Showing posts with label galerie frank elbaz. Show all posts
Showing posts with label galerie frank elbaz. Show all posts

Tuesday, June 4, 2019

Wallace Berman at Art Basel 2019


The picture above is a 'model' or mock-up of the Frank Elbaz Gallery booth which will be at the Art Basel 2019 fair.   A room devoted to Wallace Berman's art, which, of course, happens to be my father.  The artworks are for sale, so for those who are going to the fair, do drop in and visit my father's work.  Moreover, say hello to the Elbaz Gallery as well.  I can't wait to see the installation photos.  - Tosh Berman

More information:  Wallace Berman at Art Basel

General information about the Festival, including dates:  Art Basel 2019

Thursday, October 4, 2018

Wallace Berman Curator Sophie Dannenmuller on Tosh Talks





Wallace Berman Curator Sophie Dannenmuller on Tosh Talks

Sophie Dannenmuller is an expert on my father the artist Wallace Berman as well as curating three Berman exhibitions at the Galerie Frank Elbaz in Paris. The current show that is up now (until October 11, 2018) is called "Visual Music." It focuses on the connection between Wallace's visual sensibility and his love of music, that is very much part of his art. Sophie and I talk in great detail about Berman's art, as well as the culture surrounding Wallace, such as the Beat Generation, and figures like Jack Kerouac, Allen 
Ginsberg, William Burroughs and so forth. I'm very happy how this conversation turned out, and I think one who has an interest in the Beat Artists and beyond, will find this fascinating. Your host Tosh Berman, Tosh Talks.

The painting behind us is by the artist Jean-Francois Le Merrer.

Monday, September 24, 2018

"Wallace Berman: Visual Music" by Sophie Dannenmüller (Frank Elbaz Gallery)


For those who are interested, you can obtain the catalog to my dad's (Wallace Berman) show at the Galerie Frank Elbaz website. It's a limited edition with a beautiful essay by Sophie Dannenmüller who also curated the exhibition.  Get it here:


Tuesday, September 11, 2018

September 11, 2018 (Paris)




September 11, 2018 (Paris)

The jet-lag is starting to be a bore.   I spent the entire day in a daze, and I wasn't clear where I was most of the time.  There has been a series of meals that went from one place to another, usually a combination of great walking and metro riding.  I have been here for five days, and today is the first time I've used the metro.   Getting around is not that difficult, but one thing that I find hard to do is the procedure of getting a ticket or even opening a door.   Most gates and doors all have codes, so you have to push a series of buttons to get into a private residence.  If you want to leave that space, then you have to find a button that will open the door for you.  The same for getting a metro ticket.  You have to select what you want, push, and then you think this is the time to put your credit card in, but alas, you have to push another button to give one that option of payment.  It's consistently pushing, wait, push again, etc. 

We spent the day with our nephew from Tokyo, who will be moving to Europe with his finance soon, and I wanted to go back to this vegetarian restaurant Le Potager du Marais ( 24 Rue Rambuteau, 75003 Paris).  The food there is delicious. I had spinach lasagna, Lun*na had a plate of steamed vegetables with brown rice, with soy sauce on the side, and my nephew and his soon-to-be-bride had buckwheat crape with carrots and other vegetables.   One can have wine, but I decided on just having water, due that my brain wasn't working fully.  They had very elaborate plates, such as my lasagna, which was a considerable portion, and mostly covered by the spinach.  I can see the pasta through the jungle, and taste it quickly enough, and I finished the plate with satisfaction. 

We went back to the Frank Elbaz gallery (66 rue de Turenne, 75003 Paris. Open from Tuesday to Saturday, 11:00 A.M. To 7 P.M.) when no one was around to take photographs of my family in the court.  Lun*na had the code to get in through the gates.   The gallery was at one time a place for horses, and you can still see the design/architecture of such a place.   The main gate from the street is from that period, a few centuries ago, and basically what the gallery did was put in walls, but there are huge windows in place as well.  So one can easily see the exhibition from the courtyard.  After we took the photos, we went for a long walk, and then hopped onto the metro to go to Epicure 108 (108 Rue Cardinet, 75017 Paris).

Epicure is a traditional restaurant, but the chef and owner are a couple from Japan.  They had this restaurant for numerous years, and will by the end of this month retire from the business.  It's small, unpretentiously elegant, and the food is incredible.   I had a three-course meal.  The starter was a shrimp avocado dish that two large shrimps on a small layer of Salmon with a soft potato substance that was avocado, shrimp, and sauce.   The main dish was a risotto with squid.   Both dishes were perfect with bread because I enjoyed dipping the bread into the sauces, which was a total delight due to its taste.   We drank wine kif, as well as a glass of white wine and left the restaurant happy.  

My nephew and his bride had a friend to meet, and we agree to meet up at our residence because we are holding their luggage for them.  They are going to Italy tonight, but they have to spend time at the airport because their flight is early in the morning.  We are planning to visit an old friend who is here just for a few days.  We agreed to meet at a cafe near the Norte Dame.  By my google map, it says a 50-minute walk, but of course, it became a longer stroll due that we were taking photographs every few minutes or so.  I have never been to this part of Paris before, and of course, even with a google map, I got lost here and there.  About halfway through our walk, we realized we needed to take a metro, or we would be late in meeting our friend.  That was an ordeal as well because we had to figure where to get off, to get on to another line to reach St. Michel station.   Once we arrived at the Left Bank, it was a 15-minute walk to the cafe.   John, our friend, was waiting for us, and I felt terrible for being late for our arranged meeting time. 

At the cafe, Lun*na had two glasses of beer, I had three glasses of wine, and John had orange juice and two glasses of wine.  I first met John in London when I was eleven years old, and we haven't spoken to each other since then.  We only made contact through Facebook for the last few years.  John was someone I want to connect with because it was part of my youth that is slowly disappearing.    Also, I remember liking him a lot as a kid.  Now that I'm much older he is still the same as I remember him.  John makes his recipe with a combination of different type of tobacco as well as putting a filter in the zigzag paper.   Sitting by him, the smoke is mild and not as irritating as a commercial brand of cigarette.  We talked about what happened today, as well as touch on politics, and my dad's exhibition.  It was an excellent connection to visit Wallace's (Berman) show and having John there.   Karin, a woman we met at the opening of the show, came by the cafe and had tea.   She has lived in Paris for 15 years and is from England.  She is from the same town as John, but they are many years apart.   She met John at the opening as did we, and now we are back together again.   

John got an uber to go back to where he's staying, and Karin offered to walk us back to our place so we can get my nephew and his soon-to-be-bride their luggage so they can leave for the airport.   On the way there, we went to a convenient food market to purchase salad and bread for our late snack that night.    Every step to our residence became an effort for me to stay awake.  The jet-lag was hitting me at this time, and I have no clear memory of what I said, but we did make it to the apartment in time to see my nephew there waiting for us to pick up his luggage.  I often think of time as an edited movie, but in truth, there are the little things that make time so important.  

- Tosh Berman







Sunday, September 9, 2018

September 8, 2018 (Paris) by Tosh Berman


September 8, 2018

The early part of the day was very much into the subject matter of sleep.  I woke up around 10 and did some writing.   The apartment we are staying in is on the top floor.  As you look out the two windows in the main room, the view is rooftops.  Not far from us is the Circus building, and their roof is a vast dome.   I would like to think it was a university or a Government building, but no, it’s a circus.  Since we are on the top floor, the ceiling is shaped like the rooftops.  There are peeks, and then there are lows.  As of my last count, I banged my head at least three times.  We have wooden beams going across the room. If I wish to hang myself, that would be no problem. The beam is probably 8 ft high, so if I get a chair and a nice rope, the job is done. 

At the moment (even although I’m writing) I’m getting dressed to go out tonight to be part of my dad’s opening here in Paris.  After the talk I will give with Sophie, then we will have dinner at Frank and Vanessa ’s house which is in the neighborhood.  To clear my head, I take a walk around the Marais, which is the oldest part of Paris.  As I stroll down the streets without bothering the thought of direction or address, I think of the 17th-century structures, and imagine myself in the future, which in fact, I’m apparently in the present, which of course, is the future.  

I found a Vegan Burger place in the Marais called “Hank’s Burger,” (55 rue des Archives, 75003 Paris) which looks fantastic.  I gave up on eating meat, yet I still desire to eat a hamburger.  For me, it’s not the meat that necessary in a burger but the accessory what is around the beef.  The bun, lettuce, mustard, onions and so forth is what makes me hungry.   It’s more of a textural feeling than anything else.  Since it was a Saturday, there was a huge line to get in.  I stood in line for a bit and decided I needed to get some fast food because I had to go to the gallery for my dad’s opening at the gallery Frank Elbaz.  I’m scheduled to give a talk or chat with Sophie at the gallery, and I didn’t want to be late.  

I found a small chain food market, which had Amazon lockers for people to pick up their purchases.   In their food-to-go department, I found a vegetable wrap, that cost around 3 euros.  I sat at the counter to look out at the people walking on rue de Turenne.  My favorite two cities to watch people is Tokyo and Paris.  But sitting here, I’m thinking that maybe Paris is more colorful or eccentric.  There are at least a 100 narratives taking place within 20 minutes of me eating my vegetable wrap.  Which, by the way, is rather good for an inexpensive, quick bite. 

Lun*na and I met my nephew and his soon to be the bride at the corner of our street where we are staying, and we then headed out toward the gallery.   We walked by a large store “Merci” (111 Boulevard Beaumarchais, 75003 Paris) and decided we had an extra 30 minutes, so we decided to go in and look around.  It’s a very exquisite shop that sells clothing to cooking gear, and everything in-between.  It’s a shop that is curated with a specific taste.  It’s large with a men’s section as well as women’s - and there’s a cafe attached to the store that is lined with bookshelves full of used books.  One can buy a book here as well as having a meal. 

As we left to approach the gallery, I was getting nervous about my presentation.  I should be if one is sane because I didn’t prepare for any talk.  I never do!  I often have dreams where I’m in social and open places, and I’m not wearing any pants.  This is a dream of anxiety, and this is how I feel whenever I appear in front of the public.  The good news is Sophie is excellent with a crowd, and I just follow her train of thought, and bingo the evening was a success.   I’m delighted with Wallace’s (my dad) show at the gallery.  The show will be up until October 11, and the address is 66 rue de Turenne, 75003 Paris.  Open from Tuesday to Saturday, 11:00 A.M. To 7 P.M. 



The opening was extra special because an old friend of my dad and mom’s showed up at the opening.  John is his name, and he came from London to visit his friend in Paris, but also for the opening as well.  After the gallery closed for the evening, we all went on a stroll to Frank and Vanessa’s home that was nearby the gallery.  As I walked by, I saw this poster of Johnny Halliday, and I was intrigued to know that there is an exhibition devoted to his memory and career.   In my life, French rock n’ roll makes more sense to me than American rock n’ roll. 

When we arrived at the home, which was initially built in the 17th century, it was breathtakingly beautiful.  There were a lot of people there, and I immediately felt comfortable to be in their presence.  In many ways, Paris is a theatrical setting, and I’m just one of the actors who roam around the area, getting ready for a performance. 



- Tosh Berman, Paris, September 8, 2018

Wednesday, September 5, 2018


Special guest from LA! ☀️
Tosh Berman will be joining us at the gallery for a Q&A session about his father's exhibition "Wallace Berman - Visual Music".
This will also be the occasion to talk about his new book "Growing Up in Wallace Berman’s World", which will be out in January 2019. Edited by City Lights Booksellers & Publishers
When: Saturday, September 8, at 4:30 pm
Where: galerie frank elbaz, 66 rue de Turenne, 75003 Paris.