Showing posts with label John Cale. Show all posts
Showing posts with label John Cale. Show all posts

Wednesday, September 1, 2021

Book Musik: You Are Beautiful and You Are Alone: The Biography of Nico- Discussion with author Jennifer Otter Bickerdike

 

Book Musik 053 – You Are Beautiful and You Are Alone: The Biography of Nico – discussion with author Jennifer Otter Bickerdike

You Are Beautiful and You Are Alone: The Biography of Nico discussion with author Jennifer Otter BickerdikeTosh and Kimley discuss You Are Beautiful and You Are Alone: The Biography of Nico with author Jennifer Otter Bickerdike. Nico is an icon best known for her otherworldly beauty and for her time hanging out at Andy Warhol’s Factory and singing a few tunes with The Velvet Underground but her real story extends far beyond the cool gaze from under those blonde bangs. She managed to leave behind the detritus of post-WWII Germany by remaking herself first into a hugely successful model then catching the eye of Federico Fellini and eventually making her way to New York to become a Superstar of Warhol’s Factory. But her real artistic output came after this celebrated time with her solo recordings and constant touring. Bickerdike fleshes out the mythology of this complicated, imperfect woman with a dense and fascinating narrative.

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Theme music: “Behind Our Efforts, Let There Be Found Our Efforts” by LG17


Monday, January 29, 2018

John Cale New York in the 1960s on Tosh Talks





John Cale is without a doubt, a major figure in music. Along with Lou Reed, Sterling Morrison, Moe Tucker, Cale played a huge role in The Velvet Underground.  Cale brought in the influence of experimental and drone music.  About ten years ago, the record label Table of Elements put out a five-disc box set (a real wooden box by the way)called "John Cale New York in the 1960s."  A brilliant packaging of early experimental music by Cale with the assistance of Tony Conrad, Angus MacLise, and the great artist/performance artist and filmmaker Jack Smith (Flaming Creatures).  Here on "Tosh Talks" I focus on this particular box set and the way he used a portable reel-to-reel tape machine manufactured and designed by Wollensak, as well as the Hungarian instrument Cimbalon. - Tosh Berman

Saturday, March 8, 2014

March 9, 2014 (Tokyo)



March 9, 2014


At the Spiral in Aoyama Tokyo, they’re did a re-enactment of Bobby Fischer’s famous chess game with Russia’s Boris Spassky entitled “Match of the Century.” The theater piece was done in real time and the match was originally in Reykjavik Iceland.  Fischer was notorious for making demands before he even made a step to Reykjavik.  For instance, he demanded more money, as well as obsessing over the lighting and the cushion in the seat. In fact, he almost forfeited the match, but showed up within hours before the agreed time for the first match.



I know nothing about chess, but I was intrigued by the spectacle surrounding the “Match of the Century.” Tickets were very expensive and there were ten separate performances.  Each performance was for each game, and every performance was conducted in real time.   The original game took place at the height of the Cold War between Russia and the United States. Spassky was supported by the Soviet Empire with all its resources, but Fischer worked totally independently from anyone else.  He was secluded and totally focused on the games once it started.

It is interesting that the re-enactment games are held in Tokyo.  Fischer was a prisoner of sorts when the U.S. provoked his passport, and therefore Fischer went to Japan without the proper documents.  I’m not sure if he was in jail or just ‘stranded’ in Japan, but it has been reports that he married a Japanese woman, before he got citizenship in Iceland.  So in a sense everything here is a circle.  His most renowned game took place in Iceland, and many years later he becomes a citizen of that country.  And here’s another circle of sorts, where the re-enactment is carried out in Tokyo.

For me, chess has to be the most least interesting thing to see, and I couldn’t believe that I actually went to all the performances, all ten games.  The presentation was not that far off from a traditional Noh theater, where time is extended on the stage, or messed about.

To be honest, I found the theater piece boring, but still, I was even intrigued that they even had fake TV cameras on the stage, and they even actually got the chess board as well as the chairs from the actual games.  The only thing that is ‘fake’ is the actors.   But they did hire a Russian actor to play Spassky, and they even went out of their way to find an actor, who at least from a distance, looks exactly like Bobby Fischer.


After ten days straight watching the “Match of the Century, ” I had to lose myself in some other form of activity.  I went to Union Disk to purchase a John Cale CD “Helen of Troy,” which I used to own when I lived in Los Angeles, but somehow got lost over time.  It’s my favorite Cale album, and he remains one of my favorite songwriters as well.  I always admired how he uses external sources for his work.  In a way, he’s very much of a short story writer, who uses non-rock n’ roll narratives to express a horrific world.   I rushed to my favorite bar in Tokyo called Kinema, which is located in Shimokitazawa.  The bar is devoted to Shuji Terayama, and once you enter this wonderful world, you are confronted with books and images by and of Terayama.  Funny enough, and maybe due to the “Match of the Century” I feel like i 'm in a daily theater piece of my choice.  My whole life is a type of re-enactment, but in this case, I don’t know how it ends.