Sunday, January 31, 2021

The Albums That Were Important To Me in 2002

 




2002 was when America opened up the Pandora Box concerning Iraq and other faraway places. We are, to this day, can't bring the evil spirits back into that box. Nevertheless, the world's anxiety brought three magnificent albums, and those three were made by veterans of the pop music world. At this point, I remember feeling a sense of shame that I loved these albums over Wilco's release of that year, for instance.  I pretty much ignored the newer artists for these old guys, yet, the music they were making was way more ahead of their time. 


Bryan Ferry's "Frantic" is one of his more astonishing recordings. Unexpectedly I didn't think this would be even an impressive Ferry album. I was wrong. It's a superb album with Ferry in all his strengths. Also, I presume that the album was recorded over a time or even years. Still, the recordings and songs were as fresh as my memory of hearing the first Roxy Music album. It sounded like 'now,' and for whatever reason, "Frantic" sounded contemporary in the right way. The Ferry originals are up there with his classic songs from the past. His two Dylan covers on the album, I think, are magnificent. The classic here is an Eno/Ferry tune, "I Thought." It captures the early Roxy, but also the haunting lyrics with even the sad music is something of great beauty. 


Looking at the present and forward at the same time is David Bowie's "Heathen." The album does have the post 9/11 mood, which I believing he was recording this album on that date. "Sunday," "A Better Future," and "Heathen (The Rays) are first-class Bowie tunes, and having Tony Visconti back in the production seat is also a plus for this late Bowie masterpiece. His cover of The Pixies "Cactus" is respectful to the original. And his beloved early idol, Legendary Stardust Cowboy's "I Took A Trip On A Gemini Spaceship, is a goofy but incredibly romantic song. 


Most hardcore Sparks' fans feel that the Island Records era of Sparks is the masterpiece era, as well as "No. One Song in Heaven." "Lil Beethoven" is a masterpiece as well. Like Bowie, very much in the present, and their eyes on to the future.  In places, it reminds me of Steve Reich's music, but with a strong hip-hop overture and melodic tunes. Chamber pop but done in the 21st century. A masterpiece. Everything else released in 2002 was neither here nor there. Still, these three albums are influential works by artists with a beautiful history. 

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