Showing posts with label Fred Astaire. Show all posts
Showing posts with label Fred Astaire. Show all posts

Saturday, December 2, 2017

"A Dance with Fred Astaire" by Jonas Mekas (Anthology Editions)

ISBN: 978-1-94460-09-7 Anthology Editions LLC

Once in a while, a presence comes upon the landscape and shows an incredible amount of character and interest.   Jonas Mekas is clearly in that bracket of a human being.  Filmmaker, head honcho of the Film Anthology in New York City, as well as the Filmmaker's co-op, and writer.  There are many great writers who write about film, but Mekas is the best, because he clearly shows his love for the medium, and by his writing, he expresses that enjoyment of seeing the projected light on a screen.   There have been a few great books by Mekas on film and his life, but "A Dance With Fred Astaire" may be my favorite of his books.  

For one, it's a perfect entrance way to his world for someone who is not familiar with New York / European / World filmmakers, because if nothing else (besides his talent as a filmmaker/writer) Mekas connects to his world like no other individual.  He knows or knew everyone from Andy Warhol to Fritz Lang to Jacqueline Kennedy.   He is the other side of the coin of Warhol, in that in his own fashion he also attracted talent by just standing there.  Of course, that is not true.  He was the publisher and editor/writer for the greatest film publication ever, "Film Culture."  And his weekly column for the Village Voice was the most passionate and smart writing on artist's films and their world.  Like Warhol and his Factory, artists were drawn to Mekas, either by his passion or personality, but it was truly a wonderful culture that produced many flowers that bloomed into films, art, writing and so forth.  

There are so many amazing chance meetings that are listed in "A Dance With Fred Astaire."  For one, Fred Astaire himself who was invited by Yoko Ono to participate in her film by dancing in it, with Mekas following his steps best as possible.  So yeah as a reader, you are trying to put all of this in one's head:  Yoko, Jonas, and yeah, of course, Fred Astaire, with John Lennon.  Or the time he visited Jacqueline Kennedy and she casually told Mekas that Kennedy received an 8mm camera which he kept in his coat pocket the last few years of his life.   She went to the closet, found John's coat, got the camera out and showed it to Mekas.  At the time there is still film inside the camera.  One wonders what is on that film???   And where is that film and camera now?   There is also the incredible connection between Tony Conrad, Henry Flynt, and the UNABOMBER!   

"A Dance with Fred Astaire" is full of illustrations and the book is beautifully designed by Nicholas Law with art direction by Bryan Cipolla.  Creative Director is Johan Kugelberg, who has done numerous great books on cult faves.  Remarkable. 

Wednesday, May 20, 2015

Oscar Levant Show-Complete with Fred Astaire





There is nothing better on this planet than Oscar Levant.  Here is a complete show with the king of cool, Fred Astaire.

Monday, March 17, 2014

March 18, 2014 (Tokyo)



March 18, 2014

One of my all time favorite characters in the film world is Edward Everett Horton.  For two reasons alone: the Fred Astaire starring film  “Top Hat” and doing a lot of the voices for the cartoon series “Fractured Fairy Tales,” which is part of the great “Rocky and Bullwinkle Show.” I was very much raised by hearing his voice telling or re-telling famous fairy tale stories, but altered by the genius Jay Ward and others.  Even that, going to work everyday on the bus I would pass the iconic “Bullwinkle” statue on the Sunset Strip, almost directly across from the equally iconic Chateau Marmont.



When I was a young teenager, I have a distinct memory of suffering from a severe flu, that kept me in bed for at least a week.  My only companion was a portable black and white TV set, that had rabbit ears and more often, lousy reception.  This was the moment and place that I saw my first viewing of “Top Hat, ” and due to my fever and mind-set of the time, this film (to this day) has a lot of meaning for me.  Due to the bad reception that was very much regular TV viewing in Topanga Canyon, I only saw Fred Astaire, Ginger Rogers, and the great Edward Horton in a screen full of fuzzy images, but also each character and object had a double or shadow, due to the poor reception.   Still, it was probably one of the key moments for me, due that I learned elegance through difficult times is indeed a customary way of living.



Ever since then, Horton came to me in various methods and ways.  He succumbed to cancer in 1970, at his home in Encino, which was not far away from Topanga.   I imagine it was around this time I was watching “Top Hat,” and not knowing his last breath was taking place within six miles away from my home.   The big appeal for me was his voice, which was very high-pitched, but also sarcastic in its delivery.  It was a perfect match with “Fractured Fairy Tales.” For me, it wasn’t the tales themselves that were important, but the delivery of his narrative.  I got the feeling that he was relaying another type of story within the fairy tale context.  One of my all-time favorite poets is Stéphane Mallarmé, who wrote a piece called “Un Coup de Dés Jamais N'Abolira Le Hasard” (A Throw of the Dice will Never Abolish Chance).   Many claim that this French work cannot be translated into English or any other language due to the many layers of textural meaning as well as the sound of the words, which triggers different effects in the piece.  Also the poem was laid out in a way where the spacing between the words has just as much meaning as the actual words themselves.  

Sometime in the 1960s, Edward Horton made a recording of this poem, both in French and in English.   He did the recording for a BBC radio broadcast that was transmitted over the airwaves once.  The recording disappeared in thin air afterwards.  Some have claimed that the recording was found, but up to this day (moment!) it has never appeared on the Internet.   Therefore we have a mystery, and lord knows I love a mystery!