"Gainsbourg The Biography" by Gilles Verlant (TamTam Books)

Gainsbourg: The Biography

By Gilles Verlant. Translated by Paul Knobloch.

When Serge Gainsbourg died in 1991, France went into mourning: François Mitterand himself proclaimed him “our Baudelaire, our Apollinaire.” Gainsbourg redefined French pop, from his beginnings as cynical chansonnier and mambo-influenced jazz artist to the ironic “yé-yé” beat and lush orchestration of his 1960s work to his launching of French reggae in the 1970s to the electric funk and disco of his last albums. But mourned as much as his music was Gainsbourg the man: the self-proclaimed ugly lover of such beauties as Brigitte Bardot and Jane Birkin, the iconic provocateur whose heavy-breathing “Je t’aime moi non plus” was banned from airwaves throughout Europe and whose reggae version of the “Marseillais” earned him death threats from the right, and the dirty-old-boy wordsmith who could slip double-entendres about oral sex into the lyrics of a teenybopper ditty and make a crude sexual proposition to Whitney Houston on live television. 
Gilles Verlant’s biography of Gainsbourg is the best and most authoritative in any language. Drawing from numerous interviews and their own friendship, Verlant provides a fascinating look at the inner workings of 1950s–1990s French pop culture and the conflicted and driven songwriter, actor, director and author that emerged from it: the young boy wearing a yellow star during the German Occupation; the young art student trying to woo Tolstoy’s granddaughter; the musical collaborator of Petula Clark, Juliette Greco and Sly and Robbie; the seasoned composer of the Lolita of pop albums, Histoire de Melody Nelson; the cultural icon who transformed scandal and song into a new form of delirium.

PUBLISHER
TAMTAM BOOKS

BOOK FORMAT
PAPERBACK, 8.5 X 5.5 IN. / 400 PGS.

PUBLISHING STATUS
PUB DATE 7/31/2012
ACTIVE

DISTRIBUTION
D.A.P. EXCLUSIVE
CATALOG: SPRING 2012 P. 46    

PRODUCT DETAILS
ISBN 9780966234671 TRADE
LIST PRICE: $24.95 CDN $27.50

Gainsbourg The Biography ARTBOOK | D.A.P. ISBN: 9780966234671

The late and great Gilles Verlant's magnificent biography on French genius songwriter Serge Gainsbourg. Truly one of the great pop music figures on this sorry planet. Verlant spent over 100 hours interviewing Serge as well as doing interviews with all those around him, including iconic figures in the French music and film world. Not only an essential book on Gainsbourg, but also the showbiz world in France from the 1950s to the 1990s. This is the best book on the world of French pop. - Tosh Berman, Publisher TamTam Books

Gainsbourg: The Biography

Published by TamTam Books
By Gilles Verlant. Translated by Paul Knobloch.

When Serge Gainsbourg died in 1991, France went into mourning: François Mitterand himself proclaimed him “our Baudelaire, our Apollinaire.” Gainsbourg redefined French pop, from his beginnings as cynical chansonnier and mambo-influenced jazz artist to the ironic “yé-yé” beat and lush orchestration of his 1960s work to his launching of French reggae in the 1970s to the electric funk and disco of his last albums. But mourned as much as his music was Gainsbourg the man: the self-proclaimed ugly lover of such beauties as Brigitte Bardot and Jane Birkin, the iconic provocateur whose heavy-breathing “Je t’aime moi non plus” was banned from airwaves throughout Europe and whose reggae version of the “Marseillais” earned him death threats from the right, and the dirty-old-boy wordsmith who could slip double-entendres about oral sex into the lyrics of a teenybopper ditty and make a crude sexual proposition to Whitney Houston on live television.
Gilles Verlant’s biography of Gainsbourg is the best and most authoritative in any language. Drawing from numerous interviews and their own friendship, Verlant provides a fascinating look at the inner workings of 1950s–1990s French pop culture and the conflicted and driven songwriter, actor, director and author that emerged from it: the young boy wearing a yellow star during the German Occupation; the young art student trying to woo Tolstoy’s granddaughter; the musical collaborator of Petula Clark, Juliette Greco and Sly and Robbie; the seasoned composer of the Lolita of pop albums, Histoire de Melody Nelson; the cultural icon who transformed scandal and song into a new form of delirium.

Gainsbourg The Biography ARTBOOK | D.A.P. 2012 Catalog TamTam Books Books Exhibition Catalogues 9780966234671

April 2, 2014 (Serge Gainsbourg)

April 2, 2014

A tainted beauty entered my life about 20 years ago, when I discovered the works of Serge Gainsbourg.  It seems that I waited for almost all of my life to listen to such genius, that I had to do more than just listen.  I also had to read Serge Gainsbourg, and therefore I published his short novel “Evguenie Sokolov.” Then some years later I published the great Gilles Verlant biography “Gainsbourg, ” which gives a complete picture of the man and his world.

As most can gather by now, my life is not like a straight ahead narration, where A go to B, and then C comes along.  No, the journey is just as important as the results of that trip.  I knew Gainsbourg’s music here and there, but didn’t fully grasp his genius till much later.  It was when I discovered the works of Boris Vian, that I became a Gainsbourg fanatic.  As my press is very much devoted to the works of Vian, I researched as much as possible about his life and times - and the name Gainsbourg comes up a lot, due to the fact that Vian was one of the first professional people to give Serge notice for his music.  Gainsbourg was a fan of Vian’s music, but not so much for his books, but nevertheless, he never forgot the good word Boris gave him, because it was Vian’s foot that kept that door open for him to succeed in the French music world.

My press TamTam Books is very tightly winded up with the Vian motif, in that everything comes from that source.  But using Vian as a foundation, leads to a lot of stuff, due to the fact he worked on so many levels in French pop culture.  Musician, composer, writer, playwright, A&R for a record label, engineer, translator, and socialite for the Saint Germain des-pres society.   Right there is a great canvass, and Gainsbourg is one of the participants in that giant work of art.

The beauty of Gainsbourg’s work is that it consists of all the greats of the French aesthetic past - especially the literature of the 19th century, for instance Charles Baudelaire and Arthur Rimbaud, and matches it with the   talents of Charles Trenet and bingo, that hybrid becomes Gainsbourg.  Like his much younger fellow artist, David Bowie, Gainsbourg was hungry to find new influences, new sounds, and he was also a great explorer, but he used his knowledge of the past, and went forward with respect to his music making.   His private life was full of scandals, and his taste in women was the connoisseur preference.  Like a lot of narratives it wasn’t always a good story, but when you look at the immense picture of him, and what he did in his lifetime, with respect to the world it was and is, he was simply an amazing artist.   Happy birthday Serge Gainsbourg, and long may we enjoy your work, as well as the down and the numerous up’s in your (one’s) life.

Serge Gainsbourg Display at Book Soup

Photo by Zoie Matthew

Many thanks to Zoie Matthew and the staff at Book Soup for putting up a display of books regarding Serge Gainsbourg.   Also note, that Book Soup has sign copies of "Gainsbourg" by Gilles Verlant for sale.  The world of Serge is a rich one, so do enjoy.  

www.booksoup.com

TamTam Books at the Hotel Normandie

Not all, but here are some of my books that I have produced for TamTam Books, as well as a book I wrote "Sparks-Tastic."   For those who stay at the Hotel Normandie in Los Angeles, you can check these titles out for your reading pleasure.   Many thanks to Barbara Ann Duffy!

For Hotel Normandie information:

https://www.facebook.com/HotelNormandieLA?directed_target_id=0

Gilles Verlant (June 11, 1957 - September 20, 2013)

Gilles Verlant and his subject matter Serge Gainsbourg

I would like to think that Gilles Verlant was my best friend, but the fact is I only met him face-to-face maybe half-a-dozen times in a short period of time.  The first time I met him was in Paris January 2012.  I and Paul Knobloch, the translator of Gilles’ magnificent biography on Serge Gainsbourg, was putting the final touches of this project which took us a long time to complete.  There were health issues involved on the American side, and just basic life stuff that delayed this book for a year or so. Also it was a major undertaking for the press due to the size of the book moreover being so detailed in information regarding the French pop music and its culture.  I needed to finish everything in 2012 due to production and distribution deadlines.   I was nervous at the thought of meeting the author of “Gainsbourg” because I felt so close to the book, that I almost forgot that there was a living author behind it.  I was so used to working with Paul mostly on the Boris Vian titles I publish, that I was totally not aware of working with a living author - until he wrote to me.  A very wonderful charming e-mail letting us know that’s he’s around to help, and that was a great help to our production of this book.   Over various e-mails to Paul, Gilles was very helpful and a great supporter of getting this “Gainsbourg” published in English.

So when I finally met him at a Paris restaurant, I was anxious.  On top of that he was late and i didn’t have a cell phone on me for this trip.  But I waited, and I dared not to move from our agreed spot to meet.  From a distance I saw a gentleman walking towards me and just by his walk there was a certain amount of character - I thought to myself “that has to be Gilles!”  It was and he was perfectly charming about being late and then for the next three hours over a meal we talked about Gainsbourg and his life.  I remember that I had so many endless questions to ask him about Serge, but not only that I was deeply curious about Gilles life as well. 

 From the very beginning he brought up the fact that he has two sons, and this I gather right away was a very important fact to him.  I know nothing about his parents but to him family meant his two sons.  Gilles appeared to be young, so I was kind of surprised to learn his two sons were around 19 to 21 years old because Gilles seemed ageless to me.  I think people who love rock n’ roll are ageless in a sense.  They are dealing with a passion that they picked up when they were young, and if it stays with you, it becomes an appearance of youth.  Gilles and I were from the same generation, so we shared that, but also a love of the pop music world and all the off-shoots of it.

Reading the “Gainsbourg” biography I was so impressed that Gilles met every leading figure in the French entertainment world.  Serge Gainsbourg is not only a pop artist, but also an entrance to the complex and wonderful world of the French pop world.  On one level, Gilles served as a tour guide to that world, where non-speaking French language people have an inside view of that fascinating planet known as the French entertainment world.  Gilles really conveys the importance of Gainsbourg, but also gives the bigger picture of what is French pop music as well as its cinema world.  So I was impressed that this man across the table from me interviewed almost every major iconic French star for his book.  As an American I couldn’t imagine being in the same room with these people, yet Gilles managed to talk to them and I just wanted to know what Juliette Gréco was like in person - but I was too shy to ask such a fan-type question. 

That summer he came to Los Angeles to promote the newly published edition of “Gainsbourg” as well as taking an old-fashioned tourist trip with his two sons.  It appeared to me that this journey was very important to Gilles.  One, because his book is being published in the States, but two, and even more important to him, he was with his sons.  Gilles strikes me as someone who likes U.S. culture a lot.  In that sense he reminds me of Jean-Pierre Melville, the great French filmmaker, who had an obsession with U.S. pop culture.   The fact he even took the name “Melville” as a nod to the great American author, that somewhat represented America to the iconic film artist.   With a short time it seemed Gilles and his sons went to every major tourist spot in Los Angeles as well as San Francisco.  The last time I saw him he was a shade of red, due to the sun from the desert. 

I think what really impressed him was doing an event for the book at City Lights Bookstore in San Francisco.  Gilles couldn’t get over the fact that he was part of the City Lights world due to it being the most iconic American bookstore in the country.  It was like the filmmaker Melville actually met the writer Melville!  For both events, one at the D.A.P. space in Los Angeles and the other at City Lights was a total success.  The memory of it now makes me happy, because god anything can go wrong in the book world.  But alas, it was a series of perfect moments with the perfect guy. 

A couple of days ago I heard about Gilles’ death,either from a heart attack or falling down a staircase, which at  this moment, seems unbelievable.  For one, he was such a happy figure in my mind.  He really enjoyed life as it was happening.  Serge Gainsbourg had the perfect biographer, and Oscar and Victor, his two sons, I think had a great Dad.

Paul Knobloch, Tosh Berman & Gilles Verlant

Juan Rodriguez's review of "Gainsbourg the Biography" by Gilles Verlant

Serge Gainsbourg’s place in French music was thoroughly investigated by Gilles Verlant, whose biography of the singer is now available in an English translation. (Photo: Les Francofolies de Montréal)

Read more: http://www.montrealgazette.com/entertainment/music/Juan+Rodriguez+Serge+Gainsbourg+genius+lost/7677345/story.html

By Juan Rodriguez, special to The Gazette

Serge Gainsbourg was short, had elephantine ears, a large nose, bug eyes, a foul mouth, and a motto: “For me, provocation is oxygen.” He smoked like a chimney. He was also as successful a skirt-chaser (Brigitte Bardot, Catherine Deneuve, France Gall and Jane Birkin were among his most well-known conquests) as he was a brilliant songwriter (a majority of his interpreters were women), master of the double entendre.

He was loaded with anti-charisma — his first words to Whitney Houston on a TV show were “I want to f--- you” — yet he was a perverse charmer. “Women adore misogynists,” he claimed; one of his preferred pickup lines was “Mind if I sit down, you little tart?” French president François Mitterrand characterized him as “our Baudelaire, our Apollinaire,” but his various musical periods also qualified him as the Picasso of pop. (He stole liberally from Chopin.)

Apart from the admirable but hardly complete A Fistful of Gitanes, by Sylvie Simmons (author of the recent excellent Leonard Cohen biography I’m Your Man), there’s not much in English on the great iconoclast of French pop. Now comes the English translation of Serge Gainsbourg by Gilles Verlant (under the title Gainsbourg: The Biography, from Tam Tam Books), the French journalist who spent more time interviewing Gainsbourg than any other.
The depth of his investigation into the agent provocateur’s place in French music is abundant throughout this hefty 575-page tome, originally published in 2000. Without indulging into too much armchair psychology, we come away with plenty of raison d’être for the man who was forced to wear a yellow Jewish star as an adolescent during the Nazi occupation. He boomeranged the anti-Semitism of those times with perverse irony on the 1975 album Rock Around the Bunker.

He was born Lucien Ginsburg to parents who fled the Russian Revolution and anti-Semitism; his father, Joseph, was a classical pianist who played nightclub gigs to get by; his mother, Olia, was a mezzo-soprano.

The household was cultured (attuned to André Breton, Man Ray et al), something overlooked in Gainsbourg’s penchant for scandal. At the beginning of his career, he suffered from stage fright and was discouraged because of his apparent “ugliness.” He was hardly in the league of Jacques Brel, Charles Aznavour, Georges Brassens or Yves Montand as a romantic hero, yet his power to shock — in either a disquieting sense or with inimitable irreverence (setting La Marseillaise to a stoned reggae beat) — set him apart, and was somehow more profound than his more genteel contemporaries. When some suggested that his biggest international hit, Je t’aime ... moi non plus, was simply a tape of Gainsbourg and Birkin engaged in sex, he quipped: “Thank goodness it wasn’t, otherwise I hope it would have been a long-player.”

Despite being littered with typos, the book is a page-turner. Although translator Paul Knobloch has drawn some heat for supposedly taking liberties, his adaptation of Gainsbourg’s lyrics is pure genius; most of the translations rhyme — an extraordinarily difficult creative act.

Alongside Simmons’s tome on Cohen, The One: The Life and Music of James Brown by R.J. Smith, and Gustav Mahler by Jens Malte Fischer, this is among the very best musical biographies I’ve read this year.

Read more: http://www.montrealgazette.com/entertainment/music/Juan+Rodriguez+Serge+Gainsbourg+genius+lost/7677345/story.html