Showing posts with label John Wieners. Show all posts
Showing posts with label John Wieners. Show all posts

Monday, November 9, 2015

"Stars Seen in Person: Selected Journals" by John Wieners (City Lights Books)

ISBN: 978-0-87286-668-3 City Lights Books

"Stars Seen in Person: Selected Journals" by John Wieners (City Lights Books)

A poet's journal is always interesting, because it's looking into the mind of the poet, and one can trace the thinking pattern in what makes their work or writing happen.   Or in some cases, not happen.   It's very strange to come upon this book, because my dad, Wallace Berman, is mentioned in its pages - both in the introduction as well as in John Wieners' journal.  At the time of writing "Blauuwildebeestefontein" journal, he was staying with us in Beverly Glen.   So like a phantom, my dad does make an appearance, but alas, in the mind of Wieners it becomes a figure of importance, but alas, a faint mist. 

The poetry / writing of John Wieners is very romantic.  When he writes about his surroundings, or instance either Boston or Manhattan, it reads extremely glamourous.  The city I often felt, were not made for citizens to live in, but for poets to comment on.  The urban landscape becomes something else in the hands of a poet.   John was (or is) a fantastic poet.  He had an incredible eye for detail - in the sense that he was a great sketch artist capturing an image, but he would do it with words.   The journals in this book (four of them) are sometimes a diary, in a very loose narrative, or straight ahead poetry.  Sometimes a combination of the two - a narration as poetry.   Nevertheless he captures angst in his words, and some of it is painful read, specifically about his one female lover (John was gay) and the child that didn't happen.   Reading the unhappiness, I almost wanted to skip this part of the journal, but alas, it is either the pain or just his enormous presence on the page keeps the reader going. 

In its simplicity, I love the last part of the journal where he just mentions a celebrity and where he saw that person.  For instance:  

"George Sanders
passing in Cadillac"

"Peter Lorre outside upper
Times Square Theatre" 

The name that captured my attention is this section is Dean Stockwell and Bobby Driscoll, whom were not only actors, but very close friends to my dad and I have to imagine John knew them as well.   It's interesting that he put them in the "Stars Seen in Person" category. 

A beautiful book, with nice editing from Michael Seth Stewart, and a personal preface by Ammiel Allcalay, who met Wieners as a teenager.  On a personal note, John Wieners was also my babysitter.    A poet/babysitter is a very seductive quality for a future writer/publisher. 

- Tosh Berman

Thursday, October 8, 2015

Semina Culture Wallace Berman & His Circle ARTBOOK | D.A.P. 2015 Catalog Books Exhibition Catalogues 9781938922725


Semina Culture: Wallace Berman & His Circle

Published by D.A.P./Santa Monica Museum of Art
Edited with text by Michael Duncan, Kristine McKenna. Text by Stephen Fredman.

Featured image, Wallace Berman's "Untitled" verifax collage, 1961–62, is reproduced from <I>Semina Culture</I>.This reprint of the now classic and much sought-after 2005 volume celebrates the circle of the quintessential visual artist of the Beat era, Wallace Berman (1926–76), who remains one of the best-kept secrets of the postwar era. A crucial figure in California's underground culture, Berman was a catalyst who traversed many different worlds, transferring ideas and dreams from one circle to the next. His larger community is the subject of Semina Culture, which includes previously unseen works by 52 artists. Anchoring this publication is Semina, a loose-leaf art and poetry journal that Berman published in nine issues between 1955 and 1964. Although printed in extremely short runs and distributed to only a handful of friends and sympathizers, Semina is a brilliant and beautifully made compendium of the most interesting artists and poets of its time, and is today a very rare collector's item. Showcasing the individuals that defined a still-potent strand of postwar counterculture, Semina Culture outlines the energies and values of this fascinating circle. Also reproduced here are works by those who appear in Berman's own photographs, approximately 100 of which were recently developed from vintage negatives, and which are seen here for the first time. These artists, actors, poets, curators, musicians and filmmakers include Robert Alexander, John Altoon, Toni Basil, Wallace Berman, Ray Bremser, Bonnie Bremser, Charles Britten, Joan Brown, Cameron, Bruce Conner, Jean Conner, Jay DeFeo, Diane DiPrima, Kirby Doyle, Bobby Driscoll, Robert Duncan, Joe Dunn, Llyn Foulkes, Ralph Gibson, Allen Ginsberg, George Herms, Jack Hirschman, Walter Hopps, Dennis Hopper, Billy Jahrmarkt, Jess, Lawrence Jordan, Patricia Jordan, Bob Kaufman, Philip Lamantia, William Margolis, Michael McClure, David Meltzer, Taylor Mead, Henry Miller, Stuart Perkoff, Jack Smith, Dean Stockwell, Ben Talbert, Russ Tamblyn, Aya (Tarlow), Alexander Trocchi, Edmund Teske, Zack Walsh, Lew Welch and John Wieners.

Featured image, Wallace Berman's "Untitled" verifax collage, 1961–62, is reproduced from Semina Culture.

Semina Culture Wallace Berman & His Circle ARTBOOK | D.A.P. 2015 Catalog Books Exhibition Catalogues 9781938922725