Wallace Berman event at Nicole Klagsbrun Gallery December 12!

Wallace Berman

On view through January 9, 2010
Press and images online here


In conjunction with the exhibition:

*December 12th, 4:30 PM*

Reading by *Max Blagg*
of works by poets of the Berman circle including Kirby Doyle,
Stuart Perkoff, and Lew Welch

Screening of /Artifactual: Films from the Wallace Berman
Collection /(compiled 2006)
Introduced by *Andrew Lampert*
Featuring live music by *John Zorn*,* Trevor Dunn* and *Kenny
Wollesen*
(28 minutes, 16mm, silent)
Wallace Berman only made one film in his lifetime, /Aleph/.
While preserving this film, another assortment of reels was
uncovered containing many more films with footage by and of
Berman. These various 8mm pieces have now been collected
together and blown-up to 16mm. This new compilation features
unseen scenes of Berman in his milieu with friends and family,
including footage of a George Herms exhibition, a motorcycle
ride (perhaps shot by Dean Stockwell) and materials related to
/Aleph/.




Preserved with support from The Andy Warhol Foundation for the
Visual Arts. 8mm-to-16mm blow-up by BB Optics.


Free and open to the public


Nicole Klagsbrun Gallery
526 W. 26th Street, No. 213
New York, NY 10001
gallery@nicoleklagsbrun.com
P. 212.243.3335
F. 212.243.1059
nicoleklagsbrun.com

Marcel Duchamp: Etant donnes

Marcel Duchamp: Etant donnes by Michael R. Taylor


My rating: 5 of 5 stars
Incredible images and documentation on Marcel Duchamp's great and his last piece of work "Etant donnes. When everyone thought he was playing chess, Duchamp has been working secretly on his late masterpiece. A work that is still disturbing and frankly shocking.

Violence, eros, and mystery all wrapped in one art work. Yale University did a fantastic job in putting this volume together. There are tons of Duchamp books out there, but this is truly an essential volume. The more one writes about this work, the more mysterious it becomes. Truly unique and one-of-a-kind.

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Leisure Process

Leisure Process "Love Cascade"

My secret favorite band from the early 80's. I think I must have bought the above because i liked the cover. Nevertheless I loved it. Both songs remind me of Howard Devoto's Magazine.


Leisure Process "A Way You Never Be"

The Short History of the Cahiers du Cinéma by Emilie Bickerton

A Short History of Cahiers du Cinéma by Emilie Bickerton


My rating: 4 of 5 stars
No, this is not a gossip filled book on one of the most important film journals that's out there in any language. Well, I should say it used to be the most important film magazine in the world. Now it is just another film magazine.

When it first started it was sort of like Punk Rock. Film obsessed French geeks just wanted to breathe in and out of film history, aesthetic, and production of cinema. In a very fast speed and slightly academic manner, we get the early years turning into the May 68 Mao political years - and then afterwards, it sort of becomes just your typical film review magazine. Cahiers du Cinema nevertheless is sort of a symbol of when cinema was important. i say was, because I feel cinema was perhaps the art medium of the 20th Century. It is no longer that important.

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The Seduction of Ingmar Bergman

Just when you think everything that is new in music is boring as water that is left on your bedside, comes the new album by Sparks. And even using the word ‘album’ is not really a fair description because the new work by Ron and Russell Mael is actually a radio play or more like a radio musical.

No, not even a rock concept album. This is a real radio show in the tradition of Orson Welles Mercury Theater – except that Welles had nothing to do with it. Ron and Russell directed, wrote and even play some of the characters. And actually the project has a series of Swedish actors. So even in the rock standard of weird releases, this one is the ultimate.
But then again in the world where a lot of bands like to talk to the press about how difficult it was for them to do their hit album live from beginning to end – Sparks did that with their 21 albums in 21 nights. So this is a band that shoots high and somehow can jump up to the disk and grab it from the sky.

The new Sparks’ project “The Seduction of Ingmar Bergman” is about the great Swedish director being sucked into the world of Hollywood. But he’s not going to take that – and the story turns into a hyper-version of the classic: Prisoner: TV show. Where the great film master is trying to escape from the clutches of the very nice bland world of Hollywood.
Fans of not only Sparks, but also hardcore fans of “Cahiers du cinema” can raise their hands in praise where the mediocre tries to destroy the creative. And although it takes place in the 50’s, one can only wonder how Sparks feel when they compare classic cinema with the contemporary crap music of the 21st Century. So with that in thought, the music that is produced by these guys is a combination of course Sparks – but actually the music is very non-rock n’ roll. It’s truly classic musical format via the Mael brother’s sensibility.

Not only is this the best album of the year, but the best album of the 21st Century so far.

The great lost Sparks song "What Would Katharine Hepburn Say"

Christi Haydon's version of this lost classic Sparks song.


Sparks doing "What Would Katherine Hepburn Say"

William Klein's film "Who Are You Polly Maggoo"

William Klein's "Rome + Klein"

William Klein: Rome by William Klein


My rating: 5 of 5 stars
Along with William Eggleston, (another) William Klein are my favorite photographers. Both men seem to know the importance of a good book design - and "Rome + Klein" is an exceptionally beautiful object to look at. But beyond that, this book really gives you the flavor of Rome circ. 1954.

Klein was called to Rome to work with Fellini. But due to film business and the way of the world, Klein had time on his hands, so he photographed Rome. And what we have here looks like the visual image of later-day Morrissey songs. Beautiful men and beautiful women doing what they do best - living the Rome life to the max and maybe beyond.

The layout of the book is so Klein. Double paged spreads of crowded street scenes, where your eyes goes from one inch to the other just absorbing the textures and expressions of Rome's citizens. It's very modern and clean. Even though the book was originally released in the 50's, it still seems fresh and chic.

So, yeah the book is iconic, but it also witty and incredibly charming. The book comes in two parts. The photographs and then another smaller volume with text by Klein plus quotations about Rome. I can't imagine anyone not wanting to have this book. I can't imagine life without "Rome + Klein." I can't imagine life without William Klein.

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Serge Gainsbourg film bio

French Graphic Biography on Boris Vian

Piscine Molitor by Christian Cailleaux


My rating: 5 of 5 stars
At last! A graphic biography on Boris Vian. In French of course. Here his life is covered by one illustration after another - yet the cartoons make him look sad. Even though he was fighting against time due to his heart problem, I feel Vian was never a depressed figure. At least that is how I read his life. Nevertheless this graphic interpretation of Vian's life is a must to own.

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Installation images of the Wallace Berman Exhibition at Nicole Klagsbrun Gallery which is up till September

Wallace Berman Exhibition up from November 6 to January 9th, 2010 at Nicole Klagsbrun Gallery, 526 West 26th Street, No. 213, New York 10001. Tel: 212-243-3335

Tony Wilson biography

Tony Wilson - You're Entitled to an Opinion but your Opinion is **** by David Nolan


My rating: 4 of 5 stars
A very quick biography on one of the shakers and movers of the late 20th Century with respect to music. Tony Wilson had two public identities. One as a TV announcer in Manchester and the other as the head of Factory Records, which is probably one of the more important record labels that came out of the British post-punk world.

Wilson's charm and strength is that he is someone from another world who had an interest in contemporary pop culture in his hometown Manchester. He wasn't a young music fanatic starting his own label, but a middle-aged well educated sometimes hippie guy who had an interest in doing something for his town, and wanted to develop that talent into a bigger picture or platform. And he did so with very little interest in money. But saying that, it was a matter of good luck that he helped launched Joy Division and New Order - who were the main meal ticket in those days.

Wilson was in the right place and in the right time. Also the experience of doing things was very important to him - and he equally loved his work for television as well as being sort of the 'father' figure for the music scene in Manchester.

He had the good taste to work with brilliant people, and that is something I identify with Wilson as a publisher. Money had no interest to him, but relationships were important - whatever it was friend or foe. And Tony Wilson could articulate what was happening as it was happening. In hysterical strokes mostly. He was aware of the importance of telling a good story that’s more important than the truth. Truth is bullshit. Print the story or legend!
.

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Tony Wilson interview that's great.

Donald Cammell -The Ultimate Performance Documentary Part 4

Part Four

Part 3 of Donald Cammell - The Ultimate Performance Documentary 1997

Part 2 disappeared in the Internetzone. Nevertheless this is a fascinating documentary on a fascinating film.

Part One of Donald Cammell The Ultimate Performance Documentary 1997

Part One

Wallace Berman Solo Exhibition in New York City

Nicole Klagsbrun Gallery is pleased to present a solo exhibition of
*Wallace Berman* (1926-1976) running from November 6 to January 9,
2010. An opening reception will be held on Friday, November 6th from
6:00-8:00 pm, featuring a screening of Berman's collage-film /Aleph/
(1956-1966) with a reading by Tosh Berman and a live performance by John
Zorn of his score for the film.

Building on the gallery's longstanding involvement with artists of the
California counterculture, this exhibition presents a rare opportunity
to consider the scope of Berman's practice. Considered by many to be a
major figure of the assemblage movement, Berman was active within the
Los Angeles and San Francisco Beat communities and acted as a mentor and
spiritual advisor to many artists. Anticipating mail art and Fluxus
movements, Berman's work has had wide-ranging influence despite the
artist's determination to operate outside of the public eye.

Through sculpture, collage and the underground publication /Semina/,
Berman fused aspects of photography, film and print. Central to
Berman's multifaceted practice is the Verifax collage, an early
photocopier technology. Berman manipulated ephemeral compositions
directly on the copier plate, creating prints that are in fact unique
originals. A magazine advertisement of a hand holding a small 1963 Sony
transistor radio recurs throughout in these works; in place of the
radio's rectangular speaker, Berman inserts collage elements such as a
cross, a snake, and a Buddha, transforming the repeated image in a
quasi-magical operation. Also on view in the exhibition are a rock
assemblage, photographic collages, and hand-printed posters, giving a
sense of the breadth and complexity of Berman's visionary oeuvre.

The project room features a restored version of /*Aleph*/ both in its
original silent form and with a new score by John Zorn, courtesy of the
National Film Preservation Foundation with the assistance of Anthology
Film Archives and the Film-makers' Cooperative.

Wallace Berman was recently the subject of a retrospective exhibition
/All is Personal: the Art of Wallace Berman/, Camden Art Center, London,
UK (2008). This is his third exhibition in New York; his first was at
Charles Cowles, 1982, followed by Louver Gallery, 1990.


Nicole Klagsbrun Gallery
526 W. 26th Street, No. 213
New York, NY 10001
gallery@nicoleklagsbrun.com
P. 212.243.3335
F. 212.243.1059
nicoleklagsbrun.com

Wallace Berman's "Aleph" but bootleg version

Ah this was bound to happen. Someone has put my Dad's (Wallace Berman) film up on YouTube. Well enjoy.

Jah Wobble's "Memoir of a Geezer"

Memoirs of a Geezer: Music, Mayhem, Life by Jah Wobble


My rating: 4 of 5 stars

Public Image Ltd has hooked me on Jah Wobble when I first heard “Public Image”. Johnny (Lydon) Rotten’s band right after the Sex Pistols. Punk was moving to another world, and Wobble and his bass was taking me to another part of the neighborhood. Also being aware of the visuals of the bands and artists (which for me is extremely important), Wobble had a great look. A two-day beard, a suit, and strong facial features. He also seemed to have a wild sense of humor.

30 years later he wrote his first book, a memoir that is both culturally interesting as well as a personal statement on a life that is well lived. The cultural aspect is the first thing that got my attention in this book. The title says it all “Memoirs of a Geezer.”
A geezer I presume is British slang for a man, who is basically a good fellow. Wobble is obsessed with fellow citizens who were raised and went to public schools. Which is a high-class world of privilege. Wobble, by his nature, and being a hardcore East London mentality – hates that world. And this is one of the many things that make him interesting as well as a good document how the British see other English people.

Wobble strikes me as a personality, a character and at times a slightly dangerous man. Especially under the spell of alcohol. Jah Wobble hasn’t drink since the 80’s and through out his career he has made a series of great recordings. So what we have here is a musician struggling in 20th Century London. Of course the main interest is in the Public Image years, and they are fascinating. But equally fascinating again, is his take on being British and the class system. A really good read, and I think a must for those who are interested in the music world circ. 1970’s/1980’s.


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Tosh Talks...about music books (via last September

"Tosh Talks" Dash Snow