixture of Young Adult adventure novel, science fiction, Los Angeles Noir, and sex romp. A group of adventursome teenagers get involved in a case where a mad doctor has an island of nothing but beautiful looking people. Clones whose purpose is to have sex with good looking people to bring more good looking people on this earth. Utopian dream or nightmare? This novel written in 1948 brings up issues that are proment in today's world. Like an early J.G. Ballard, Vian held the pulse of a culture that was about to embrace the future with teptation, fear and wonder.

Here are the critical blurbs:

“Boris Vian was a rascal, a chameleon, and a visionary. In his crime novles –channeling the elusive Vernon Sullivan—he displays America as a Left Bank fever dream, a place where Dashiell Hammett is president of the Academie and Sartre splits philosophical hairs with Frankie Yale. Go there, and you might not return.”
  • Luc Sante

“Imagine being aught in a dream in which you're still you – with all your complex cmotions, thoughts, and tastes- but the only way you can express them is through the language of a noir novel. Also, your ability to direct your own actions has been removed so the noir begins to tell your story for you, almost against your will. The end result? You are simultaneously a hero and a victim of a genre you never intended to inhabit. Such is the amazing effect of Vian's “To Hell With The Ugly, a novel about – among other things – perfection.”

- Jim Krusoe
cover by Tom Recchion


Saturday, May 22, 2010

Boris Vian Related Albums That I listened to Today



A album that I believed was put out in 2008 by Andy Chango "Boris Vian." I know very little of this music artist, except that he is from Buenos Aires and he has this record, which is really good. The cover itself is an A+. Pianococktail from "Foam of the Daze" (L'ecume des jours). Chango sings Vian songs in Spanish (at least I think it is) and it has a nice updated yet respectful stance towards the material. Highly recommended.



As Paris was burning to the beat of May 1968, Les Charlots put out an album of Vian songs called "Les Charlots chantent Boris Vian." Basically a comedy group in the line of maybe a French version of the Goons, or at the very least Monty Python. Now Vian is a funny guy, so its interesting that this group of comedians pretty much (music wise) do straight ahead versions of Vian's music. They stay pretty true to Vian's sense of fun. A curious album and I imagine kind of rare.



A cool album. Basically a mix of Vian's poetry and excerpts from his novel and then his songs. The album was recorded in 1964, and the singer Beatrice Moulin is really good. Very showbiz, and one wonders if this was a stage show of some sort. I can see it work as a theater piece. Here are the original album cover



And here's the back cover:



And for the strange, here's a prog-rock album done in the 70's that uses "Foam of the Daze" (L'ecume des jours) as a subject matter.



I know nothing of this band called Memoriance. By all sane standards I loathe prog music. But since they did a whole album based on "Foam of the Daze" I am ok with it. My critical stance weakens in the name of Vian's fans. Here's a taste of the album via YouTube:



Actually the album is pretty cool. Get it!

Monday, February 1, 2010

"V comme Vian" (V For Vian) a TV French Film



This gentleman Laurent Lucas will play Boris Vian in a new French TV movie called "V comme Vian." The film is directed by Philippe Le Guay. I suspect the film is going to go into the whole "I Spit on Your Graves" scandal with a lot of scenery from the Saint Germain des Prés scene circ. late 1940's. Looking forward to seeing the film. We can cross our fingers that it will serve the great man's art...

Monday, January 25, 2010

Tribute to Alain Goraguer


Alain Goraguer working with Serge Gainsbourg

Alain Goraguer is one of the great French jazz/arrangers/electronic artists that somehow slipped through the cracks with respect to America's attention. But alas, TamTam Books wants to do a little tribute to this music giant.


Goraguer's soundtrack theme to the film based on Boris Vian's "I Spit on Your Graves." Side B.


Goraguer's soundtrack theme to the film based on Vian's "I Spit on Your Graves." Side A


Alain Goraguer's "Une voiture dans le ciel"


Ignore the first 30 seconds, but then it kicks into France Gall's "Nefertiti." Written by Gainsbourg and arranged by Goraguer.


Again ignore the first 20 seconds. France Gall singing and music by Goraguer.


Ignore the first 10 seconds till the song kicks in! But France Gall singing. Song by Gainsbourg and arrangements by Goraguer.


Alain Goraguer's famous soundtrack to "Le Planete Sauvage" (The Savage Planet).


Goraguer's soundtrack to "Le Plante Sauvage" as re-done by Jay Dee


A quiet piece (for a film) by Goraguer "Le Silencieux"

And there is so much more of this man's genius....

Thursday, January 21, 2010

Boris Vian's TO HELL WITH THE UGLY: Chapter 14: "An Orgy After My Own Heart"


Chapter XIV


AN ORGY AFTER MY OWN HEART


I wait. I wait and they wait. Everybody is waiting. I’m not sure, but I feel like I might have been nodding off because I suddenly jump up when I see someone open the door of the blue coupe. I recognize Cora’s dress. She gets in, followed by a young woman in a light tailored suit. She’s tall and thin, with a big head of blonde hair whose strands are flowing out of a ravishing hat (Is it, in fact, a truly ravishing hat? Do I really know anything about hats for that matter?). I silently pull away from the curb. The Dodge coupe is already moving along quickly, a good hundred yards ahead of us, and in my rearview mirror I can see Andy Sigman take off after us.

I think Gary is starting to wake up.

“What’s happening?” he says. “Are we at the beach?”
“No, not yet,” I say. “We’re going to take a little spin out to the country. Any objections?”
“When you figure out where you’re going…” he murmurs while falling back asleep. I bring him to with a swift elbow to the ribs.
“You know, Gary, you’d be better off making use of your gray matter instead of napping the day away.”
“Urhhg…” he mutters. “It’s all very simple, really. Derek Petrossian was working with his brother and a couple of other guys. And now they’re both looking for the photos.”
“This business with the photos leaves me feeling a little uneasy,” I say.

We’re really moving now. The Dodge is still quite a bit ahead of me. If I run into a red light I’ll lose them for sure, especially if should they decide to turn off somewhere.

She in fact does turn, but I saw it in time and I maintain my speed so that I’m able to follow them onto Foothill Boulevard. Seeing as the cops on this side of town are a bit less uptight, they start to drive even more quickly. They’re headed straight to San Pinto.

I decide to share these silent reflections with Gary. The heat is obviously not doing him any good – a punishing heat, which I forgot to mention to you, is also playing a role in this otherwise splendid afternoon.

“Do you know what’s going on?” I say, hoping to draw him back into the realm of reality.

“Sure,” he says. “We’re following Mary Jackson, who is currently being abducted by the girl whose purse you nicked.”
“Wow!” I say. “You’re not as muddle-headed as I’d thought. And between you and me, for a girl who’s being kidnapped she seems to be going along quite willingly. I wonder what the hell they told her.”
“That’s easy enough to guess,” groans Gary. “She probably invited her to an intimate little Roman orgy. It’s all the rage these days. From what you told me about Bernice Haven, these girls seems to be consenting participants.”
“You’re obviously right about that…” I say. “I mean after all I could have just gone along with the whole thing… Anyway, let’s talk about something else. It’s an unpleasant memory…”
“The choice was all yours,” smirks Gary.

I realize of course he’s completely right. The further things progress, the more stupefied I am at how all this has taxed my brain. Me, I was the one who wanted to be wise, but I’ve only discovered that I have the mentality of a colossal pervert. I start thinking that it would be a nice idea to catch up to those two ladies and buy them dinner in one of those little Mexican-style roadside inns that dot the highway.

I share this thought with Gary. He smiles.

“I had better start keeping an eye one you,” he says.

In the meantime, I push the pedal to the floor because the blue Dodge has started to lose itself in the fog… in a manner of speaking. But it’s a pleasant fog, the type that lends itself to a revitalization of one’s ideas. The car keeps flying down this billiard table of a road, and I’m really finding myself more and more drawn to the idea of passing the two girls and having a nice little chat with them.

“Come on, let’s go,” says Gary, keeping watch over me out of the corner of his eye. “You haven’t had much luck with this girl. Now try to calm down a bit. Anyway, this detective business doesn’t seem to agree with you.”
‘Shit,” I say. “All things considered, it really isn’t such a bad idea. Think about it. Considering their size, they’re really in no position resist the two of us, and I’m sure they’d be pleased to pass an evening with a couple of guys as handsome as us. What’s more, we’ll probably learn a thing or two.”

Too bad about Sunday Love. Gary’s starting to tire again so I accelerate. I catch up to the little blue coupe and force them over to the side of the road. It’s Cora who’s driving. She’s up to the challenge. I figure she must have recognized me right off, and instead of pulling over she brakes hard, lets me pass her, and then gives me a taste of my own medicine as she shamelessly overtakes me. But her motor is no match for mine. I start after her once more. This time she gives in and we both come to a stop, one behind the other. I stick my head in through the open window and make like we’re old friends.

“Hey, Cora,” I say. “How have you been, since this morning I mean?”
“I’m fine, Rock,” she replies. “May I present Miss Jackson. Mary Jackson. You know? She’s the one whose photo you saw in my purse.”

Given the brutish treatment I subjected her to earlier, I’m a bit wary of Cora. But things seem to be going smoothly. She doesn’t seem to be hiding a revolver in that bra of hers, which is every bit as well filled-out as it was this morning.

Andy Sigman and Mike pass us by and I see them stop about two hundred yards down the road to change a tire that is in absolutely no need of a change.

As for me, I continue with my initial come on.

“So Cora,” I say, “what about this grand feast we’re supposed to have together? There’ll never be a better time than right now. In fact, my buddy Gary Kilian is here and we could have a nice little dinner, just the four of us. How does that sound? I’m sure Miss Jackson wouldn’t object.”
“We’d be delighted,” says Mary Jackson.

It’s easy to tell that Cora is none too pleased by this quick response and she shoots Mary a nasty little look. Still, I keep on pushing.

“Perfect,” I say. “Gary is obviously ready and willing because he’s been after me to catch up to you two for the last few miles. He’s the one who first recognized you. So Cora, you come along with me and Gary will drive your car.”

I signal to Gary to come join us and when he gets here I introduce him. Five minutes later we’re on the road again. Feeling perfectly content, I start to sing a little song. Gary is following in the Dodge a hundred yards back, and a bit farther behind him are Andy and Mike, hot on our tails again after the bogus repair of their fake flat tire.

“What were you looking for earlier this morning?” asks Cora. “You took off all my clothes.”

Never in my life have I seen a girl this tough. Not that I’m feeling bitter about it, mind you, but rather a bit uneasy, as though she’d be ready to take my head off at any minute.

“I wanted to take advantage of your unconsciousness,” I tell her. “I’m so shy around girls that I like to make the most of things when they’re asleep, just to get a look at how it all works.”

And that’s more than a little bit true. After all, she’s without a doubt the type of girl who needs to be knocked around before you can have your way with her.

“Well, it was of no advantage to me,” she replied. “Maybe you’d like to explain to me just what you did when I was… dreaming?”
“That’s nothing I’d care to repeat,” I answer, “but when the two of us find a little quiet time together, I’d be happy to complete your education. Aside from that, do you have any idea where we might entertain ourselves for the evening?”
“There’s one place that’s not bad, just before you hit San Pinto,” she says. I suppress an involuntary movement and say:

“O.K.”
“And try to be quick about it,” she continues. “I’ve had an exhausting day and my stomach is really growling.”

She’s clearly a worthy adversary. After an hour of driving, we stop at a charming little restaurant on the side of the road. It’s painted red and white and it’s surrounded by flowers. There’s a big car outside parked on a gravel lot.

That’s about all I’m able to notice. Gary catches up with us, and just as we enter the restaurant we’re jumped by four guys. Or should I say four gorillas?

I’m rolling around the floor like a bowling pin because one of them has tackled me by the legs… And what ensues is one of the toughest little fisticuffs I’ve ever seen in my life.

That is if I could have actually seen it!

Copyright: TamTam Books 2010
Translation & Copyright : Paul Knobloch 2010

Sunday, November 15, 2009

French Graphic Biography on Boris Vian

Piscine Molitor Piscine Molitor by Christian Cailleaux


My rating: 5 of 5 stars
At last! A graphic biography on Boris Vian. In French of course. Here his life is covered by one illustration after another - yet the cartoons make him look sad. Even though he was fighting against time due to his heart problem, I feel Vian was never a depressed figure. At least that is how I read his life. Nevertheless this graphic interpretation of Vian's life is a must to own.

View all my reviews >>

Saturday, September 26, 2009

ATLAS Press announce "Boris Vian Letters to Stanley Chapman"


Boris Vian, Letters to Stanley Chapman.

Facsimile edition of Vian's letters to Stanley Chapman, all but the first written in English.

SPECIAL PRICE for direct orders from the website: £8, until the end of October 2009.

The occasion of this publication is a sad one: the recent death of Stanley Chapman, President of the London Institute of 'Pataphysics, Regent of the Collège de 'Pataphysique, founder-member of the Oulipo, translator extraordinaire, and good friend...
The Times Literary Supplement also reviewed this title, albeit a little inaccurately, publication was jointly by Bookartbookshop and Atlas Press for the London Institute:

Inspired by our commemoration of Boris Vian (NB, luly 17 and August 21 & 28), Alastair Brotchie sends us a fascinating booklet which he has published himself, under the imprint bookartbookshop, Letters to Stanley Chapman contains a brief correspondence with the English writer responsible for transtatlng Vian's novels L'Écume des jours (Froth on the Daydream) and L'Arrache-coeur (Heartsnatcher). Brotchie reproduces the letters in facsimile — only seven in all, but some run to several pages. The majority are in fluent English, "which I don't speak", Vian explains. "neither do I write it, you know". They are typically full of puns, many of them obscene: in one letter alone (October, 1955), we remarked "arse-stonishingly", "inside aunt Ally" (incidentally), "French vocal bullery" and "cuntemporary".
The better part of the correspondence concerns "some crazy and atrocious lyrics for French 'Rock and Roll' things" by Vian, which he invites Chapman to translate. "Enclosed are three of the worst", he writes in September 1956, at the height of his involvement in the music business (Vian worked for Philips, where his boss was Jacques Canetti, brother of Elias). It would be "nothing" for him to write his own English words "on the horrible music", but he thought "nice little Stanley" might do "an adaptation. We could co-sign and share the income".
The results lack the sprightly idiocy of the original. "Rock and Roll-Mops" is the story of a couple who work up a good appetite by rocking all night. When they ask a local bar- owner what`s on the menu, he offers a variety of dishes — liver of lion, kangaroo escalope, horse's eggs — which the grateful lovers consume before "on va r'toumer s'coucher!"
In his letter to us, Mr Brotchie remarks that there are "not so many Vian enthusiasts this side of the water". There are a few, though. and all will wish to read Letters to Stanley Chapman, available at £13 from 17 Pitfield Street. London Nl 6HB.

Friday, February 8, 2008

Boris Vian's (Vernon Sullivan) THE DEAD ALL HAVE THE SAME SKIN



TamTam Books is proud (as usual) to announce the publication of Vernon Sullivan’s (or better known as Boris Vian) masterpiece of noir-gone berserk – “The Dead All Have The Same Skin” (Les morts ont tous la meme peau).

Written one year after the controversial (putting it mildly) “I Spit on Your Graves,” you think Vian would have known better. But no, he decided to do another violent shocker that is ripped out of today’s (or was it all in my head?) headlines. This surreal masterpiece of ‘dark’ writing is about Daniel Parker who is a bouncer in a drink hell bar hole somewhere in New York City (Vian, a French man never been to the States) who is blackmailed by his long lost brother who is black and threatens him to tell the truth about his brother’s racial blood. Parker is not going to take that. His life, by that admission, becomes a tipsy topsey one-way ticket to hell.

If that is not enough it also includes a short story by Vian “Dogs, Desire, and Death” which is an erotic tale of a bad girl, a helpless driver, and the need for destruction and sexual release.

And no not even that is not enough; we have a small essay or more like a rant by Vian regarding the history of his first controversial shocker “I Spit on Your Graves.” And not only that, but also a thoughtful and informative introduction by Marc Lapprand.

Translated from the French by Paul Knobloch. Tom Recchion did the design work.

The book is 122 pages.

978-0-9662346-5-7

“The Dead All Have The Same Skin” will be released April 2008

Saturday, November 3, 2007

TamTam Books' Headquarters (my office)

Today I explored my office a bit. It's a small room but it's nice. I am surrounded by tons of books, cds, and DVD's. It is sort of my private world (hell). Also some of the images are blurry, due to my cell phone camera and that I usually see the world in that fashion.




Rosa and Julian gave me this mouse pad from London. I always think of them while using it.



There is no order on my table. It's basically Chaos at work.


I had this one photograph of Alain Delon for about ten or tweleve years now. It sort of reminds me to be always handsome.



Lovely practical chair. It is so clean looking. I do all my writing and blogging on this chair.



The mountain of death that is made up of various books, DVD's and a handful of cd's.

Saturday, September 1, 2007

FOAM OF THE DAZE Back In Print



Boris Vian's "Foam of the Daze" is now back in print. While the book was gone I saw outrageous prices for used copies of this edition. But alas it is yours again!

To purchase individual copies you may do so at:

AK Distributions and Books: http://www.akpress.org/

Small Press Distributions: http://www.spdbooks.org/

Amazon will copies shortly and any bookstore can order copies through Ak distribution, Ingram, or Baker & Taylor