Showing posts with label John Lennon. Show all posts
Showing posts with label John Lennon. Show all posts

Tuesday, December 8, 2020

John Lennon (1980 - 2020)

 


I was 26-years old when John Lennon was murdered. I remember I was half-asleep when I heard the news over my little black and white TV set with the rabbit ears. The reception was bad, and the news came on at 11, and my first thought was 'Dead, like dead, dead?" I thought for sure he would be wounded, and kind of near-death, but would recover, due that he was Beatle. A Beatle dying was unthinkable to me at the time.

I was a mega-Beatles fan during the 1960s, but once they broke up, the spell was broken. When Lennon sang, "I don't believe in the Beatles," I thought that was it. The point-of-no-return. As a teenager, it was like your parents were splitting up, or they were arguing in the next room. You don't want to hear it first, but then once announced to the world, life goes on. I was devoted to all four of them for the first year of their solo albums, but afterward, I became obsessed with glam and punk, and the Fab Four, although extremely well respected for their work and personalities, I moved on to other music. When Lennon retired from the public's view for five-years to raise his son, I thought that was a good move. It also gave room for others to come out and make meaningful music. I was, of course, curious about what he was up to. I think at the time, I even respected and liked Yoko more than Lennon.

The great thing about Lennon is that he was changing, and that was part of his character. He evolved in one way or another. Nothing was set with him. If he lived, I think he would have made music that I would be passionate about. Their last record, "Walking on Thin Ice" (Yoko), was and is incredible. I was happy that he didn't forget to make noise in the perfectly thought out pop songs of his later years.

It's strange to read people criticizing him from another generation. Lennon was candid with his struggles and successes. I have always felt from day one, songs like "All You Need is Love" "Give Peace a Chance" was directed toward himself first and then to his audience. He was a Liverpool lad, with all the goodness and horror that goes with growing up in a shakey world. His mom's death was horrific, yet he went onward as an artist and accepted the new world and all it had for offer. Nothing hesitant for our John. He either went full-throttle for it or ignored it. A remarkable 20th-century figure. Much love to his family, friends, and fans. -Tosh Berman

Thursday, September 19, 2019

Tosh's Journal: September 19 (Brian Epstein & The Beatles)



TOSH’S JOURNAL (Brian Epstein & The Beatles)

September 19

“I am determined to go through the horror of this world.” I don’t throw the dice, and I pretty much map out the plans on a massive desk in my office. I have four men in my office at this moment, and they are wearing leather jackets with button-up Levis and motorcycle boots. I don’t know if I should french-kiss each one, or dress them up for a party. Nevertheless, art-making and doing business is very well the same thing. John and George are, without a doubt the hottest here, and both are sort of emotionally damaged. Not sure why, more likely due to the loss of a family member, or just not fitting in the world. This is something that I totally understand, being left out in the world. I have been an outcast for my whole life, and I live in a world that hates me. So, I either drown in self-pity or make my own world. I have four young men here that will make a new world, for you, and without a doubt for me as well.

When I look back, I must have been dreaming. I was led into a cave, somewhere in Damn Liverpool, and I came upon a vision that hit me right away. I usually have doubts or have to re-think it, but here, was something that came upon me in a technicolour fashion, but clearly in a black and white world. It reminded me when I first went to London by myself, and I picked up on a beautiful man, who was rough on the edges, and eventually punched me out, and took all my cash as well as my watch, that my father gave me, for being such a good salesperson in our family business. It wasn’t a downer for me, it made me feel alive, and I was placed in a dangerous world, that I secretly have been craving for a long time.

I remember going into the cave and realizing that there was not an exit. I immediately felt the change in my life as soon as I enter the entrance opening. The heat was the first sensual overload, and it was like if I was going back to the womb, but not my mothers, but someone else’s uterus. A male version if there is such a thing. It wasn’t the audience that appealed to my senses but seeing four drunken musicians on the stage, that reminded me of the chap who punched me out and took my dole.

Before that, I just wanted to study acting, but my father was against that plan. He wanted me to work in the family business, and with half a heart, I did so. I eventually went to drama school, but I realize I hated school life. At the time, it was bad as my world but much smaller, and therefore I felt I couldn’t breathe in that environment. I then realize that I can be a performer, but I needed the right medium to work with. What I wanted to do was re-shape the horrible world and somehow make it into a better place I was ill in my stomach thinking of all the lies that I had to put up with. Here in front of me, is one way out, a new honesty at work, that will change mine as well as your life. John, George, Paul and….. Pete. That last name doesn’t fit well with the others. I must make a note to change that in the very near future.

I know very little about music, even though I work in the record store department of the family store, but I know it’s important to others. I recall a young man, or boy, who came in and asked for a song “My Bonnie,” and I remember his face being so disappointed when we didn’t have that record in stock. I almost wanted to come up to him and put my arms around him. It wasn’t eros, but more of a feeling or remembrance of my past disappointments. I feel if I could supply people a certain amount of happiness, and not deal with bitter disappointments, then I have contributed something to “this” world. Alas, there are for two worlds. I’m going to change one world and make it into my idealistic world. I have the tools or instruments right in front of me. I just need to fine-tuned or get rid of the Pete issue.

Friday, February 23, 2018

Rod McKuen on Tosh Talks





Rod McKuen on Tosh Talks



The first show where I focus on an artist that I really don't care about, or do I?  Rod McKuen on the surface is the sort of figure that I never cared for, yet, as I dig deep into some aspects of his work, I'm interested in the connections he has between himself and Jacques Brel, David Bowie, the Beat Generation, Jack Kerouac, Allen Ginsburg, Gregory Corso, and the whole fake "Beatnik"world, with respect to an early album by McKuen, "Beatsville."  The number one selling poet in the 1960s and 1970s, who wrote terrible poetry, is still, as one scratches on the surface, I find something of greatly interesting about his life.  Which shows, that all artists have some sort of spark that one may miss or not be aware of.  "Tosh Talks" Tosh Berman.

Thursday, December 7, 2017

Jonas Mekas A Dance With Fred Astaire on Tosh Talks





Tosh Berman of "Tosh Talks" chats about the wonderful book by Jonas Mekas "A Dance With Fred Astaire" published by Anthology Editions. In great detail, Mekas talks about working with Yoko Ono/John Lennon, Andy Warhol, Jack Smith and other greats in the independent underground film world.

Saturday, December 2, 2017

"A Dance with Fred Astaire" by Jonas Mekas (Anthology Editions)

ISBN: 978-1-94460-09-7 Anthology Editions LLC

Once in a while, a presence comes upon the landscape and shows an incredible amount of character and interest.   Jonas Mekas is clearly in that bracket of a human being.  Filmmaker, head honcho of the Film Anthology in New York City, as well as the Filmmaker's co-op, and writer.  There are many great writers who write about film, but Mekas is the best, because he clearly shows his love for the medium, and by his writing, he expresses that enjoyment of seeing the projected light on a screen.   There have been a few great books by Mekas on film and his life, but "A Dance With Fred Astaire" may be my favorite of his books.  

For one, it's a perfect entrance way to his world for someone who is not familiar with New York / European / World filmmakers, because if nothing else (besides his talent as a filmmaker/writer) Mekas connects to his world like no other individual.  He knows or knew everyone from Andy Warhol to Fritz Lang to Jacqueline Kennedy.   He is the other side of the coin of Warhol, in that in his own fashion he also attracted talent by just standing there.  Of course, that is not true.  He was the publisher and editor/writer for the greatest film publication ever, "Film Culture."  And his weekly column for the Village Voice was the most passionate and smart writing on artist's films and their world.  Like Warhol and his Factory, artists were drawn to Mekas, either by his passion or personality, but it was truly a wonderful culture that produced many flowers that bloomed into films, art, writing and so forth.  

There are so many amazing chance meetings that are listed in "A Dance With Fred Astaire."  For one, Fred Astaire himself who was invited by Yoko Ono to participate in her film by dancing in it, with Mekas following his steps best as possible.  So yeah as a reader, you are trying to put all of this in one's head:  Yoko, Jonas, and yeah, of course, Fred Astaire, with John Lennon.  Or the time he visited Jacqueline Kennedy and she casually told Mekas that Kennedy received an 8mm camera which he kept in his coat pocket the last few years of his life.   She went to the closet, found John's coat, got the camera out and showed it to Mekas.  At the time there is still film inside the camera.  One wonders what is on that film???   And where is that film and camera now?   There is also the incredible connection between Tony Conrad, Henry Flynt, and the UNABOMBER!   

"A Dance with Fred Astaire" is full of illustrations and the book is beautifully designed by Nicholas Law with art direction by Bryan Cipolla.  Creative Director is Johan Kugelberg, who has done numerous great books on cult faves.  Remarkable. 

Tuesday, December 6, 2016

The Beatles - Decca Audition, January 1 1962



The Fab 3 plus Pete Best, who is actually great here. In fact, the whole session is pretty fantastic. Besides the drumming (reminds me of The Cramps), the vocals are superb. Full of drama and intensity. Why Decca turned them down is a total mystery. Maybe their manner in the studio? It has the Cliff Richard/Billy Fury era sound, but more primitive.  And Elvis.

Monday, June 13, 2016

"The Magic Circle: On The Beatles, Pop Art, Art-Rock and Records" by Jan Tumlir (Onomatopee)

ISBN: 978-94-91677-43-4 Onomatopee

The Magic Circle: On The Beatles, Pop Art, Art-Rock and Records” by Jan Tumlir (Onomatopee)

Like it or not, The Beatles will always be the dividing line between acceptance and non-acceptance.  Those who hate The Fab Four, do so, just because they exist.  In a way, the issue is brought up in Yukio Mishima’s novel “The Temple of the Golden Pavilion.” Not specifically mind you, but the fact that the main character had to destroy and burn down the Golden Pavillion, because it such an iconic beauty, that he felt it restricted his life.  The Anti-Beatle people I suspect, feel the same way.   Not me, by the way.  I love the band.  Although I have to admit that I really don’t listen to them that much anymore, because their music is pretty much etched into my DNA.  I can just look at a Beatles album cover, and the melodies come right into my head via eyesight straight to the brain.  Jan Tumlir’s book on the later Beatle works and its culture sort of works in that same frame of mind.  It is a culture that one can’t escape from, and here, in great detail, he approaches the Beatle world via the visual arts as well as how they are placed in our world culturally.  

For instance, it is fascinating when Tunlir writes about the Beatle album covers from Sgt. Pepper to the so-called “White Album.” It’s fascinating how Peter Blake and Jann Haworth’s design for the Pepper cover is totally maximum but the White Album, designed by Richard Hamilton, is totally minimal.  It’s interesting to look at The Beatles music and product, and how in-tuned they were with the arts of the time.  In a sense, all roads led to the Beatles.  Tunlir uses John, George, Paul & Ringo as signs or sign posts to a culture that expanded, and yet, very important to its local (Liverpool, America) region.  Which in turn becomes the world. 

- Tosh Berman

Sunday, November 22, 2015

The Sunday Series: Sunday November 22, 2015


The Sunday Series
Sunday November 22, 2015

52.  52 years ago, on this date, was the first time I saw my teacher cry in front of her students.  In fact, it was the first time she showed emotion besides hatred or approval of her classroom students.  They announced the news over the school PA system, and I can see it startled her, and then the tears flooded her face.  I don’t know if it was the shock of hearing the news over the PA system, or the effect it had on my teacher's behavior that early morning on November 22.   Up to that date, and just 9 years old, I never experienced death, either by a human or animal such as a pet.  Nothing died in my life at that time.   Even cowboys didn’t die on TV.  The worst that can happen is someone would knock the hero’s back of his head with a gun butt, or the hero may shoot the gun out of the criminal's hand, but that was the worst that can happen.   After getting knocked on the head and gaining consciousness, the cowboy hero would rub his painful head up and down, and get back to business, which is to fight crime.



As I got older, I did experience death.  But what is strange is the news of hearing a famous person dying compared to someone you know who died.  The death of a friend or an acquaintance is much more abstract than a famous person’s death.    I don’t think I have ever been shocked by someone’s passing, except my dad, but everyone else it seemed not real to me.  Yet, when it happens to the famous, the death is more prominent for some reason.  When someone dies that is close to you, one can’t really share that feeling.  Yet a famous death is often shared in great detail.  If they are even really famous, one can buy a magazine or book devoted to that person’s life and more likely death.  The key thing in these publications is the last photograph of the deceased.  There is an obsessional need to know that there is such a document in place.  The last living presence of that being, as he waves to an audience in the back seat of the car, is shocking enough.  Many years later, I saw a photograph of him in the morgue, and even then, I couldn't believe I was seeing what I was seeing.   To see a body when there is no life in it, is truly shocking to me.   As for a musicians’ death, one hears music being played on the radio, and there may be various tributes being played out on various media mediums, but the death of someone in the family or friend, there is never a PA system announcing that.  



To this day, when I hear “Walking On Thin Ice, ” I think of it as the last recording by this famous musician.  Of course, his passing, brings a certain intensity to the work.   One can even feel that this was the artist’s intent, to have this song as the final message.  The truth is, the artist didn’t know what would happen that night.  It is not always fate, sometimes shit happens for no reason. And like the other individual who was shot, he looked shocking in the morgue photograph as well.  I looked at it, like the others, but I wished I didn't really see that image.  I rather think of him as being alive, not dead in the morgue.  

On November 22, and over time, it looks like a complex series of incidents happen.  There are many theories, and all of them sound possible.  But then again, it sometimes just takes one individual to aim, and shoot, that changes everything.  How big can that change be, due to one man shooting another dead.  The narration needs to be larger.  At the time of the shooting, it was bigger than life. The violence of it was the star attraction that day.  I knew the victim, but only on black and white images printed in the daily newspaper.  I don’t even remember seeing him on television, and I know he is one of the first figures to use that medium for political as well a communicative purposes.



When he was killed 52 years ago, they played out all the angles.  They talked about what direction the bullets came from, and even hinted that it came from more than one location.  It didn’t seem real.  There were so many narratives running through the act of an assassination.   A family member or friend just dies, and that is the end of the story.  But a star or a public figure, the death process and the action is always complicated for some reason.   It is almost like death is too personal, so we need a famous person to die, so we can examine the why, what, where, and how it was done.  It’s not polite to do that when a person we know dies.  We just quietly accept it.

The second time I experienced death on a personal level was when the accused assassin himself was assassinated in front of live TV.  Now that was a real death, and as they re-played the moment he was shot over and over again, one thought “oh wow he was alive at this point, and then when he’s down, he’s dead.” I felt I was watching a bridge between life and death, but I couldn’t make out the architecture of that bridge or walkway.  With respect to the first assassination, I wanted to see it over and over again, in the hopes, I get a glance of that string, road, or whatever it is from life to the other side.  When he was in his car waving at the crowd, he was so alive, and then a few seconds later he wasn’t. That shocked me.  It really disturbed me.



When my dad told me that a friend of the family died, and even though I really like this person, I didn’t know how to react to his death.   I felt like it didn’t really happen because I didn’t see it on TV.  My father’s words were not enough evidence to me that he died.  Especially since we didn’t go to a memorial or funeral for this person.  The shocking thing is that he was perfectly fine the last time I saw him.   He didn’t give out any death vibes at all.  It was really confusing.



As one gets older, more famous people die.  That is the weirdest aspect of age, is that you make note of all the TV, movie or music stars are dying on a regular basis.   Each death of a TV series actor from the 1960s or 1970s immediately takes you back to that time when you were in front of the TV set.  Due to the fact that their character, which I didn’t know was any different from their actual lives, was projected on your consciousness due to being in front of the set, seems to have more meaning for some reason.   Often on Facebook someone posts a notice a certain actor or singer has passed, and I automatically put a “like” to that post, not due to the fact that I like that they died or they’re dead, but to acknowledge that person’s observation on that star, as well as a tribute on my part by ‘liking’ that post.  It’s a strange thing to acknowledge one’s death by just liking a post.  But there you go, a passing of time is often shocking in itself.