Showing posts with label Geoffery O'Brien. Show all posts
Showing posts with label Geoffery O'Brien. Show all posts

Monday, November 4, 2013

"Pierre Reverdy" by Pierre Reverdy (NYRB, Edited by Mary Ann Caws)

NYRB ISBN: 978-1-59017-769-5
Superb collection of poetry by the legendary and sort of obscure poet Pierre Reverdy.   There are poet's poets and then there is the Painter's poet, and Pierre Reverdy is famous for his relationship with Picasso and the Cubists artists of the early 20th Century. But Reverdy also had respect from his fellow poets as well, and almost every avant-poet or lyrical poet also has a great appreciation for Reverdy's poetry.  Reading the introduction, I didn't know he had a long-term relationship with Coco Chanel.   A good looking man according to the photograph on the back of the book.  He had the whole world in his hands, but the narration is quite harsh, due to the two world wars that took place in his lifetime. 

The poems are mostly mood pieces that would go well with mid '50's Miles Davis.  Romantic in despair, but never depressing due to I think his intelligence and his ability to write a perfect poem that is set like a jewel case on the top of a bedside table.  Once again the New York Review of Books (NYRB) has done a great job of publishing these collection of works by Reverdy, and translated by an all-star cast of the most interesting of the interesting.  Kenneth Rexroth, Geoffrey O'Brien, Frank O'Hara, Richard Howard, John Ashbery and edited by the great Mary Ann Caws.   Any poet that can gather the American giants of poetry and translation in one volume, you know is very much worth your time. 

Wednesday, July 17, 2013

"Castaways of the Image Planet" by Geoffrey O'Brien



I can't think of anything more enjoyable than reading a collection of essays by Geoffrey O'Brien. As a writer, I look up to him, because it seems he has it all. Good taste, good job (he's the editor-in-chief of the Library of America) and a lover or observer of pop culture. "Castaways of the Image Planet is mostly about film, but I feel he goes beyond that medium to write about culture that has spawn from the film aesthetic. 

His commentary on Bing Crosby, The Marx Brothers, Mike Leigh, and Japanese Manga comics are my favorite in this collection. And again he's a guy who knows a lot, and can articulate the essence of his subject matters. I recommend this book to anyone who likes to read film criticism, but also how a writer approaches his subject matter. So in one word, great.