Showing posts with label Dennis Cooper. Show all posts
Showing posts with label Dennis Cooper. Show all posts

Tuesday, October 5, 2021

I Wished by Dennis Cooper

 


I pretty much read this book in one reading session, and unlike other books, I want to re-read it again,  like right now.  The prose is profoundly perfect, and Dennis really captures the essence of lost moments that become a vital force in itself.  A homage to George Miles, or more likely the importance of such a figure in Dennis Cooper's life and work.   It's a beautiful meditation.  There are writers that one can study and learn from.  I think of PG Wodehouse and Richard Stark's crime novels.  I would add Dennis Cooper to that list as well.  Of course, these writers don't have anything in common (or do they?) but in their excellence and how they tell the tale, with their skill as prose artists.   I recommend this book highly. 

Wednesday, July 7, 2021

Sheree Rose & Tosh Berman in conversation


Performer and photographer Sheree Rose freaks forth with thoughts on poetic restraints, sadomasochism, love’s lasting impact, and artistic collaboration within the Beyond Baroque scene throughout her life spent with poet and artist Bob Flanagan. This program is part of a series, Beyond Baroque and Beyond, in which Tosh Berman, writer, poet, Los Angeles publisher of the postwar French literati, and beloved host of the 1980s cable talk show Tea With Tosh, returns to the screen to confabulate with figures from the Beyond Baroque Literary Arts Center’s haunted hallways. Summoned to Berman’s virtual sofa are a host of poetic voices, each of whom have been central to the center’s programs at a point between 1980 and 1996. Not merely interviews, Beyond Baroque and Beyond is equal parts séance, chat show, reunion, literary production, past life regression, tea time. No nostalgia. In conjunction with the exhibition Made in L.A. 2020: a version. This is a recording of a program broadcast live on June 29, 2021.

Thursday, July 1, 2021

Jack Skelley, David Trinidad & Tosh Berman in conversation


I had a wonderful chat with the poets/publishers David Trinidad and Jack Skelley.  The focus of our talks was on Beyond Baroque during the time when Dennis Cooper and Benjamin Weissman were program directors.  Incredible people such as Ed Smith, Amy Gerstler, Sheree Rose, Bob Flanagan, Jim Krusoe, and others become part of the narration that ook place at Beyond Baroque.  

Thursday, June 24, 2021

Dennis Cooper, Benjamin Weisman, Amy Gerstler & Tosh Berman in conversation


The program I did for the Hammer Museum, regarding the Beyond Baroque Dennis Cooper, Amy Gerstler, and Benjmin Weissman years is now on YouTube. As mentioned this has been a very satisying series of programs that I hosted. Beyond Baroque is a very important organization and venue, and it's amazing to share the common experiences we had in this world. Which also includes punk rock venues as well as LACE in Downtown, etc.

Wednesday, June 23, 2021

Tosh Berman Interviews Dennis Cooper, Amy Gerstler, and Benjamin Weissman for the Hammer Museum's MADE IN L.A. 2020


 Tosh Berman interviews Dennis Cooper, Amy Gerstler, and Benjamin Weissman regarding their work and times with Beyond Baroque Literary Arts Center.  It's unusual to have three of the people on the same platform discussing their times as the curator or literary 'gods!   This discussion is due to Sabrina Tarasoff's Beyond Baroque exhibiton at The Huntington, in conjunction with the Hammer Museum's Made in L.A. 2020

One can watch and hear the interview here:  

Friday, June 18, 2021

Tosh with Dennis Cooper, Benjamin Weissman, & Amy Gerstler - Tuesday, June 22, 2021 at 7PM PDT

 


An online tête-à-tête between Tosh Berman and poet-auteurs Dennis Cooper, Benjamin Weissman, and Amy Gerstler about their so-called poet-gang, the special friendships formed by the L.A. literati in the early 1980s, being influenced by the French (i.e. literary hauntedness), and the specific problems and pleasantries of poetic programming. Introduction by Made in L.A. 2020 artist Sabrina Tarasoff. Twitter/Instagram: @hammer_museum Facebook: HammerMuseum

Tuesday, June 15, 2021

Hammer Museum's Beyond Baroque & Beyond with Tosh Berman, Amy Gerstler, Dennis Cooper, and Benjamin Weissman


 


Dennis Cooper, Benjamin Weisman, Amy Gerstler & Tosh Berman

TUE JUN 22, 2021 7 PM PDT

An online tête-à-tête between Tosh Berman and poet-auteurs Dennis CooperBenjamin Weissman, and Amy Gerstler about their so-called poet-gang, the special friendships formed by the L.A. literati in the early 1980s, being influenced by the French (i.e. literary hauntedness), and the specific problems and pleasantries of poetic programming.


In this three-part online interview series, Tosh Berman writer, poet, Los Angeles publisher of the post-war French literati, and beloved host of the 1980s Tea With Tosh, returns to the screen to confabulate with figures from the Beyond Baroque Literary Arts Center's haunted hallways.  Summoned to Berman's virtual sofa are a host of poetic voices, each of whom have been central to the center's programs at a point between 1980 and 1986.  Not merely interviews, Beyond Baroque is equal parts séance, chat show, reunion, literary production, past life regression, tea time, no nostalgia. 




To RSVP and other info here: RSVP & more info here!

Wednesday, June 2, 2021

Wallace Berman Art Post Sent to Piero Heliczer

 

My father Wallace Berman was friends with the poet Piero Heliczer. Funny enough I was researching old Little Caesar journals (published by Dennis Cooper) this morning for a project I'm working on for the Hammer Museum. I came upon an issue devoted to Piero's work in that journal. Nevertheless, by accident (do they really happen?) I found this post card art by Wallace sent to Piero. My dad eventually did a book cover for Piero as well. So, Wallace Berman art sent to Piero Heliczer.

Monday, June 29, 2020

"Wrong: A Critical Biography of Dennis Cooper" by Diarmuid Hester



"Wrong: A Critical Biography of Dennis Cooper is a much-needed study on this author and filmmaker's works and life.  Cooper is very much a verb and still extremely active in writing in various forms and formats.  Diarmuid Hester has an excellent grasp on what makes Cooper a great writer, as well as a thinker, and dwell into each part of his past novels and projects.  Like Raymond Roussel, one has to take Cooper's entire works because, in a sense, it's all part of his world that he constructs very carefully and skillfully. Like Jacques Demy's filmography, one movie leads to another. There is a pathway or string that attaches the entire film works.  The same goes for Dennis Cooper's writing and film projects. The beauty of Dennis's work is that it is very much part of contemporary culture. His collaborations with other artists are always of great interest, and true to the nature of his work. 

Hester also writes about the culture around Cooper, and that is equally fascinating as well.  The Beyond Baroque in Venice California years are explored as well as Gay/Lesbian culture of the 1980s,  90s, and beyond.  My only (very) little disagreement with the author is how he sees Beyond Baroque Literary Arts Center becoming unimportant after Dennis leaving his post as Readings Director.  The institution has a long history before and after Dennis. It deserves a full-length biography (or oral-history) of Beyond Baroque.  Benjamin Weissman, who became the Readings Director after Dennis, did a magnificent job of organizing readings for the center and connecting to poets/writers from Europe, New York, and beyond.  Without a doubt, Dennis's importance to Beyond Baroque was essential, but the organization rocks on in its manner and ways to this day. 

"Wrong" is an essential read for anyone interested in Dennis Cooper's work. Still, also on a more significant landscape, it's about literature in the late 20th and 21st-century.  He's one of my all-time favorite writers, as well as a person of great taste.  This book opens up Dennis's world to others who are starting to get their first step into the works of this prominent figure in the arts. 

Thursday, December 12, 2019

"TOSH" One of the Best of 2019 on Dennis Cooper's Blog DC's





Dennis Cooper's Blog

Very happy, and even proud to be one of the titles as best of 2019 in Dennis Cooper's Blog.  It's not only that but to be in such incredible company is amazing to me.  Check the blog out, and notice the other books, films, music as well.

Wednesday, September 12, 2018

September 12, 2018 (Paris)


September 12, 2018 (Paris)
The jet-lag is better, but not completely gone.  Still, it's a considerable effort to wake up in the morning, where it's morning.  Everything in my body tells me to stay in bed, but then I get nagging anger at myself for allowing more bedtime when I should be out and about to enjoy the magnificent city that is Paris.   For me, the pure enjoyment of this city is due to walks.  We arranged to see our friend Dennis at the used bookstore/cafe "Merci" on bd Beaumarchais.  For one, the cafe is just around the corner from our residence, and therefore no excuse to be late for such a meeting.  We did get there on time, which was 2 PM.   Dennis had bread that is called bouche, and its served with butter and jam.  I had a cappuccino and Lun*na had a cold drink of some sort.   



Dennis is a friend from Los Angeles, and I have known him for years.  A brilliant writer, he's now making films and for the past ten years doing theater pieces as well.   For me, he's the classic example of the American who goes to Paris and everything becomes great for him and his art.  I have to presume that the road to this greatness is a bumpy one, but he wears it well, and he's genuinely one of the few people that I much admire.  In other words, he's everything that I'm not.  For instance, I'm sluggish, and I'm trying to tell the difference between my waking and dream life.  Since I  have been in Paris, I have been having these odd dreams of being at work (which is weird enough, because I don't go to work) nude.  Everyone is dressed, but I try to act normal like it's OK for me to be at my occupation and space and to be in the nude.   I feel in the dream that I know this is wrong, but if I act like it is not wrong, then the problem or feelings will go away.   I then wake-up in the middle of the night, thinking "why do I have dreams like that?"   This, of course, keeps me up for numerous hours and then depressing comes over me, because I fear it will ruin the rest of the day, and my day is here in Paris.

After the coffee break, I take Dennis over to the Frank Elbaz Gallery to see my dad, Wallace Berman's artwork.   Frank was there, and he showed me a work by Wallace which I haven't seen in years.   It's a strange phenomenon to see a work by your father that you have no connection with, yet, it's very much part of one's DNA.  The narration is that artworks get sold, and they go out into the world.  The collector or buyer may have it for a few years or forever, but mostly they did get re-sold and moved somewhere else in the world.   So, to locate artworks is sometimes a detective story.   The thing is, as a member of the family, I have no control over how these pieces move from one owner to another.  It's an odd feeling to be associated with a work, just due to family, and come upon something that is almost new to one.  It is a rock sculpture by my dad, with Hebrew writing and it's one of the rock pieces that has a metal chain attached to the rock.   A beautiful piece.  I remember seeing it as a kid.  Beyond that, I don't know what happened after my dad originally sold the piece. 

We walked Dennis to the metro.  Then we decided to go to a supermarket, Carrefour Market (88 Rue Amelot 75011 Paris), and buy food for lunch.  I purchased a cheese sandwich which was tasty and straightforward, and Lun*na purchased a vegetable wrap.  For me, to go to a neighborhood food market is a delight. Especially a foreign (to me) food place.  I'm easily amused to wander around the potato chip section of the store.  We got back home with our lunch, and after we ate it, we had to figure out how to use the laundry machine, that is also a dryer.   A rocket scientist could figure this out, but sadly I failed every science class in Junior and High School, and therefore I wasn't much help.  But we did find a YouTube post regarding how to use this type of washing machine.   If nothing else, YouTube is great for instructional videos.



It's now around 6:30 PM, and usually, this would be our happy hour at home (Los Angeles), but we decided to go out and walk around Paris.  We strolled down Bd des Filles du Calvaire to Bd Beaumarchais.   On this Bouvard is a series of motorcycle shops.   When I look at these machines, I think of them as being fetish objects.  Every type of machinery in France or in Paris looks like a highly aesthetic object. The same goes for the buildings or architecture.  I'm not used to being in a city that has such high visual standards.    We eventually reached Place de la Bastille.  I get goosebumps by going to this location because Marquis de Sade was in prison here.  Of course, the prison structure doesn't exist anymore due to its destruction during the French Revolution.  Still, to think such a great man as Sade being in the same location as I.  I shudder in delight.   



Lun*na and I then went onwards to Bd Henry IV where we ended up at Pont Sully.  We looked over the Seine River and wondered what it would be like to jump into the waters.  It's odd that we think of suicidal thoughts on a holiday, but there you go!  The highlight of this street is a statue of Arthur Rimbaud, the great poet.  It's a new statue, meaning something made this century.  The bronze statue is located on the Place du Père-Teilhard-de-Chardin, on the right of boulevard Henri IV, and is the work of Jean-Robert Ipoustéguy (1920-2006).  The work is called L'homme aux semelles devant (à Rimbaud) (Man with soles in front, to Rimbaud).   

Walking down a street and to come upon the memories of Rimbaud and Sade, can only happen in Paris.  - Tosh Berman


Thursday, August 23, 2018

18 Blurbs for "Tosh: Growing Up in Wallace Berman's World" (City Lights Publications)


ISBN-13 9780872867604



My book "TOSH: Growing Up in Wallace Berman's World" will come out on January 22, 2019. If you want to get a notice when the book comes out, you sign up here at City Lights. Or you pre-order the book through your favorite local bookstore, or online shop. Meanwhile, I now have 18 comments or blurbs about my book. I'm deeply moved and honored to receive such notice. Thank you all for your support. Oh, and Amber Tamblyn wrote the introduction! Here are the blurbs:
Praise for Tosh:
"Tosh Berman's sweet and affecting memoir provides an intimate glimpse of his father, Wallace, and the exciting, seat-of-the-pants LA art scene of the 1960s, and it also speaks to the hearts of current and former lonely teenagers everywhere."Luc Sante, author of The Other Paris
"This book is like a fascinating series of autobiographical post-cards that could be subtitled, Growing Up Semina. As the son of artist Wallace Berman, Tosh presents fly on the wall impressions of his parents coterie in the 60s and 70s—a grouping that included such luminaries as Dennis Hopper, Brian Jones, Toni Basil, and Andy Warhol. His memoir give us a glimpse into the 'other' Los Angeles—a bohemia that thrived in the 60s and 70s in numerous enclaves such as Topanga Canyon, Venice Beach, and West Hollywood. This is the story of a kid growing up inside of art world history, retelling his upbringing warts and all. A well-written, fast-moving book that is candid, funny, often disturbing, and never dull."Gillian McCain, co-author of Please Kill Me: The Uncensored Oral History of Punk

"As the son of artist Wallace Berman, Tosh Berman had a front row seat for the beat parade of the '50s, and the hippie extravaganza of the '60s. It was an exotic, star-studded childhood, but having groovy parents doesn't insulate one from the challenge of forging one's own identity in the world. Berman's successful effort to do that provides the heart and soul of this movingly candid chronicle of growing up bohemian."Kristine McKenna, co-author of Room to Dream by David Lynch

"Through the prism of Tosh Berman, only child, born 1954 to Wallace and Shirley, who personified the wild heart of 20th century West Coast art, we are offered a truly intimate invitation into a magic world of outliers, visionaries and shooting stars.TOSH recounts a life 'lived like a good book on a bookshelf,' a memoir resonant with discovery, passion, music, art, sex, celebrity, ego, desire, and dignity. All told with a son's love for his father, a continuing light into the creative life."Thurston Moore, musician & writer

"This book is sublime: vertiginous, melancholy, highly amusing!"Johan Kugelberg, Boo-Hooray

"One could not wish for a better guide into the subterranean and bohemian worlds of the California art/Beat scene than Tosh Berman, only scion of the great Wallace. Tosh has a sly wit and an informed eye, he is both erudite and neurotic, and often hilarious. TOSH, the book, is packed with keen observations and unique anecdotal factoids that could only come from a true insider. It's a must for anyone who cares about California counter-culture and the raggedy-ass drumbeat of the Beat Generation."John Taylor, Duran Duran

"Tosh Berman is one of the most valuable writers, much less people, the earth has upon it. This book is exquisite. I can't think of another word. What it says, how it says it, what it is."Dennis Cooper, author of The Marbled Swarm

"I first met Tosh Berman when he was assigned to sit next to me in 5th grade. We rode the Topanga school bus together for many years and even drove with each other to our high school graduation. But the overlap doesn't end there. Our parents frequented many of the same movie theaters, clubs, and galleries. Neither of our mother's drove, either. Both of our families had the celebrities of the day passing through our houses. I witnessed much of what Tosh saw and writes about, and I can say that TOSH: Growing up in Wallace Berman's World captures the times, places, and people with accuracy, sensitivity, humor, and, at times, great sadness. This is a beautifully written memoir, and I highly recommend it to those who are interested in the Sixties, Topanga Canyon, the Southern California art scene, and for those who wonder what it might mean to grow up as the son of one of our most acclaimed artists."Lisa See, author of The Tea Girl of Hummingbird Lane

"Reading TOSH, I felt like I was lying on a couch, completely relaxed and engrossed, while Tosh Berman sat in a chair beside me and told me his amazing life story. And at the end, I was very moved and wanted to cry. The affect that TOSH—the book and the man—had on me was that feeling I get when exposed to great art: a mix of sadness and wonder, which seem to be the two faces of the human heart. Wonderment at the beauty around us—the world, its people—and the sadness that nothing lasts, that all must perish. But this is our journey on planet earth: to be brave and feel both things at once, and it's great art, like this book, that reminds us to do so."Jonathan Ames, author of You Were Never Really Here

"If you are interested in California bohemian art-scene culture, eccentric and fascinating family and friend dynamics between unique individuals, and celebrated yet oddly little-known artists with uncompromising personalities, then read this book!"Roman Coppola, filmmaker, screenwriter
"This book is perfection. I wish it went on forever. Maybe, somehow, it does.TOSH is almost like a giant map of small city . . . Each sentence is a street. Each chapter is an era. Each memory revealing a secret passage from one place to the next . . . TO READ IT is to WALK IT with Tosh Berman."Jason Schwartzman, actor

"Tosh Berman paints an intimate and heartfelt portrait of growing up within the quirky West Coast counterculture of the 1950-70s. At the center of the tale is his dedicated and passionate artist father, Wallace Berman, who introduces his son to a bizarre collection of artists, crooks, cowboys, beatniks, hippies, freaks, filmmakers, musicians, mystics, and assorted weirdos. Including hilarious personal stories about Dean Stockwell, Dennis Hopper, Allen Ginsberg, Cameron, Ramblin' Jack Elliott, Michael McClure, Robert Duncan, George Herms, Leslie Caron, William Burroughs, Andy Warhol, Russ Tamblyn, Lenny Bruce, Phil Spector, Brian Jones, Alexander Trocchi, John Cage, and many many more, TOSH, is a delightfully entertaining memoir filled with sly wit and a profound personal perspective."John Zorn, composer

"There's the life—and then there's the life. With TOSH you can have both. My life, and that of many who sailed with me, was formed by the 40's & 50's. TOSH takes you there. Feel the fabric, touch the canvas of all that informed us. Embrace it and move forward."Andrew Loog Oldham, producer/manager, The Rolling Stones

"This double narrative of Tosh Berman and his father, Wallace, will tell you more about the creative process than a hundred how-to books purporting to do the same. Joyous and unselfconsciously readable, it celebrates the delights of surprise and observation on every page, as well as, yes—the confidence that things will somehow land upright."Jim Krusoe, author of The Sleep Garden

"What compels about Tosh Berman's gorgeously written memoir is the proximity of the quotidian and the familiar to the extraordinary, the shocking even, and the enviably glamorous. He recounts a coming of age in which the unexpected laces the ordinary as surely at it does in Alice In Wonderland—only for Tosh, growing up, a cast of artists, nutcases, iconoclasts, stars, and extremists of all kinds provide the distraction and disruption once supplied by the White Rabbit or Cheshire Cat. Add to this his exemplary taste in, and understanding of, a particular pop sensibility—TV, music, Warhol, and comic books. That then heady and head-spinning world, soundtrack to a sentimental education, that was for the young romantics of the mid-twentieth century what clouds and peaks were to those of mid-nineteenth. Brava, Tosh Berman!"Michael Bracewell, writer

"If the first movie your father takes you to as a child is . . . And God Created Woman, you can be sure of two things. First, that your father is an extraordinary person. Second, that you are destined to lead an extraordinarily interesting life. Both of these suppositions are made evident in Tosh Berman's vivid and loving memoir, TOSH: Growing Up in Wallace Berman's World. What a world!"Ron Mael, Sparks

"Reading TOSH is like meeting your idols, one at a time, for a quiet chat. Everyone is disarmed, and it feels like you've been in the same room with them for about ten hours, or so. Dennis Hopper is unconstrained and friendly, Toni Basil is bubbly, and Brian Jones has just stopped by to say hello. Topanga, as a place is remote—filled with pockets of escapism, winding landscapes of tumult and ennui. Tosh's world is both expansive and crystalline, he traces the edges of his world, and Wallace's world. We get to come and go with Tosh as he navigates his place in and around the tangle of the time."Soo Kim, artist, Professor at Otis College of Art and Design

"Sexually giddy, clairvoyant, messianic—Wallace Berman's socially astute photo-collages were vital bread and butter for several generations of artists. The Wallace B bloodline, from which Tosh sprouted, is a verdant gene pool. For artists-readers, TOSH, the memoir, is a luscious document of Los Angeles in the last four decades of the 20th century. Every page is filled with juicy history. Such surprises include a teenaged Sammy Davis Jr. sleepover, a pet alligator, Mae West, Allen Ginsberg, and dozens of remarkable side characters. Bask in Tosh Berman's honesty and gentle style. He is a one-of-a-kind gem."Benjamin Weissman, artist & writer

Tuesday, August 14, 2018

...More blurbs and commentary on "Tosh: Growing Up in Wallace Berman's World" (City Lights Publishing)


Here are some additional blurbs/thoughts on my memoir "Tosh: Growing Up in Wallace Berman's World" (City Lights Publishers)
"This book is like a fascinating series of autobiographical post-cards that could be subtitled, Growing Up Semina. As the son of artist Wallace Berman, Tosh presents fly on the wall impressions of his parents coterie in the 60s and 70s—a grouping that included such luminaries as Dennis Hopper, Brian Jones, Toni Basil, and Andy Warhol. His memoir give us a glimpse into the 'other' Los Angeles—a bohemia that thrived in the 60s and 70s in numerous enclaves such as Topanga Canyon, Venice Beach, and West Hollywood. This is the story of a kid growing up inside of art world history, retelling his upbringing warts and all. A well-written, fast-moving book that is candid, funny, often disturbing, and never dull."—Gillian McCain, co-author of Please Kill Me: The Uncensored Oral History of Punk
"Through the prism of Tosh Berman, only child, born 1954 to Wallace and Shirley, who personified the wild heart of 20th century West Coast art, we are offered a truly intimate invitation into a magic world of outliers, visionaries and shooting stars.TOSH recounts a life 'lived like a good book on a bookshelf,' a memoir resonant with discovery, passion, music, art, sex, celebrity, ego, desire, and dignity. All told with a son's love for his father, a continuing light into the creative life."—Thurston Moore, musician & writer
"Tosh Berman is one of the most valuable writers, much less people, the earth has upon it. This book is exquisite. I can't think of another word. What it says, how it says it, what it is."—Dennis Cooper, author of The Marbled Swarm
"Reading TOSH, I felt like I was lying on a couch, completely relaxed and engrossed, while Tosh Berman sat in a chair beside me and told me his amazing life story. And at the end, I was very moved and wanted to cry. The affect that TOSH—the book and the man—had on me was that feeling I get when exposed to great art: a mix of sadness and wonder, which seem to be the two faces of the human heart. Wonderment at the beauty around us—the world, its people—and the sadness that nothing lasts, that all must perish. But this is our journey on planet earth: to be brave and feel both things at once, and it's great art, like this book, that reminds us to do so."—Jonathan Ames, author of You Were Never Really Here
"If you are interested in California bohemian art-scene culture, eccentric and fascinating family and friend dynamics between unique individuals, and celebrated yet oddly little-known artists with uncompromising personalities, then read this book!"—Roman Coppola, filmmaker, screenwriter
"If the first movie your father takes you to as a child is . . . And God Created Woman, you can be sure of two things. First, that your father is an extraordinary person. Second, that you are destined to lead an extraordinarily interesting life. Both of these suppositions are made evident in Tosh Berman's vivid and loving memoir, TOSH: Growing Up in Wallace Berman's World. What a world!"—Ron Mael, Sparks

Sunday, April 29, 2018

Dennis Cooper Blog on Tosh Talks





Dennis Cooper Blog on Tosh Talks

Clearly, one of the great blogs on this planet.  As a daily practice, I read Dennis Cooper's blog every morning.  When he started to do his GIF postings, I had to get a new computer just to watch them.  An essential exploration of Dennis' world, or at the very least, seen through his eyes and aesthetic.



Bookmark this address, and do visit:  http://denniscooperblog.com


Saturday, April 14, 2018

"20TH CENTURY BOY: Notebooks of the Seventies" by Duncan Hannah (Knopf)

ISBN: 9781524733391

Although a few years older than me, and the fact that we never met, until I had him sign his book at a public event, I feel somehow I know Duncan Hannah. I first discovered his artwork through Dennis Cooper's fantastic blog, and his paintings just spoke to me directly. First of all, I have a thing for illustrations from the mid-century, especially drawings from the various titles of the Hardy Boys, and somehow Hannah's work reminds me of that type of work. But done on a plane that's serious art but still humorous. In that blog I saw various photographs of Hannah, and it struck me as a dandy who lived in harsh circumstances, yet, kept his chin up and his hair marvelously cut. His sense of style and some of the artwork reminded me of this dandy art duo David McDermott and Peter McGough, who not only dressed from the past but also their artwork went back to the 1920s or even earlier. But their work has a contemporary edge, just like Hannah's paintings. I should have been surprised, but reading Hannah's book, he was or is a friend of McDermott.

Still, this is not imitation, but the meeting of the minds at work here. Hannah was born straight and foppish. It's in his nature and this is why his notebooks of the crazed 1970s in New York City is so thrilling. In essence, he has character, or I should say, if I were a movie producer, he has that "It" quality. The reason why I feel like I know or should know him is that it's uncanny we have the same taste in literature and music. I know, because he lists all his listening and reading material on a regular basis in this book. Which is not tedious to read, but essential to know, because his taste is very much what is Duncan Hannah. The fact he paints portraits of his literary and cinematic heroes is another self-expression. I suspect that these works are self-portraits more than anything else. And I say that not as a criticism, but as praise.

"Twentieth-Century Boy" is Hannah's journal, and it's not a memoir. It reads like one is experiencing these adventures at the instant it happened, and his reflection is only seconds or hours after the incident. Sexual in nature, and always curious about an adventure, Hannah from the very beginning had or still has high standards. His sexual fun is enticing, and a joy to read, but also his encounters with the great from Bryan Ferry to Bowie to Dali to Warhol to Debbie Harry, and beyond, to the various artists who lived and operated in Lower Manhattan during that era are excellent co-stars in his book.

What's surprising is that he very much led the life of a desperate alcoholic, yet, by his photographs, he didn't look drunk. He was always well-dressed and has an exceptional self-awareness. Perhaps he's blessed. Nevertheless, he's a hero of mine. I don't have a brother, but in my head, he's the older brother to look up to. Praise Duncan Hannah and his book "Twentieth-Century Boy."

Monday, December 18, 2017

David Trinidad Poet on Tea With Tosh





David Trinidad is a superb poet.  I feel close to his work, especially the poetry he was writing in Los Angeles during the 1980s.  I too have a thing for Girl Groups and that sort of Pop Culture that is expressed through David's work.  I often saw him read at Beyond Baroque.  Dennis Cooper at the time was doing the programming at Beyond Baroque. He had his own press, Sherwood Press, that was wonderful.  A great era in Los Angeles Poetry world at that time.  Also on the same show, we show Shirley Squid Ouchi's art performance/video "Doing The Dishes."  A powerful piece of work.
- Tosh Berman



TamTam Blog: http://tamtambooks-tosh.blogspot.com

Tosh Berman's Vinyl and CD Collection: http://toshberman.blogspot.com

Facebook: https://www.facebook.com/Tosh-Berman-...

Goodreads: https://www.goodreads.com/Tosh

Instagram: https://www.instagram.com/imtoshberman/

Google+: https://plus.google.com/u/0/105926726...

Sunday, March 26, 2017

Wednesday, February 8, 2017

"Novi Sad" by Jeff Jackson (Kiddiepunk)

www.kiddiepunk.com Kiddiepunk
I read "Novi Sad" on the bus where my destination was at the barber for my haircut, and I didn't want to go home till I finished the book - so I ended up in a local bar to read the entire novella. It's a very moving book regarding the subject matter of imminent death, the loss of an important person in one's community, and the presence of the world that is not going to get better. A gang of young people, who are barely existing, are located in an abandoned hotel waiting for their 'leader' of sorts. They go through an abandoned and destroyed city to find the lost one. Not to give away the details of the plot, but it is very much a haunted work I think dealing with sadness and the acknowledgment of one who has passed on to the other side.

One of the characters in this short narrative is named "Blue," and the pages in this book are on light blue paper. I was reading it in a dark bar, and the blue is a nice bath for the eyes, but also in tuned with the character "Blue," as well as the story being sort of a version of the blues. It's a beautifully designed artbook by Michael Salerno and published with great love by Kiddiepunk, who works by the way, with Dennis Cooper. The images or artwork fits in greatly with the narrative. A really nice package. A great read. Now, it must be yours.