Showing posts with label Raymond Roussel. Show all posts
Showing posts with label Raymond Roussel. Show all posts

Friday, August 19, 2022

Raymond Roussel Tribute by Tosh Berman

 


I think of Raymond Roussel's work whenever I'm on an island. Inspired by Roussel, the actual location Izu Ōshima is two and a half hours away from Tokyo. When Lun*na and I stayed there for an arts festival, we had only cold water and intense heat with the addition of strange biting insects and an island full of abandoned cats. You could have cut the air with a knife. Under all this, I wrote "The Impressions of Izu Ōshima" in a feverish (the only way) manner. Read Part 2 here:

Thursday, August 11, 2022

Subscribe to tosh.substack.com

 


Two things that impressed me in life are the writer Raymond Roussel and Japan. The next piece I will publish/post on my Substack page is Part One of "Impressions of Izu Ōshima." Subscribe to tosh.substack.com

Saturday, December 28, 2019

Tosh's Favorite Reads (Books) for 2019

Tosh’s top Books in 2019:


“Typewriters, Bombs, Jellyfish: Essays” by Tom McCarthy (NYRB)

“Rebel Rebel” & “Ashes to Ashes” by Chris O’Leary

“Head-to-Toe Portrait of Suzanne” by Roland Topor (Atlas Press)

“Death Valley Superstars: Occasionally Fatal Adventures in Filmland” by Duke Haney

“The Alley of Fireflies and Other Stories” by Raymond Roussel (Song Cave)

“The Orchid Stories” by Kenward Elmslie (Song Cave)

“Curl” by T.O.Bobe (Wakefield Press)

“Mac’s Problem” by Enrique Vila-Matas (New Directions)

“Another Ventriloquist” by Adam Penn Gilders (J &L Books)

“When I Was a Wolf: Outlaw Takes on Fables and Fairy Tales” by Shuji Terayama (Kurodahan Press)

“The Artificial Silk Girl” by Irmgard Deun (Penguin Classics)

“The Sundays of Jean Dézert” by Jean de La Ville de Mirmont (Wakefield Press)

“In Black and White” by Junichiro Tanizaki (Columbia University Press)

“Ennio Morricone: In His Own Words” by Morricone and Alessandro De Rosa (Oxford University Press)

“Year of the Monkey” by Patti Smith (Knopf)

“Nada” by Jean-Patrick Manchette (NYRB)

“I’ve Seen the Future and I’m Not Going: The Art Scene and Downtown New York in the 1980s” by Peter McGough (Pantheon Books)

“Intelligence for Dummies: Essays and Other Collected Writings” by Glenn O’Brien (ZE Books)

“Life for Sale” by Yukio Mishima (Penguin Classics) 

“The Man Without Talent” by Yoshiharu Tsuge (NYRB)

“Punk Rock is Cool for the End of the World” by Ed Smith (Turtlepoint Press)

“Essays:One” by Lydia Davis

Monday, April 24, 2017

"Roussel Returns" by Mark von Schlegell (Semitext[e])


I pretty much purchase anything that has the name "Raymond Roussel" on its cover. Which means, I read everything that is possible on this fantastic French writer. For me, Roussel is very much the ground zero of avant-garde culture, which is ironic, because Roussel pretty much wanted the mass audience, and by no means did he see his work as being a difficult read. The fact that he didn't have the masses, but instead had every significant avant-garde artist, poet, and writer as fans, well, at least he had emotional backing.

If you dig deep enough in one's favorite literary bookstore or library, you can find books on Roussel in English. What is there not to like about him? He was rich, and he spent his fortune in producing his books as well as doing a big budget theater piece based on his masterpiece "Impressions of Africa." He had a limo/automobile in the 1900s that was probably the first limo, or at least a car where he didn't have to leave to go to the bathroom. He wore his suits once, and then never again. The ultimate dandy in a country (France) full of dandies. But his real brilliance is his writings. Word-play, amazing non-plotting, yet spectacular images of new machines, and even newer locations. One can think of him as an early pioneer of science fiction narrative. Mark von Schlegell wrote a beautiful and fascinating essay on Roussel, where he states the importance of Roussel's work in line with Jules Verne and Edgar Allen Poe. The thing with Roussel, in many ways, he predicted the Internet, and the method of artists who had their fortune, produce work for the consumer.

Schlegell makes interesting sight into the world of Roussel, and how one shouldn't only look at him as a man of wealth (which he was of course) but also as a worker, who could work anywhere in the world. He built his car which is a combination of a mobile home as well as a workspace where he can do his writing anywhere in the world, with the help of a large ship as well. Him being mobile gave him the ability to see the world, but the real travel was always in his head and within the boundaries of his imagination.

A superb chapbook published by Semiotext[e] and well-worth the journey in locating this Roussel-appreciation. Here's the website to purchase "Roussel Returns": http://www.semiotextes.com/shop/rouss...

Saturday, December 26, 2015

"The Illogic of Kassel" by Enrique Vila-Matas (New Directions)

ISBN: 978-0-8112-2149-8 New Directions

"The Illogic of Kassel" by Enrique Vila-Matas (New Directions)

Kassel maybe illogical, but it's totally logical for Barcelona citizen Enrique Vila-Matas to write a book that takes place in Kassel, Germany during the Documenta arts festival.  For one, Vila-Matas is one of my favorite living writers, which is saying a lot, because it seems that I only deal with dead authors - but alas, that is only an illusion.    The beauty of Vila-Matas' novels is that they are somewhere between fiction and lit-crit.   All the novels I read so far focuses on literary history and the importance of the location in how and where this literature was produced.  Sometimes the reader forgets that they are reading a work of fiction (technically speaking) and not literary history.   The narrator of this novel is Vila-Matas, and he's invited to participate in the Documenta arts festival by one, writing and giving a lecture there, but also as a performance piece where he writes in a Chinese Restaurant where the public or diners can come and go while he's working.  This to me, would be a dream place for me to work, but for Vila-Matas, it is both an interesting concept as well as a form of hell. 

There are so many levels of things happening in this book.  One is of an author who feels misplaced in such a landscape, but it is also a critique of the festival and its artists, as well as the role of the writer in such a location and the role one has to take to be, either an artist or critic.  Since I have read all his novels, I suspect the author is fascinated by the division between the role of the critic, the historian as well as a fiction writer.   I didn't google all the artists that came up in this novel, because I suspect that they are all real and probably very well known visual artists, mostly from Europe.   Some I know, so I trust his "voice" regarding the others.  

As a writer (if I may call myself one) I find this novel fascinating.   On the narrative level, it is about being a writer, a man of words, and coming to an environment that is mostly visual. Vila-Matas mentions Raymond Roussel quite a lot throughout the book, and like the French authors' novels, he too comments on what is happening on the island (in this case the German town Kassel).   He goes to see artists that were recommended to him, and basically he is sort of an open book with respect to the art works he is dealing with   This is the critical aspect of the novel, and the narration is him dealing with "his" work on hand.   For a writer this is something that one does all the time, but I think for a reader, they are kind of forced to see what a writer goes through, with respect to his or hers subject matter.   I, clearly identify with the position of such a novelist like Enrique Vila-Matas.  

Also for the reader, they will probably get more enjoyment out of the book if they knew the tradition of the Documenta festival, as well as the authors that Vila-Matas mentions, for example Nietzsche, Sopie Calle, and of course, Raymond Roussel.   Contemporary art geeks I think would love this book, but also noted is the playfulness of being a narrator and what is real or not real.   Vila-Matas is a master, and I'm happy to swim in his bathwater.  

Saturday, July 5, 2014

July 5, 2014



July 5, 2014

Generally speaking there are two separate types of people on this planet, Hustler, and the hustled.  Or you can think of it as people who are leaders, and the rest are followers.  In most cases, it is a hustle, and I think America in general is really good at the hustle, and in fact it is a nation of hustlers.   This seems like a negative connotation, but in fact many hustlers are visionaries, in fact, I think most great writers and artists are hustlers.  It takes a special mind to look at a piece of paper, or even map, and plan out the narrative that is out there, and the hustler’s job is to make, and then sell that dream or art to the masses, or to even the few, who will appreciate that art.  Sadly people who go to work for a living are usually the hustled, where they don’t own or control their destiny.   Speaking on behalf of myself, I have been hovering somewhere between the hustled and the hustler.



The Hustle has been around since the dawn of time, but probably the first famous American hustler is P. T. Barnum.  The beauty of Barnum’s vision is that it was complete, where he made a world or a piece of the landscape that is total.  In 1841, he purchased Scudder’s American Museum and turned it into “Barnum’s American Museum.” All in one building you would have a zoo, museum, lecture hall, wax museum, theater, and of course a freak show.  He also filled the museum with dioramas, panoramas, cosmoramas, scientific instruments, modern appliances, a flea circus, a loom run by a dog, the trunk of a tree under which Jesus’ disciples sat, a hat worn by Ulysses S. Grant, an oyster bar,  a rifle range, taxidermists, phrenologists, pretty baby contests, Ned the learned seal, midgets, Chang and Eng the siamese twins, a menagerie of exotic animals, and the masterpiece without a doubt was the Feejee Mermaid (a mummified monkey’s torso with a fish’s tail).   Outside the building was almost as good as what was happening on the inside.  For the five story building he had illuminated panels, banners and flags that were lit all up with limelight.  He also had huge paintings of wild animals that were facing down the people on Broadway and Ann Street in New York City.  His other master stroke was to hire the worst musicians he can find and have them play on a balcony above the entrance.  The theory was that the horrible music being played would make the crowd go inside the building to get away from the noise.



Between 1841 and 1865, the museum attracted 38 million customers, each paying a quarter to get in, and remember the entire population of the United States at the time was around 32 million people.  So in other words, Barnum’s little museum was a gigantic success.  There is no mention or record of the writer Raymond Roussel going to the Barnum’s American Museum, but one would think he may have heard about it.  To go inside a structure or a piece of property where anything can happen, or to see the most amazing things.  I’m sure Barnum never looked himself as an artist, in fact, he was thinking about himself as a pure showman, but alas, what is it when a person creates a world of their own imagination?   And on top of that, to sell it to the masses.  On a certain level, Walt Disney did the same thing as Barnum, with his films and of course Disneyland - but I’m more amazed by Barnum’s over-the-top personality and the way he conveyed his sensibility on a large canvas which was his imagination.



The hustle part is getting the audience through one’s door to see the work that you made.   As I mentioned, there are two types of people on this planet.  But a hustler, there are various colors and types that make a hustler.  Leadership is one, but also thinks of one who first thought of building a nation.  Whatever it’s the United States, or Zionist’s Israel, it’s an act of imagination made into reality.  I’m never in-tuned to those who use the hustle for power or to cause misery in the neighborhood, but I greatly admire the artist, the con-(wo) man, and visionary who wants to build their own version of the world.


Wednesday, September 18, 2013

"Locus Solus. Impressions of Raymond Roussel"

ISBN 9788475069821

My ideal perfect book on a without doubt a perfect writer, that being Raymond Roussel.  "Locus Solus:. Impressions of Raymond Roussel" is a catalog of an exhibition that took place in Madrid, and for some reason the literature here is translated into English.  Oh joy!  Not only do we get samples of Roussel's writings, but also commentary by Dali, Breton, Soupault, and a fascinating interview with the great American poet John Ashbery.   He is probably the only American in the 50's who had an interest in Roussel's work.  While he lived in France he contacted people who either knew Roussel or had a deep interest in his work.

Roussel was a man who had a small audience for his work, but like the Velvet Underground, each member started their own important band.  Roussel's followers were the DADA, the Surrealists, The New York School of Poetry, Georges Perec & his group, and basically anything that even stinks of the avant-garde that has a limb attached to the works of Roussel.   Probably the biggest influence on an artist is Marcel Duchamp.  The French, but New Yorker, genius based a lot of his ideas on Roussel's visual sense as well as his thoughts about the presentation of things that happen.   In his mind, Roussel thought himself as an equal to Verne and Hugo, but the truth is his work was not noticed at all in the bestselling group of writers.  He belong to the gutter of the avant-garde, but alas, the gifts he brings is endless and quite complex.  The greatest joy in reading Roussel is similiar to someone taking you for a ride in a very interesting neighborhood, a place you don't understand, but equally remarkable for its daring and perverse beauty.  

This book is a great introduction to the world of Roussel, and everyone from Dali to Mike Kelley allowed themselves to be touched by his genius.  And without a doubt Roussel was a genius.  To see the world with his eyes is a combination of a horror and carnival show mixed with a certain amount of beauty.  And it these images that he produces through his writing that had such a major affect on the contemporary art world - even to this day.  Buy and own this book before it totally disappears into the world of high-priced used books. 


Thursday, August 29, 2013

Georges Perec and the OULIPO "Winter Journeys" Atlas Press

Atlas Press, distributed by D.A.P. ISBN 9781900565646
There is nothing more fun than reading a literary work that is about books. Or the idea of books, and how it can lead to an adventure. The OULIPO group that was originally formed by Raymond Queneau is such a group that reads and writes book that becomes a game or even an quasi-science project. Georges Perec is considered the Shakespeare of the group, and therefore he leads the race with this specific book "Winter Journeys." Which, in return has caused a series of little books by writers in the OULIPO group that either continue or expand or just comments on Perec's original piece.


Perec writes of a writer named Hugo Vernier who wrote a book called "The Winter Journey" which book is before everyone else's great book. in fact his writing is the key book of avant-garde literature. Except no one has really seen it, but they have heard of it. Like a chain-letter, the various writers in Perec's world, continue the adventure of this book and what became of it or if even found.  So what we have here is really a book about literature and how powerful it is as an object, or a collection of ideas. Bibliophile galore!


For those who either tipped their toes in the OULIPO world or are full-time addicts to its games and fun, this is the book to get. Also, strange enough the key graphic aspect of the book is done by the guy who originally illustrated Raymond Roussel's great "Impression of Africa." You see everything links up. Not a paranoid conspiracy but fact!

Friday, August 10, 2012

"Many Subtle Channels" by Daniel Levin Becker




Superb book that is both the history and the explanation of the great literary group OULIPO. Daniel Levn Becker, the author, actually became an official member of the OULIPO, and it's with great humor and appreciation of these rather 'eccentric' characters that make up this group that are obsessed with word games and how those games turn into literature.

When I first picked up the book I thought it maybe a very dry look or approach to OULIPO, but alas, it is anything but. "Many Subtle Channels" is a personal look into the works of Georges Perec, Raymond Queneau, Harry Mathews, Jacques Roubaud and others. What sounds like party games is actually a deeply involvement with literature and how it works. But done with great humor and wit. An important book on its subject matter, but also a great read.

"Bookworm" with Michael Silverblatt.  Interviewing members of Oulupo.

Oulupo at work

Georges Perec

Raymond Queneau

Jacques Roubaud

Thursday, May 19, 2011

"Impressions of Africa" by Raymond Roussel

Very, very excited to see a new translation of Raymond Roussel's masterpiece "Impressions of Africa."  Mark Polizzotti is doing the translating and the great press Dalkey Archive is publishing it.  Coming out June 24th, 2011


And this is the translation that is out now, and I believe it was done in 1966. Oneworld Classics just re-release this great book and you should get it too.  I am firm believer that you can't get enough translations of a great classic  - and "Impressions of Africa" is a classic in that 'classic' sense.

Raymond Roussel's "Locus Solus"

I read this book some years ago, and to this day I felt I dreamt it. Not meaning it's a Surrealist work - and some argue it is - at least by its nature. But re-reading "Locus Solus" reminds me of the Museum of Jurrastic Technology here in Los Angeles. One goes into the museum not sure how it will turn out in the end, but for sure you are going for a wild intellectual and sensual journey. 

There is no real plot for say, but more of a group of settings where things happen Some are narratives and some are almost visual set pieces. Which explains why Roussel was a major influence on the visual arts of the early 20th Century as well as to poets. His mixture of images within bizarre settings never gets stale. The wealthy scientist Cantarel takes a group on a tour of his estate, and what he has in his collection.... Oh my! 
In many ways the book is about obsessions. About capturing a moment and keeping it is some form or another. And that the author is Raymond Roussel, perhaps one of the great obsessive writers ever. A wealthy man who paid for the publication for this book (as well as his other titles). An author who eventually put together a huge stage show in Paris - and a man who traveled around the world and never left the ocean liner. So the world of his choice are all in his head. And this is what makes his work so great. 
There is logic, but its in a science fiction turn of the century way of looking at the world. And that is another odd aspect to his work is that he is clearly a man from the 19th Century dealing with the 20th Century world. Without a doubt a work of genius, and a book I will re-read again and again.

Sunday, March 27, 2011

Raymond Roussel's "New Impressions of Africia"

First of all anyone who is interested in 20th century literature should have a copy of this book. Number two, beyond the hype or stories how this book affected the 20th Century and beyond - this is pretty damn great book. Raymond Roussel was one of those guys who had it. And yes extremely wealthy and extremely neurotic - but nevertheless a superb genius. 

So what we have is a poetry book that is also probably the most clever "literary" puzzle ever. The translator Mark Ford, who is also the English biographer of M. Roussel did a remarkable and perhaps impossible translation. Yet the popular pop culture of this work comes through and it really lives in the 21st Century.  Now bring on  the big budget Broadway version of this poem on stage!