Showing posts with label Peter Wollen. Show all posts
Showing posts with label Peter Wollen. Show all posts

Thursday, February 6, 2014

February 6, 2014



February 6, 2014

Today I just finished reading Audrey Wollen’s 'Erotics 2’ and was totally charmed by the book. I bought it at the Los Angeles Book Fair, an event put together by Printer Matter. For me, the only purpose for going was to get Audrey’s book. I was wishing I would see her at the fair, and have her sign my copy of the book, but alas, I missed her.

I think I first met Audrey when she was five or six years old. Lun*na and I were invited numerous times over to Peter Wollen and Lesile Dick’s home in Beverly Glen for dinner, and often we were entertained by Audrey. At the time, she was a very smart child, who appeared to be curious about the world. Now I believe Audrey is somewhere in her very early 20’s and she still appears to carry the same curiosity that made her such a remarkable child. Reading her first book I was struck with its sexuality, yet I was totally intrigued by how she wrote about her life. Or is it her life? I really don’t know the connection between reality and fiction. Nor do I really care, I am more interested in how the tale is told than anything else. And she can tell a tale quite well. 





After reading her book, I took a walk around Silver Lake, where eventually I ended up at the Silver Lake reservoir. There was a small crowd of people there, honoring Ronald Reagan due that today is his official holiday in California and Wisconsin. It seemed appropriate to me that the weather is so chilly, and when I think of Ron, a cold chill comes upon me quite violently, that I find myself shaking. Through out my life I made an effort to ignore Reagan, in fact, I was in Japan when he made his famous speech to demolish the Berlin Wall.





As soon as I got back from the walking trip, I had a meeting with Pierre Brice, a French actor who is going to act as Apache chief Winnetou in a German co-production based on a novel by Karl May. I was contracted to write a script, and immediately I started to research Tom Mix, who used to live in the Silver Lake area. In fact, he had a ranch, down the hill from me, which is now Ralphs supermarket. I was thinking of taking an older Tom Mix film “The Son of the Golden West” and using its plot for the Winnetou film. So far Pierre played this character seven times, so right now, everyone involved in this production feels like this will be the final film in the series. 

Writing an adventure tale or a Western is not all that difficult for me. I think what gives me a hand is that I don’t know a thing about the real West. The West to me is very much the TV shows like “Rawhide, ” “Walt Disney’s Zorro, ” and my personal fave “Wild Wild West.” In my mind I often think that the British TV series “The Avengers” is very much a Western. I don’t see a huge difference between James West and John Steed. Both characters are dandies, and they never seem to get dirty, even though they have numerous fighting scenes throughout their shows, they come off quite clean and hair in place. I dare to hope that life works out that way as well.


The one thing I am very proud of is that while writing the script I somehow added the fact that Winnetou is reading Audrey’s little book. Only the fans will pick up on this. Later tonight I will go over to a local bar to watch the Manchester United Football team. I believe they play a match with the Red Star Belgrade.

Saturday, June 29, 2013

"Singin' In The Rain" by Peter Wollen



A BFI Book published by Palgrave Macmillian ISBN 9781844575145

My first introduction to "Singin' In The Rain" was when Alex was raping a woman in "A Clockwork Orange."   My second visit to "Singin'..." is  Peter Wollen's small book length study of the Gene Kelly/Stanley Donen film.   Strange enough, for a hardcore cinema fan like myself I have never ever seen this film.   Yes, I have seen every Fred Astaire movie at least twice, but "Singin' In The Rain" never!  Yet, that didn't stop me from enjoying this critical adventure into the world of Gene Kelly.

I read this book today, in one gulp on my couch, in a temperture that is around 90.  Therefore by an open window with a slight breeze I was taken into an artificial world that Gene Kelly made - a world that was beautiful.   At least conveyed in the text.   This book works on many levels.  One Wollen argues the importance of dance as an art, but also as an equal companion to the cinema art.   Griffith to Chaplin and of course the Kelly/Astaire world had made a language for the film world that was and is totally open to dance.   Wollen writes about the beauty of this combination, but with a strong critical eye.  Also his in depth almost frame-by-frame look at the famous Kelly dance of the leading song here, is playful and informative.  On top of that the reader also gets the political world of the early 1950's and how that played out in the Gene Kelly world.  The book is an enlarged 70mm snapshot of a specific time with a very specific film with an iconic artist.  Strange enough there isn't that many critical studies on Gene Kelly's work, which is a shame.  But with this back in print....

And Wollen adds a kick-ass annotated bibliography that's extremely informative.  It is sort of like him taking you by the hand and showing you the book titles that are important.  For Dancers who need information regarding the dance history, this is a good book to pick up.  For everyone else... well I am going to see the film!  Peter Wollen wrote a beautiful tribute, analysis, and dance/film history in one slim 87 page book that has no wasted space.  Essential!