Showing posts with label Luchino Visconti. Show all posts
Showing posts with label Luchino Visconti. Show all posts

Monday, December 11, 2017

Boze Hadleigh Conversations With My Elders on Tea With Tosh





Boze Hadleigh is an author who specializes in writing books about cinema history and LGBT culture and film.  Here we chat about his book "Conversations With My Elders" (later republished under the title "Celluloid Gaze").  The book is a series of interviews with gay film artists and individuals such as Rock Hudson, George Cukor, Sal Mineo, Luchino Visconti, British great Quentin Crisp, and a man of all trades, Cecil Beaton.  I especially enjoyed the chapter and interview with German filmmaking genius Rainer Werner Fassbinder.  From the year 1987.

Tuesday, July 19, 2016

La Notti Bianche (White Nights) by Luchino Visconti


I saw the most amazing film last night.  La Notti Bianche (White Nights) by Luchino Visconti.   For one, I can't imagine having Marcello Mastroianni and Jean Marais in the same room or scene.   Two different visions of male beauty.   The Mastroianni character is great.  He's sort of the typical Italian guy in a new town, looking for an obsession.  He finds it in Maria Schell, who in turn is obsessed with Jean Marais.   The Marais and Schell characters are much more complexly than Mastroianni - and it's interesting to see how he is placed in this remote yet seductive world.   The cinematography is brilliant, and I believe the story takes place in Venice, Italy.  If so, the landscape of that Italian city is a separate character in the film as well.  Another highlight is a great dance scene in the middle of the film.  When Italians rock, they rock (dance) hard.  I haven't seen such  a great film in a long time - so it was a shock to come upon Notti Bianche, to remind me that the cinema arts is superb.  




Sunday, November 2, 2014

November 2, 2014



November 2, 2014

The ordinary world is so dull.  Day-in-day-out.  One has to re-imagine themselves just to brush off the offensive personalities that are of “that” landscape.  One needs to take a space and make it special.  I have often admired the work of Rudy van Gelder, due that he took a room, made it to his specification for the perfect sound to capture music genius’s sounds.  Throughout my life I tried to find the perfect location to do my writing, but alas, I seem to fail.  I first began working in my personal library, but I found myself enclosed in a world of my making, in other words, the books I have read and worshiped.  The books have a tendency to reflect the personality that I desperately want or desire, and once I approach the empty piece of paper … it stays empty.



I try to re-imagine myself in a world that is artificial, and therefore I’m drawn to films made by Luchino Visconti - because the setting appears to be much larger than the characters. I’m thinking specifically of “Death inVenice” and “The Damned.” Both locations are inflicted with decay, and the death of a culture can be an inspirational torch to get one to be creative.  On the other hand, for me who I find contemporary culture to be unexciting, lifeless… It’s a stretch of my imagination to convey a better world out of that miserable existence that I call the 21st century.



On the other hand, I need a landscape that seems real to me.  I was very much raised in the world of comic books, and one illustrator that has always captured my attention is Steve Ditko, who seemed to have an almost feminine approach to his super-heroes.   Doctor Strange is very psychedelic - almost too much for my sensibilities. His adventures take place on another dimension, that is hard for me to understand or grasp.  I can’t identify myself in such a world.  Perhaps because it is just so fantastic.  I need a landscape that is clearly decaying.  The 21st century is for sure in that mode, but it is so dreary it is hard for me to get my imagination around it.



The way I see it, I don’t want to shoot contemporary culture with an elephant gun, so I wished it would just shuffle along.  Yet, it stays like a bad odor in a public bathroom.   Boredom is worn proudly on their jacket lapel. With that in mind, I always remember the quote from Jules Barbey d’Aurevilly:  “Hatred needs scorn.  Scorn is hatred’s nectar.” I have a print-out of that quote and I attach it to my notebook, as an inspiration or motivation to finish a project.  My feeling of disgust is the hunger within that makes me want to write, to create - a better world?


Saturday, December 8, 2007

Ossessione A GO-GO

i just finished watching Luchino Visconti's "Ossessione" (Obsession) which is the first film version (of three made) of James Cain's novel "The Postman Always Rings Twice." And if I am not mistaken it is also the first film by Visconti. So far I am half-way through the short novel, and I prefer the Visconti film than the original source.

What's interesting is Visconti added a 'gay' subtext or story that is not in the novel. It gave the main male character more depth, which is interesting due to the fact that Cain's novel has no backstory or background of its main characters. When I finish the novel I will add more thoughts...

Friday, December 7, 2007

James Cain, Luchino Visconti, The Postman Always Rings Twice, and Ossessione



This weekend I plan to stay home and read James Cain's "The Postman Always Rings Twice and then watch Luchino Visconti's first film "Ossessione."



I was never a huge fan of Cain's work, but I haven't read this book since I was a teenager. It was time for me to re-visit my youth in a sense.



On the other hand, Visconti never disappoints me! If I have the time I will also see the Tay Garnett film version with Lana Turner and John Garfield. It seems Garnett was a gag man for Mack Sennett, which is fantastic.